1. In the film, Lord Farquaad is the antithesis of what a valiant prince/knight-in-shining armor is expected to look like. Instead of a "Prince Charming," who would stereotypically be young, tall, and good-looking, Lord Farquaad is old(er), short, and although he has a strong jawline, which would be associated with rugged good looks, he comes off as sleazy and villainous. Lord Farquaad hilariously attempts to make up for his shortcomings by standing on stools in public and by wearing a suit of armor specifically designed to make his arms and legs look longer.
How the Makers of Shrek Subvert the Usual Conventions of a Fairytale Using Presentational Devices
When one undergoes a Metamorphosis, they change drastically. If one changes so much, people that are close to them normally can pull away and distance themselves from that person. In the book “The Metamorphosis”, Gregor experiences this and falls victim to isolation. The Samsa family secludes their son and stows him away from the outside world and everyday life because of his appearance and sudden change. Being isolated for so long can cause drastic detrimental damage to one’s mental and physiological state.
For most people, movies are made for entertainment. However, there are also movies that go beyond merely entertaining its audience. There are films that have been created making use of psychological principles, which enrich the movie-viewing experience of audiences. This paper will focus on the movie Shrek, which was released in 2001, directed by Andrew Adamson and Vicky Jenson.
Metamorphosis is a concept we are all familiar with, normally using the word to refer to the changes insects go through, specifically butterflies. (Hook) However, there is another idea of metamorphosis, that does not involve a caterpillar creating a cocoon. Humans experience metamorphosis throughout their lives, changing the way they act and behave. Metamorphosis is also experienced in the form of disguises, which can be used to serve many different purposes. (Discussion) This idea of metamorphosis is an important aspect of identity in mythological texts. (Thesis) In the Odyssey, Homer uses metamorphosis on the character Athena to help her fulfill her role as a mentor. Ovid’s The Metamorphoses also uses metamorphosis of the characters Io
Shrek is a movie that is very different from any movies that one could see so far. It is a computer-animated American comedy film, directed by Andrew Adamson and Vicky Jenson, and starring the voices of Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. It was based on William Steig's 1990 fairy tale picture book Shrek!, and was produced by DreamWorks Animation. Clearly displaying its difference, Shrek was the first film to win an Academy Award for Best Animated Feature in 2001. Looking at all the three movies that have been produced so far, on can see that the characters of Shrek, who is an ogre and his love Fiona, who is originally a beautiful princess but then becomes an
Shrekis about an ogre who in order to keep his swamp he has to rescue
Transformation in the world happens when people are healed and start investing in other people- Michael W. Smith. Change plays a key role in one’s life. Change is what makes one’s life different from usual; change is needed in everyone’s life in order to maintain the fluency of life. The character Gregor Samsa’s in the book “Metamorphosis” by Franz Kafka symbolizes change, in which he gets transformed into a large insect. Change literally means to make or do something in a different manner to get a new result.
The atmosphere in a place and time in regards to heat, dryness, sunshine, wind, rain, etc.
appreciation for nature, which is what could be ultimately lead to such positive feedback from the
good old days and still enjoy the song. There is also a song that is
Metamorphosis is often described as a change of the form or nature of a thing or a person into a completely different one, by natural or supernatural means. Gregor Samsa led an ordinary and rather mundane life as a traveling salesman who spent the majority of his time on the road with little time to form friendships or relationship with anyone outside of his small family. Once filled with gratitude by providing for his family, he is soon filled with resentment and obligation as his family adjusts to their newfound income. All of which comes to a halt when Gregor wakes up late to work and is horrified by the sight of his new appearance with countless sets of legs and a hard-shell-like exterior. His family soon finds out about his physical
`Shrek' is the ultimate fractured fairy tale, a film that manages to simultaneously honor and lampoon the conventions of its genre without becoming smug or condescending in the process. For while it is sardonic, `Shrek' is never cynical, so confident and assured are its makers in establishing and maintaining just the right tone for a revisionist exercise such as this one. The film certainly conveys a modern sensibility, yet it is a gentle sort of iconoclasm that allows us to enjoy the more conventional aspects of the story (the happily-ever-after ending, for example) even as we are laughing at the obvious absurdities contained within them.
The most obvious metamorphosis is that of Gregor. Throughout his entire life, Gregor has let other people make his decisions for him. The physical metamorphosis that he undergoes is the first occurrence in his life that no one in his family has told him what to do. This change allows Gregor to find his inner self and disconnect himself from the orders and hardships brought out by his family. By means of his transformation into a giant insect, Gregor has been released from his responsibility to support his family without having to assume the guilt of letting them down. He has also changed from the provider to the dependent. Richter brings up the point that the transformation of Gregor was not necessarily a bad one.
order to do that Shrek is sent out on a mission to rescue a princess