Torment of Saint Anthony

In Lasallian schools the core principle of concern for the poor and social justice invites students and staff to be in solidarity with the poor and advocate for those suffering injustices. This means that people should have awareness of the poor and those who are victims of injustices and respond to their needs by means of community service and advocacy. This core principle is illustrated in the novella, “Saint Emmanuel the Good, Martyr” by Miguel de Unamuno. The main character, Don Emmanuel is the parson of the city of Valverde. The congregation of this parish look up to Don Emmanuel, admire him, and are overtaken by his words in mass. However, the narrator reveals that Don Emmanuel was not a man of faith. “Metamorphosis” by Kafka, presents a story of a young man who one day wakes up and is transformed into a bug. As a result of this transformation, he is mistreated by his family and considered useless in society. In the case of Saint Emmanuel the Good Martyr, there is a character that does not believe in God, yet practices concern for the poor and social justice on a daily basis. On the other hand, we have a character that yearns what Don Emmanuel gives to the citizens in Valverde, care and concern.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

The two figures of the Archangel and Virgin Mary are close together and it shows a scene of almost touching fingers while they try to reach for one another but seems like they would never join hands. The male figure of the archangel would carry a long feather like pen and it would bow down to the Virgin marry and tries to respectable speak to her. On the other hand, the Virgin Mary seems to be in authority because she is standing up and looking down at the Archangel. This creates tension in the painting while we question the social distinction between the two. Looking closely at the Virgin Mary, her eyes would be close. It is almost like she is resisting the contact from the Archangel and tried to stay away from him. Looking on the left, the Archangel have white wings and there is green-yellowish light that surrounds him and the red clothing on him show that he is there for good news. But the resistance from the Virgin Mary seem like she is unaware of what is happening and is unable to accept the annunciation from the angel.

In terms of subject matter, both works are visual depictions of the crucifixion of Jesus Christ. In each painting, Christ is the central figure, surrounded by two groups of figures. On the left, a group of women that includes the Virgin Mary mourns over the dead body of Christ, while on the right is a group of soldiers and other lamenters. Both works feature a rocky landscape on which the figures are positioned. Encircling Christ are several angels whose gestures of lamentation echo those of the figures below. Highlighting the severity of each scene is the blood that pours from Jesus' wounds. The blood from his feet drips onto human bones that are embedded in the rocky terrain below. The skull serves as a "memento mori," or a reminder of death, an idea that has been repeated in several other depictions of Christ's crucifixion.

“‘You have no passion. You are not going to make it… I can say to you that the state championship is a month and a day away…”’ (Wojnarowski 227). This what Coach Bob Hurley said to his somewhat deflated St. Anthony Friars in The Miracle of St. Anthony. The Friars were undefeated at this point in the season but there seemed to be a lack of energy in the team with the New Jersey State Championship looming. Because of this, Hurley would give a speech that would bring the team back together for an undefeated championship season. I could relate to this because this summer my sailing team was in a similar situation with the Maine State Championship Regatta just a few weeks a away. My coach gave a very similar speech to Hurley’s which also brought our team together. As a result the team did very well in the state championship.

In the painting Christ’s position shows his willingness and ability to heal the elderly man. His left hand is lifted the shelter of cloth the man is under, literally shows that Christ can lift the sick and heal them or can lift the burdens which befall them. Christ’s right-hand gesture is inviting and shows his love and willingness to help toward the elderly man. The elderly man’s hands are starting to reach up towards Christ, trusting and accepting his help.

It as well is in an ellipses shape where it is in an oval shape filling most of the canvas. This piece has a very dark atmosphere, as the only highlighted images are that of Christ and and the adulteress. There are people surrounding them all dressed in greys and greens. Jesus is dressed in an ivory which is a color in which people of importance often wore. The adultress life-drained body is looking down towards her exposed breasts as she comes to understand her fate. This painting conveys the emotion of a bible story about Jesus forgiving an adulteress. The emotions run very high as the individual 's facial expressions are locked in surprise and anger. Anger towards the woman and utter shock as to Jesus forgiveness and compassionate heart towards her. Showing Christ bending down to write in the sand as the pharisees behind him are appalled at what he has to say. “He who does not sin may throw the first stone” John 8:7. This reflects reaction to Mannerism, but also the social turmoil of the time. According to the Council of Trent and the Catholic church artworks should be a clear, intelligible subject realistically interpreted in order to stimulate piety. This was part of the reason that the artwork turned towards naturalism, becoming emotionally engaging and intense.

Almost every human being is afraid of the idea of death and is shown clearly in the painting. The hooded mask man or creature could possibly be a representation of death because of the colors in the painting and the reaction of the group of men. Not only is there a portrayal of death, but there is possibly a portray of man. It is shown in the leader of the group of men, who is dressed different than the rest of the others. He is the first one to scatter since he is afraid of death. Contrary to popular belief, the leader is suppose to be the one who fights off all evil but is doing the exact opposite in the painting. He has trampled over his men in order to save himself. I find myself thinking of death and what a terrifying idea it is to think that no matter how fast or far we try to run away from the incident, death is inevitable. The artists uses dark colors to represent a dark time in life. The scratched up lines can possibly represent that nothing is perfect, not even drawing straight lines or coloring in the lines. I appreciate the artists honestly but dislike how the painting leads me to think about death and responding to the actions of the

The two main characters in the painting display elegant mannered poses and all the figures appear arranged in rather unnatural poses. There is a small scene at the foot of the Saint Catherine and Christ figures. This is thought to be the Christ child with the Virgin Mary and grandmother, Saint Anne. Below these two scenes are three smaller bordered scenes. The central one depicts two enemies reconciled by an archangel and the outer ones show Saints Michael and Margaret fighting demons. All these images show the triumph of good over evil, with the middle characters shedding their weapons and embracing. All these small pictures support that the painting was commissioned by Arigoi di Nero Arighetti to celebrate the end of a feud.

<br>At the bottom left side of the painting is a man about to be eaten by a termite who has a game table on his head. This is illustrating that the tables are turned on the man who has committed some terrible crime. In the Inferno this is represented by Lucifer eating the three worst sinners, Judas Iscariot, Brutus, and Cassius, all who betrayed their

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

The Confessions of Saint Augustine are a plethora of mini-books within a book. There are a total of thirteen books. Each book depicts a short part of his life. Going from infancy to his adulthood. The book all together is his thoughts of sin. The Saint, had a variety of different stories. Have you ever heard the term “ Don 't knock it till you try it ! ” Well, its obvious he 's tried just about everything you can think of at that time. The philosophy that he had for sin is a form of disordered love. He believes that, naturally, we have all sinned because of the fall of man. Adam and Eve ate from the tree which they were not supposed to eat from.

The painting was a commissioned work for the Medici Family of Florence, a powerful political and financial family which would later go on to become an influential royal house for centuries. Throughout the painting, there is evidence of movement and a prevailing sense you

The life of Saint Anthony was vividly pictured in the narration of his life by no other person than St. Athanasius. In St. Athanasius’ description of St. Anthony, he explored all areas where St. Anthony was modeled as a saint. In light of this, the thesis for this essay states that classical genres to which St. Athanasius modelled the Life of St. Anthony is autobiography/biography, mythology and adventures.

When I saw the painting for the first time it grabbed my attention. At first I thought it was the beautiful colors that attracted me to the painting, but it was more. In the picture the shadowy men look scared. They looked as though they were trying to run away from something and this lake that forms into this river that is surrounded by tall grass is the way out, or at least a place to hide until the coast is clear. During that time in my life I felt