Tony Kushner 's Angels Of Americ A Gay Fantasia On National Themes Essay

In Chapter one of Queer America, the book breaks down confusion about certain terminology used with in the LGBT community. Vicki Eaklor proposes that Queer America resembles American history (ex: Civil Rights movement). She then goes on to discuss the dangers of homophobia and heterosexism; both create silence for the queer community. Furthermore, Eaklor goes on to discuss historical game changers in society, including former 16th president Abraham Lincoln. “Was Abraham Lincoln gay?” she suggests. Questioning the sexuality of historical figures in society is something she made sure to highlight, because it should not be assumed that all leaders are heterosexual, which is the “default” assumption. Unintentionally, I have found myself doing

In the 1980’s and 1990’s, society wasn’t the most accepting of places for people who were different from the “social norms”. Now I know, people today still struggle with trying to fit in and be “normal” but it was different. Being a gay man living in San Fransisco at the time, which had a large gay population, Richard Rodriguez had a hard time dealing with the discrimination he faced. Richard Rodriguez was an American journalist who wrote and published a memoir about his life as a gay man. In October of 1990, Rodriguez published his memoir “Late Victorians” in Harper’s Magazine, a critically acclaimed publication of the time. In his memoir, Rodriguez describes what it was like to realize he was gay and watch as the country changed to become a more accepting place. He does this by setting up how things can change and then explaining the actual ways things change for the gay population.

Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their

Throughout the 1950’s, the United States belonged to the Leave It To Beaver era. Families were structured around a strong, hard working father and a wonderful homemaker mother. Children were brought up with solid ideologies on what society expects from them and were warned about living a different and dangerous life. Only one-year separates Tennessee William’s Cat on a Hot Tin Roof and James Baldwin’s Giovanni’s Room from there publishing dates during this decade of unwavering beliefs. These texts were seen as extremely controversial during their time due to their themes of homosexuality. Sexual orientation was an awkward topic during such a “to the book” time period and these texts pushed the limits, making them remarkable and memorable works. Both Tennessee Williams and James Baldwin explore the panic men experience while trying to comprehend what sexual orientation they belong to and highlight the masculine gay man. These texts also examine the woman’s role in the mist of it all.

This book Pray the Gay Away by Bernadetta C. Barton discusses about certain areas in the United States called Bible Belts were they have made absolutely no progress in securing rights for gay people. They lag behind the rest of nation were people are accepting homosexuality (Pray the Gay Away 15). Barton argues that in small towns were Christian institutions serve as a foundation for both passive and active homophobia in these areas (Pray the Gay Away 19). This article is related to the play because the two dominant religions discussed in the play was Judaism and Mormonism and both religions strongly oppose homosexuality and this lead to homophobic attitudes and themes within the play.

Homosexuality is one of the most debated issues among Christians today, regardless of the denomination of their church. Some churches view homosexuality as a sin and have no tolerance for it, while other denominations are more accepting and consider it a non-sin. Even though some denominations have taken a stand on homosexuality, there seems to much discord within the governing bodies of the churches regarding this issue. It has moved from a topic rarely discussed and considered very personal and private, to a mainstream topic of conversation.

“Sex was something mysterious which happened to married couples and Homosexuality was never mentioned; my mother told me my father did not believe it existed at all ‘until he joined the army’. As a child, I was warned about talking to ‘strange men’, without any real idea what this meant. I was left to find out for myself what it was all about.” Mike Newman, who was a child during the 1950s America recalls how homosexuality was perceived during the post-World War II era (F). This sexual oppression was not only in Newman’s household, but in almost everyone’s. While the civil rights movement began in the mid-1950s and ended late 1960s, the LGBT community started to come out of the closet slowly. The gay rights movement stemmed from the civil rights movement

Two Diaries, Donald Vining’s A Gay Diary Vol. Two and Martin Duberman’s Gay in the Fifties look into the everyday life of gay males in the post-World War II Era. While World War II increased freedom for men to sexually explore within the male community, post-World War II extended the freedom of exploration but also created a subsequent backlash against homosexual practices. Vining and Duberman’s diaries document an extension of gay freedoms in the post-World War II period. Although Vining and Duberman give contrasting accounts of their lives as gay males in the postwar period, common themes could be drawn in the form of friendships, sexual activity, relationships, and backlash by heteronormative society.

George Chauncey’s Gay New York Gender, Urban Culture, and the Making of the Gay Male World 1890-1940, goes where no other historian had gone before, and that is into the world of homosexuality before World War II. Chauncey’s 1994 critically acclaimed book was a gender history breakthrough that gave light to a homosexual subculture in New York City. The author argues against the idea that homosexual men lived hidden away from the world. Chauncey’s book exposes an abundant culture throughout the United States, especially in New York. In this book Chauncey not only shows how the gay population existed, but “uncovers three widespread myths about the history of gay life before the rise of the gay movement which was isolation, invisibility, and internalization.” Chauncey argues against these theories that in the years 1890-1940, America had in fact a large gay culture. Chauncey book is impactful in the uncovering of a lost culture, but also works as an urban pre-World War II history giving an inside view of life in the city through sexuality and class.

Furthermore, a few of his plays are written about drag queens and others about being gay. Mr. Fierstein grew up in a time when being gay was a very hard lifestyle to be open about. Over the decades the support group lesbian, gay, bisexual, and transgender community or better known as LGBT, has supported the mass movement worldwide. Mr. Fierstein set out to illustrate to the world that it is ok to be yourself, and that the LGBT community will not accept anymore bigotry. His plays focus on the hardships faced by the oppressed and by the tyrants.

Howard, John. Men Like That: A Southern Queer History. Chicago: The University of Chicago Press, 1999. (hb). ISBN: 0-226-35471-7.

Within modern society when a character strays away from what society depicts as morally right, the individual is frowned upon as if he or she doesn't belong. In “Angels in America” a gay fantasia on National themes, characters struggle to be themselves upon fear of whether or not society will accept them as an individual. The characters not only struggles with whether or not society will accept them, but they also struggle with their inner demons, and ultimately the question of what is truly good or evil. In this paper several characters will be analyzed and discussed from several different viewpoints.

Most of the characters in Tony Kushner's Angels in America struggle with their sexuality. Reflected in this struggle, the homosexual characters are flawed to the degree at which they hide their sexuality. Prior, Belize, Louis, Joe, and Roy all deal with this issue in the course of the play. Prior is the least closeted homosexual while Roy is the most. Prior is chosen to be a prophet, is morally upright, and represents good. Roy, the unlawful lawyer, represents evil. Belize, Louis, and Joe fall in between Prior and Roy on the scale. By having these particular characters represent what they do, Tony Kushner places a negative stigma on those in the closet and emphasizes his negative opinion on closeted homosexuals.

Within modern-day America, there are certain societal standards based on sexual relationships. Within the poem, the narrator, a young woman, questions why she has to “wear the brand of shame; /whilst he amid the gay and proud/still bears an honored name” (Harper 26-28). Within her poem, Harper exposes the hypocrisy of the

Considering the dominant heterosexual culture that dominated the conservative south throughout Jennings’ childhood, tolerance for homosexuality was seemingly non-existent, as beliefs were fueled by deep-rooted religious beliefs. The concept of societal discrimination explains that homosexual prejudice originates from an illogical fear of sexual minorities. Such discrimination produces a sense of concern and segregation for those populations that are not treated as equals (Lum, 2011). With the southern Baptist church serving as the central institution of Jennings’ community, he felt hate toward the institution as early as grade school when he was targeted with the words, “faggot” and “queer.” Despite this constant battle for acceptance, Jennings received no help from his school’s administrative leaders. He writes, “I’d better not count on authorities to do the right thing because they tended to side with those who had power already” (Jennings, 2006, p. 61).