Tone In Oedipus Rex

The author of Oedipus, Sophocles, introduces a worthy rival to the main character Oedipus.Tiresias, who considers himself to be an equal to the Great King. Tiresias admits, “You are a king. But where the argument’s concerned // I am your man, as much as a king as you.// I am not your servant, but Apollo’s.”(Sophocles) While simultaneously trying to defend his honour and bring justice to Thebes, Oedipus argues about the integrity of Creon’s source. Tiresias retorts Oedipus’ impulsive accusations, in a studious, and King like manner.Tiresias’ diligent retaliation is dramatically significant because it develops Oedipus’ character; Oedipus is humanized and revered less as a God because of his flaws. The power dynamic shift causes the audience to become more judgemental of Oedipus since someone is holding him accountable for his behaviour. Additionally, the passage adds to the mystery of the plot and creates suspense, through Sophocles’ use of paradox, and imagery which cause the mood to change and creates a compelling story. Both of these elements cause the audience to pay attention to the drastic changes in character, and mood, to highlight the major theme of pride, power, and fate. Ultimately, the passage is intended to show the ignorance of Oedipus, and the awareness of Tiresias, who are symbols for the pervasiveness of fate.

Sophocles has a harsh and tragic style. He is a master at dramatic tragedies and irony. Oedipus Rex is scattered with ironic and very tragic moments. He also uses the chorus as a way to comment on a subject in the play. Foreshadows using various methods. He also uses imagery, rhetoric questions and metaphors.

“It’s a tragedy, it’s a classic. In a way, he’s got a character flaw that is going to cause his destruction, and it’s not going to come from the outside; it’s going to come from the inside of him. “ (Bennett Miller). What exactly is a classic tragedy? It is the story of a hero or heroes who tend to have it all, but through misfortune they lose everything. The story also has to take place in one time period, one set location, and most importantly it’s one individual story. Sophocles was a tragedian author who lived from 496-406 B.C. He wrote many different works in his time period, but only 7 survived in complete form. One of the most important works he produced was Oedipus The King, and that famous work has kept him king of the throne of classic

"Overview: Oedipus Rex." Drama for Students. Ed. David M. Galens and Lynn M. Spampinato. Vol. 1.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

Greek tragedies Oedipus the King and Euripides’ Bacchae are both timeless stories in Greek literature. The engaging plot of both is what is most rememberable however the significance of the chorus is overlooked. The chorus can be defined simply as a group of dancers and singers that participate in dramas by singing poetically and lyrically in certain pauses of the play. The music, movements and gestures of the chorus symbolically define the mood and the themes of the play as the story line develops. The flow of Oedipus the King and Bacchae are dependent on the chorus, proving their significance.

Throughout the play the use of dramatic irony is used to a wide extent, adding to this is the use of realism, focusing on the words. We are introduced the chorus in the first Parodos, they all look fairly identical dressed in black and white symbolising knowledge and wisdom. Don Taylor has used the chorus very well in this version of Oedipus; they always seemed to be making distinctive sharp shapes and movements in order. The chorus are directly speaking to the Gods, visually portraying this by focusing on the heavens above when they spoke. Don Taylor modernises them to seem like jury, at the end of each episode reflecting upon the events happening. Their language and the way they are presented are fast pasted and have a very flowing rhythm.

Aristotle’s “The Poetics” describes the process of a tragedy. It is not the guide per se of writing a tragedy but is the idea’s Aristotle collected while studying tragedies. A tragedy, according to Aristotle, consists of six major points. The first and most important is the plot, which is what all the other points are based on. Such points are: character, language, thought, melody, and spectacle (Aristotle). A prime example of the usage of these parts in a tragic drama is evident in Sophocles’ “Oedipus Rex”.

Oedipus Rex is a story that can be interpreted on many different levels of thinking. The ancient tale has existed for centuries and has been subjected to countless forms of analysis. What is it that makes Oedipus the King such a fascinating story? Is it the suspense of a developing mystery that captivates the audience? Or perhaps the wonderful feeling the readers get after vicariously experiencing the horror Oedipus feels? And if not that, could it be that the reader is intrigued at Sophocles' description of one man's disbelief in the gods? Whichever way one looks at it, Oedipus Tyrannus was, and remains, one of the "most highly admired plays of all time" (Wood, et al, 163).

The chorus is an essential feature of Greek classical drama. Instances of various types of dance, singing, and speech are some elements of a Greek chorus. “Composed of similarly costumed men, they performed on the orchestra located beneath the stage. The chorus stayed in the orchestra for the duration of the performance from which vantage point they observed and commented on the action of the characters.” Oedipus is a play written by Sophocles, a respected playwright, and it is “generally assumed that the main function of the Sophoclean chorus is a philosophical one; that it serves above all as the spokesman for a certain view of life.” The chorus can be dramatic in the following ways: “through the personality of the group forming the chorus and the appropriateness of their relationship to the action and the characters, through the iambic lines spoken by the coryphaeus, through physical participation in the action and through the choral songs.” The chorus is an important component of the Greek Tragedy Oedipus. Aside from its responsibility to effectively represent the people of Thebes, the chorus in Oedipus has a powerful influence over audience perceptions and emotions.

In the play Oedipus Rex, Oedipus unknowingly murders his father and marries his mother. When Oedipus discovers this he is disgusted with himself and decides to go into exile. The Misanthrope is a play about the self-exile of the main character Alceste. Challenged in court, he refuses to take back the criticism of a sonnet written by a powerful nobleman. Alceste and Oedipus are both convicted by their knowledge of the truth. Although, the United States grants asylum to more refuges than any other country, there is one man who has decided to self-exile.

Sophocles Oedipus the King is a tragic play which discusses the tragic discovery of Oedipus that he has killed his father and married his mother. The story of Oedipus was well-known to the Athenian's. Oedipus is the embodiment of the perfect Athenian. He is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Oedipus gained the rule of Thebes by answering the riddle of Sphinx. Sophocles used the riddle of the sphinx as a metaphor for the 3 phases of Oedipus' life and to further characterized him as a tragic man. The Sphinx posed the following riddle to all who came to obtain the rule of Thebes: “What is it that walks on 4 feet and 2 feet and 3 feet and has only one voice, when it walks on most feet it is the weakest?” Oedipus correctly answered “Man” and became the king of Thebes. This riddle is a metaphor for the life of Oedipus. As a child man crawls on his hands and knees this is the four feet to which the Sphinx refers. Also, man is at his weakest as a small child. He depends solely on others for his nourishment and well-being. Oedipus was the child of Jocasta and King Laius who was taken to the mountain by a Shepard to be killed so the omen of the god Apollo that Laius' son would kill him and lay with Jocasta would not come true. Oedipus was the weakest of his life at this point.

Throughout Poetics, Aristotle describes what traits a tragedy must have to be successful. To support these choices, he makes use of a small analysis of many tragedies, including many of Sophocles’ plays; Oedipus Rex is one of the plays mentioned in Aristotle’s Poetics. Some of these traits include a successful plot structure, recognition scenes, and a correct choice for its hero. In Oedipus Rex, Sophocles fulfills all of these requirements.

A final cultural difference is the importance of the chorus and its use in the plays Agamemnon, Oedipus, and Medea. The chorus was not highly involved in the action of the plays. In general, the chorus’ main functions were to create a psychological and emotional background to the action through its odes. It introduces and questions new characters, as well as point out the importance of events as they occurred, to establish facts and avow the outlook of society. Finally, the chorus covers the passage of time, between events, and separates episodes (Calder 21). Within the play Agamemnon, by Aeschylus, the chorus represents the voice of wisdom of the city as well as its limitations (Novelguide). The chorus’ limitations are clear when they fail to

        I think that in the play Oedipus, Sophocles intended the Chorus to be a constant significant part of the play, observing and reacting to situations, whilst never being the centre of attention during the main story, and only coming to the fore during the narrative passages of the play.