Toni Erdmann Film Analysis

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

Hotel Rwanda is a film directed by Derek George that tackles one of the most shockingly disturbing events in recent history, when the Hutu radicals of Rwanda initiated a frightening crusade of genocide, slaughtering thousands of minority Tutsis while people from other countries did nothing and acted oblivious to what was going on in Rwanda. George vividly adapted Hotel Rwanda in a way that the viewer from beginning to end saw the effects of genocide, political corruption, and the consequences of violence. Depicted in the early 1990s , the views on ethnic conflict in Rwanda and the sequence of events is really descriptive and sometimes hard to watch as George digs deep into what happened in Rwanda. The early scenes in town set the scene amazingly for what’s to come throughout the film and gives us vivid insight on the views and social standing of Rwanda in the 1990’s. Don Cheadle portrays Paul Rusesabagina in the movie playing the hotel manager, his wife in the movie played by Sophie Okonedo is a Tutsi and wants to help when the violence ensues. Their marriage throughout the movie supplies a great sub plot detailing how a relationship can stand through turmoil.

In Wolfgang Staudte’s (1951) film, Der Untertan, the main character named Diederich Hessling develops from being a meek and cowardly boy to become a manipulative and self-involved man. The film uses many instances of imagery and subtle moments of foreshadowing to convey the ideals of the people of that time which lead up to the World Wars. Diederich is a typical Prussian citizen who blindly follows, supports the true “German values”, and bows to his superiors while stepping on his subordinates. The film illustrates Diederich’s character development, his shift in personality, and political confrontations through carefully crafted camera techniques that also highlight the time period that the film was set in as well as produced in.

Movie Analysis Name: Institution: Movie Analysis Lumumba is a French movie that was directed by Raoul Peck. The movie recreates Patrice Lumumba revolutionary struggle towards attaining independence or self-rule in Congo. Through the film, the audiences are not shown the struggle of the Congolese against obtaining self-rule from the Belgian government

The 2012 movie Argo is based off of a true event in 1979. During the Iranian Civil War, President Jimmy Carter gives the Iranian Shah refuge in the U.S. due to his illness. In retaliation, Iranian activists invade the U.S. embassy in Tehran, Iran and the staff are taken as hostages. This is famously known as the Iranian hostage crises. Although six of the staff members escape and are taken in by the Canadian Ambassador. Determined to rescue the six, Tony Mendez, who is our main character, from the CIA is brought in because of his expertise. After talking to his son one day while watching a science fiction program on TV, he comes up the idea to go into Iran, under the guise of Canadians

The narrative of Davis’s monograph and Vigne’s movie has similarities and differences as well. For example, the return of Martin Guerre after eight years to the court in the neck of time is basically the same in both works, but the starting point is different in terms of time and place. The book starts with a detailed background of Martin’s family, their journey from the Basque region to Artigat, and how they adopt the life of the new place by changing their names, changing their customs, and learning the language so that they become like the villagers. On the other hand, the film begins with villages of Artigat and soon with the marriage of Martin and Bertrande in order to capture audience’s attention to be engaged in watching the film. However, the movie’s director ignores all the background of the Martin’s family.

“Man From Reno”, a bewitching independent neo-noir film, may trap you in its mysteries and moods while transmits all the anxiety and uncertainty that its characters are subjected to. This is the second time (the first was “Daylight Savings” in 2012) that the screenwriters Joel Clark and Michael Lerman join efforts with the co-writer and director Dave Boyle. They were able to fabricate a wonderful story, set in San Francisco, and involving a popular Japanese writer from Tokyo, Aki (Ayako Fujitani), who in the face of a creative/identity crisis, decides to stop writing and vanish during her press tours in the city. After an unenthusiastic meeting with some old friends from college, she stealthily checks into a hotel, where she meets an astute,

If you are unable to find any information about the social impact of the film, explain the personal impact it has had on you.

The movie "Precious" is based on the adaptation of the book Push written by Sapphire. Though the story is a fiction based life of Claireece "Precious" Jones it is far from reality for many young women. Growing up in an environment that is filled with emotional, verbal, physical and sexual abuse along with crime infested neighborhoods and overcrowded public school and many other factors that pose a lot of challenges for a young girl in the inner city. Though the odd is against Precious she proves to possess a great deal of strength.

Milberg, Doris. The art of the screwball comedy: madcap entertainment from the 1930s to today.

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

During the 1930’s and 1940’s, women of the world held virtually one role and one role only…homemaker. This was no different for the women of Mexico, except for one woman in particular, Frida Kahlo. Frida refused to accept the current ideals of society and the accepted social norms by engaging in things that few women in history ever had. Frida was involved in politics, she was promiscuous with men and women, she painted pictures of herself in ways that had never been done before, and she wore the clothes of her indigenous people as opposed to the current fashions of the world. The movie Frida showcases all of these qualities. The director, Julie Taymor, uses the symbolism of these things to show how Frida

Edmonson, J. (2009). Let's be clear: How to manage communication styles. T & D, 63(9), 30-31.

Kiyoshi Kurosawa's 2008 motion picture Tokyo Sonata puts across an account involving a Japanese family as it needs to go through a series of problems that put their determination to test. Each of the four characters in the Sasaki family has trouble understanding what he or she wants from life and as he or she comes to learn and accept what his or her family has to say about his or her personality. Kurosawa most probably wanted to provide viewers with a rather common story occurring in an environment dominated by globalization a place where values change at a rapid pace and where people can or cannot find their personal identity.

Analyze This is a hilarious, feel good movie about two men from different backgrounds living completely opposite lifestyles. Through a series of very funny, random and bizarre moments they form a memorable friendship together. The movie came to theatres in 1999, was directed by Harold Ramis and included a cast full of some of Hollywood’s brightest stars. It begins with two gangsters leaving a café, discussing their plans to attend a meeting involving the countries major crime bosses. One gangster goes back in the café to get a toothpick and at the same time the other gangster is killed from a drive-by shooting. The movie’s plot is based upon the surviving gangster seeking out a psychiatrist to help with his emotional