Tone Of Identity In Edna

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

The final reason for Edna’s escape from her troublesome life is the failure of her relationship with Robert. Edna was able to find some form of escape through her desire and hope of being with Robert, but when those plans fell through Edna feels as if she has nothing to look forward to, nothing to live for in life. Robert realizes that he and Edna will never be able to have a true

Deeper into Edna’s alternate personality, she begins to realize how much positive has come from the new Edna. When the Doctor and Edna finally get to meet, the Doctor talks with Edna in hopes of changing her back to the stereotypical wife Mr. Pontellier wants her to be. In the conversation between the two, Edna says, "The years that are gone seem like dreams--if one might go on sleeping and dreaming--but to wake up and find--oh! well! Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life" (Choppin 38). Edna is praising herself for being one of the few women who have been able to be a realist, and for not letting illusions pull her into a fantasy life. She believes it is better for one to live aware and conscious to the world around one’s self. This being a new way of looking at life at the time, especially for a woman. While there are many positive changes that are present in Edna’s life due to her recent awakening, there are some negatives as well. There are days where Edna feels as if she understands the world and everything within it. But then there are days where Edna feels utterly alone. Edna’s thoughts are expressed, in which she says, “There were days when she was unhappy, she did not know why—when it did not seem worthwhile to be glad or sorry, to be alive or dead...She could not work on such a day, nor weave fancies to stir her pulses and warm her blood” (Choppin 19). Edna expresses that she feels what appears to be a depressed mood at time, due to the life she has become awakened to. It is a confusing sadness that she does not know how to explain, completely countering the days of pure happiness that she often feels. Thus showing the change in Edna’s psychological views are apparent, and bring both happy, understandable thoughts, as well as

Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before.

Edna’s suicide was victory of self-expression. Edna undergoes a gradual awakening process in which portrays not to only her newly established independence from the constraints of her husband, but also her ability to go against the social norms of society in order to individually express herself. Her suicide encompases the question and critique of living life through the perspective of society such as being responsible for taking care of the kids, cleaning the house, and entertaining any guests that the husband may have over anytime. In the first couple of capters, the novel is quick to emphasize the gerneralized roles kthat are placed onto females, making it apparent that fe,ales are expected to successfully fulfil these roles. For example, Leonce enters home after being out and stated one of the kids had a fever. Edna was certain the child had no fever but Leonce belittles her capability as a mother for indifference with him. “If it was not a mother’s place to look after the children, whose on earth was it?” (27capac).

Adele and Mademoiselle's lifestyles seem to be the only two options for Edna. Kinninson believes that Edna's options are the reward of complete self-sacrifice versus the reproof of female self-assertion. No middle ground exist, just these extreme contradictions. Edna is a mother of two children but being a mother or "mother-woman" doesn't satisfy her soul and her desire for self-hood. This is all part of her "awakening" and finding herself. (Kinninson, 23-24)

She is moved by music. During that summer Edna sketches to find an artistic side to herself. She needs an outlet to express who she is. Edna feels that art is important and adds meaning to her life. After the summer is over and they are back to the city and Edna is a changed woman. She makes many steps towards independence. She stops holding "Tuesday socials", she sends her children to live in the country with their grandparents, she refuses to travel abroad with her husband, she moves out of the Lebrun house on Esplanade Street, and to earn money, she starts selling her sketches and betting the horses. She also starts a relationship with another man Alcee Arobin. He meant nothing to her emotionally but she used him for sexual pleasure. Edna evolved above her peers she did not believe that sexuality and motherhood had to be linked. The last step of her "awakening" is the realization that she can not fulfill her life in a society that will not allow her to be a person and a mother. Edna commits suicide in the ocean at Grand Isle.

She does not want to keep herself hidden from the outside world, unable to transcend the social barriers. However, Adéle Ratignolle represents the typical mother woman in the novel, who has accepted and embodied this socially constructed role. She does her duties without questioning her existence and she lets herself be locked in a "cage". Edna realizes that she does not want a life deprived of independence and freedom. She does not want to be locked up in a cage and that her wings are not clipped yet and she still has got a chance to break through to barriers.

The ideals Edna had were very progressive for her time. Just as expected she met a lot of push back from most since people do not like the idea of change But one of the biggest leaps she took was moving out of her own home. An understandable gesture for a woman coming into her own, for with a change of heart of change of setting is also needed. She tells

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

The Awakening Theme: Do not give into the pressures of society and search for your own identity Edna lives in a society that expects women to only take care of children and be an obedient wife. However, Edna feels trapped and does not want to be only limited to being a good wife. One day, she meets a young man named Robert who helps Edna awaken and she gradually begins to want to search for her own identity. Therefore, she has sexual awakenings with Alcee, so she can try to figure out herself.

Due to the restrictions put on Edna not only by her husband’s dedication to appearance, but by the society that encourages women to be viewed almost as property in a marriage instead of an equal participant in the relationship, Edna grows increasingly dissatisfied with her lifestyle, and feels as if she has been living two separate lives. The reader can sense this duality within Edna, even before she meets Robert leading the reader to believe that while the affair was the lynchpin for her awakening, there was always some dissatisfaction with her role in society. Chopin illustrates this when she describes Edna’s duality, stating: “Even as a child, she had lived her own small life all within herself. At a very early period she had apprehended

As the title of the novel reveals, awakenings are the most important as well as the most emotional parts of the story. Edna slowly awakens to her true self. She begins "daily casting aside that fictitious self which we assume like a garment with which to appear before the world." She creates her own awakenings with dreams and paintings (Gilbert 104). It is as if she tried to begin again, making a life that she could control and to become a new woman and be herself rather than what she was expected to be. Edna's awakenings were all a part of her defining her own self(Rosowski 44). She feared to have the conventional life that so many women had become trapped in. As she awakens, Edna becomes less and less traditional by stripping

From even the first few chapters of the novel it is evident that Edna is becoming aware of her concealed wants and desires as she begins to distance herself from the society that she considers herself to be an outsider in. While walking in town Edna

Edna begins to question the reason she’s considered lower and begins to rebel against the gender roles she was assigned. She begins to do as she pleases and at first doesn’t realize it, but is starting to become independent. She begins to no longer listen to her husband and goes against the social norms of women being obedient towards their husband. Edna didn’t care about what others thought by this point but she became a better person. She began to become a better mother and a better person because she grew and explored this new life that was her