Toni Morrison's The Bluest Eye: Racial and Social-Cultural Problems Dealing with the Lost Identity of Young African American Women

In the course of The Bluest Eye, Pecola Breedlove has shown signs of low self esteem. She would always be the one to compare herself to something she admires to be beautiful. Perhaps, sometimes problems surround her get a little too much, she has not yet realized the fog will clear up. For example in the autumn chapter, a quote has said “Thrown, in this way, into the binding conviction that only a miracle could relieve her, she would never know her beauty. She would only see what there was to see: the eyes of other people.” There is no such thing as a “Pecola’s point of view”. She lives off of people's judgements and believe physical appearance is all there is to a person. Her desire to be beautiful is not having attractive long black hair and golden skin color, but blonde hair with a white pigmentation. Which causes her to dream and want even more.

Besides the inherent self-confident issue, the outside voice from community is also affecting Pecola’s view. For example, in the “accident” when Pecola went into Junior’s house, Junior killed the cat and impute to Pecola. His mother, Geraldine, saw Pecola was holding the dead cat. Without any thought and didn’t even ask for the truth, Geraldine simply called Pecola a “nastylittle black bitch.” This event, again, reinforces Pecola’s view of what beauty means.

As a child, he was not loved by his mother. She prefered her cat to her own son. Junior saw this at an early age and “spent some happy moments watching it suffer” (86). Junior locked Pecola in a room, becoming the perpetrator with the same turn of attitude as Cholly. When he saw that the cat liked Pecola, he threw the cat, killing it, because the thing his mother loved more than himself loved her. Pecola’s wish could be paralleled to the cat. It had blue eyes, and was loved dearly by someone, which could explain the attention she gave to the cat. Junior even said, “Gimme my cat! (90). Up to this point, he wanted nothing to do with the cat and even tortured it, but with it being the only connection to his mother, he called it his own. Pecola’s dream, or having the same attention as the cat, was killed when the cat was killed. Junior was not loved by his mother, only taken care of to live. She did not “allow her baby, Junior, to cry…[she] did not talk to him, coo to him, or indulge him in kissing bouts” (86). This unlove for her family caused Junior to be victimized, and then alter his ways, and become the perpetrator. Pecola is the victim in the rage of Junior, only because his mother did not love him. She wanted someone to be kind to her, and love her, but that was only met with

Pecola discussing their fondness of Shirley Temple. The only one who seems to have a disdain

“Again, the hatred mixed with tenderness. The hatred would not let him pick her up, the tenderness forced him to cover her.” [This quote represents the emotions that flood through Pecola’s father’s head after he rapes her. Prior to and during raping Pecola, Pecola’s father is enraged with many emotions. These emotions include anger, tenderness and l0ve towards Pecola. This is a significant quote in the novel because this is one of the few parts of where Pecola’s father, Cholly’s, character is shown. This quote reveals Cholly’s character because it shows that the events that happened in his

After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater

If she had beautiful blue eyes, Pecola imagines, people would not want to do ugly things in front of her or to her. The accuracy of this insight is affirmed by her experience of being teased by the boys—when Maureen comes to her rescue, it seems that they no longer want to behave badly under Maureen’s attractive gaze. In a more basic sense, Pecola and her family are mistreated in part because they happen to have black skin. By wishing for blue eyes rather than lighter skin, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently. She can only receive this wish, in effect, by blinding herself. Pecola is then able to see herself as beautiful, but only at the cost of her ability to see accurately both herself and the world around her. The connection between how one is seen and what one sees has a uniquely tragic outcome for

The affiliation between beauty and whiteness limits the concept of beauty only to the person’s exterior. The characters are constantly subjected to images and symbols of whiteness through movies, books, candy, magazines, baby dolls and advertisements. Another example of the images and symbols in the novel is when the black protagonist, Pecola, feasts on a ‘Mary Jane’ candy.

     Although there are many different characters in this novel that are affected by the great advertisement of the beauty of a female in society, Pecola is the one to end up being insane due to the images- the image that she couldn’t possibly attain. Pecola grew up believing that she was born into an ugly family, making her ugly also. The ugliness wasn’t just from the window signs and newspapers, it was from her family and her neighbors. Therefore, she seeks the next best thing in her life, to have those blue eyes of a white girl, thinking

By contrasting the homes of Claudia and Pecola throughout the entire novel, Morrison stresses the importance of home in defending against a predatory, racist society. In Claudia’s home, her parents truly care for her and her sister. In one instance, her father took out a gun to fend off a tenant that touched Freida’s breast. This completely contrasts with Pecola’s home, where her parents are both hateful and self-hating, and her father actually raped her. Even though both households are

On their way home, they see a group of boys picking on Pecola. The boys are making fun of Pecola for being black and calling her nasty names. Claudia and Frieda threaten the boys, and they don’t stop picking on Pecola until they see Maureen. They didn’t want to act this way in front of her. The girls go out for ice cream.

Pauline eventually meets Cholly, who is Pecola’s biological father, and they fall in love. "He seemed to relish her company and even to enjoy her country ways and lack of knowledge about city things. He talked with her about her foot and asked, when they walked through the town or in the fields, if she were tired. Instead of ignoring her infirmity, pretending it was not there, he made it seem like something special and endearing. For the first time Pauline felt that her bad foot was an asset. And he did touch her, firmly but gently, just as she had dreamed. But minus the gloom of setting suns and lonely river banks. She was secure and grateful; he was kind and lively. She had not known there was so much laughter in the world." (Morrison, p. 115)

There are many themes that seem to run throughout this story. Each theme and conflict seems to always involve the character of Pecola Breedlove. There is the theme of finding an identity. There is also the theme of Pecola as a victim. Of all the characters in the story we can definitely sympathize with Pecola because of the many harsh circumstances she has had to go through in her lifetime. Perhaps her rape was the most tragic and dramatic experience Pecola had experiences, but nonetheless she continued her life. She eliminates her sense of ugliness, which lingers in the beginning of the story, and when she sees that she has blue eyes now she changes her perspective on life. She believes that these eyes have been given

Claudia's strong beliefs engender difficult interactions with others. Although mocked for her bold actions, Claudia stands up for her friend Pecola Breedlove. She yells at Maureen Peal, the most revered girl in the community and calls her "Sixfingerdogtoothmeringuepie" (73) when Maureen thoughtlessly crushes the remaining shreds of Pecola's self worth. Claudia's harsh words will, if not change Maureen, at least leave a lasting impression on her. Due to the fierce criticism and painful implications of imperfection in Claudia's words, Maureen faces thoughts that have never crossed her mind. Maureen may actually begin to wonder if she is perfect or not. Pecola, due to her hard and painful life, lacks the strength that Claudia possesses. As Pecola buckles with pain and hurt from the chronic mocking, Claudia maintains her rocklike exterior. She never reveals defeat or even pain. She watches repulsed as Pecola lets down her guard and shows her weakness. To herself Claudia thinks, "Her pain antagonized me" (73). Claudia demonstrates her strength and strong will in a number of ways. Her strength is the reason she is repulsed by Pecola's weakness. It tears Claudia apart that Pecola could be defeated so easily. Pecola's weakness reflects the true strength and power within Claudia, which distance her even more from others and force her into greater strength and independence.

As a result, she fails to care for her own children and is harsh with them. Samuel has thoughts about running away and Pecola has a fear of growing up. Also when Pecola accidentally drops the berry cobbler on the floor, Pauline does not comfort Pecola, but instead comforts the daughter of the white family. Pauline consoles, “Hush, baby, hush. Come here. Oh, Lord, look at your dress. Don’t cry no more. Polly will change it” (Morrison 109). While Pecola is in pain from the cobbler burning her legs, Pauline slaps Pecola and consoles the little girl. This shows that she prefers the white child over her own child. In brief, Pauline has no interest in her family and instead favors the white family that she works for.