Torie Bosch's First, Eat All The Lawyers

Many people are comfortable with their career and/or degree once they have been achieved. Once someone has accomplished their life long goal, they usually settle down and do not continue to educate themselves on anything other than what is within their field. Many individuals stay in their comfort zone, whether it be being a cashier, a doctor, a lawyer, an architect, a musician, a teacher, etc. They do not feel the need to expand their knowledge because that is not their job, but someone else’s. That should not be the case, though. Individuals should always strive to be better and more educated no matter what degree, past education, or career they have. The short story by Torie Bosch titled “First, Eat All the Lawyers,” is effective in using

Forks Over Knives, directed and written by Lee Fulkerson, examines the profound claim that most, if not all, of the degenerative diseases that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods. This film follows multiple doctors and their experimental process of attempting to understand the connection between the human diet and the many human ailments that occur in the world. Forks Over Knives creates a very persuasive case for eliminating meat and dairy from the dinner table.

In Joel Lane’s “Among the Dead,” he is making a satire about modern corporate life and its negative effect on its employees. The details Lane includes in the story such as David being a cannibal, the over-lording corporate voice, employee desperation, and the dilapidated cityscape all contribute to this satirical message. Lane also explores the boundaries of human by providing mixed clues about David’s humanity. Lane purposefully confuses the reader to blur the lines between human and non-human to have the reader question whether cannibals are humans. The author’s modern message is that without ethics, global societies will degenerate into dystopia in which corporations disregard general welfare and employ cannibals. Lane implies that

In Kurt Vonnegut's Slaughterhouse Five he talks about many different themes. He quotes, makes fun of, and uses many different themes. I would like to talk about one major theme in Slaughterhouse Five, religion. In the book he uses religion to teach important lessons, he used it as inspiration, and he even pokes fun at religion.

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

The article “First, Eat All the Lawyers” written by Torie Bosch was originally published in an online magazine Slate. In this article, Bosch writes about how she believes the current American obsession with zombies is because the current economic weakness. She uses the popular television series The Walking Dead along with excerpts from World War Z and Zone One to describe how the zombie apocalypse is a metaphor for the economy negatively impacting the white collar society.

In this essay I intend to explore the narrative conventions and values, which Oliver Smithfield presents in the short story Victim. The short story positions the reader to have negative and sympathetic opinion on the issues presented. Such as power, identity and bullying. For example Mickey the young boy is having issues facing his identity. It could be argued that finding your identity may have the individual stuck trying to fit in with upon two groups.

However, the sources differed immensely through the use of language. In fact, one of the themes most evident amongst the language that set the sources apart rhetorically was the tone. Throughout the article “Blue-Collar Brilliance,” Mike Rose set a very serious tone discussing the matter of economic inequality. For example, Rose conveys “As a foreman, Joe constantly faced new problems and became a constant multi-tasker, evaluation a flurry of demands quickly, parceling out physical and mental resources, keeping a number of ongoing events in his mind, returning to whatever task had been interrupted, and maintain a cool head under the pressure of grueling production schedules” (1037). As Rose portrays the life of a Foreman, he keeps a very serious tone to convey to the audience how real these struggles are. Although Joe may have not received a formal education passed middle school, he still has to work efficiently and intelligently in his own manner. At the same

Kurt Vonnegut followed many principles in his writings. He claimed that “people do not realize that they are happy” (PBS NOW Transcript). Feeling that people had the wrong view on war, he felt that he needed to get the facts straight. Vonnegut believed that art can come from awful situations, and that the truth is not always easy to look at. Kurt Vonnegut wrote Slaughterhouse – Five to tell of his experience in the bombing of Dresden, as a prisoner in war and the atrocities that occurred.

Just Mercy is a powerful, eye-opening memoir about criminal justice, social justice, mercy, and race. Stevenson links all of these aspects together to create a narrative that exposes the corruption, prejudice, and abuse of power that runs rampant in our justice system. The criminal justice system today is prosecuting a disproportionately high rate of minorities, and they are shown less mercy than those who are white and privileged. This means that our criminal justice system is failing at promoting social justice, and we must fight for those who come from a different race or disadvantaged social background. Our justice system will not truly be just until we start promoting social justice by using mercy and leaving race out of the process.

Writing back to back examples of not just blue-collar workers, but of loved ones really help to hone in on his point. Rose attempts to achieve an even deeper connection with his readers. Rose reveals memories of his uncle Joe by saying, “When I was a young man, Joe took me on a tour of the factory. The floor was loud—in some places deafening—and when I turned a corner or opened a door, the smell of chemicals knocked my head back. The work was repetitive and taxing and the pace was inhumane” (248). Rose is giving another example of blue-collar work that his audience can possible relate to. His uncle’s everyday duties required him to be sharp, focused and proactive not only in order to get the job done, but to get the job done in a safe manner. Rose then goes on to describe his uncle Joe’s blue-collar work as one who, “Joe constantly faced new problems and became a consummate multi-tasker, evaluating a flurry of demands quickly, parceling out physical and mental resources, keeping a number of ongoing events in his mind, returning to whatever task had been interrupted, and maintaining a cool head under pressure of grueling production schedules” (248). Rose’s intention is to express the high demands blue-collar workers face. Rose wants his readers to understand that blue-collar work in not all physical; moreover, by

Slaughterhouse Five by Kurt Vonnegut takes places on two contrasting planets. One is Earth, where war tears apart families and minds, and the other is Tralfamadore, where supernatural alien beings share their extended knowledge of the world. Vonnegut uses the two planets, Earth and Tralfamadore, to show the contrasting ideas of chaos and order, and that human actions have limitations that render them helpless against a meaningless universe.

Have you ever thought, you 're doing a great job slowly killing yourself and the Earth while walking through the supermarket pushing a shopping cart filled with an assortment of western dietary staples? Probably not, right? If you 've recently watched the Netflix documentary Cooked, released in early February 2016, this self-analysis may be a part of your shopping trips for the foreseeable future. Cooked was produced by Alex Gibney, and narrated by the man whose book, by the same name, inspired the series itself, Michael Pollan. Michael Pollan is a professor of journalism at the UC Berkeley Graduate School of Journalism, and food activist with many accolades, including several New York Time best-selling books. Cooked is filled to the brim

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian

– ANNALISE KEATING is a professor, a wife, a mentor and a lover; but, above all, she is a defense attorney. She is willing to do whatever it takes to win her cases, manipulating people in the courtroom and in her personal life to get what she wants. She is willing to use her lover on the stand to win a case at his expense, implicate her husband in a murder of a student, and then implicate her lover in the murder of her husband – all to maintain her reputation and image. Annalise is a complex character with many layers, that serial season format of How to Get Away with Murder allows audiences to explore. While Annalise appears strong to many outsiders, the audience gets glimpses of her breaking down.