Total Recall a Dyostopian Narrative

“The first generation version of the Corvette was introduced to the public in nineteen fifty-three and came to an end in nineteen sixty-two” (“Technology in the 1950’s Timeline”). One example of the corvette was Polo White Convertibles and they were introduced in nineteen fifty-three. Lastly, one of the most famous technological inventions is the credit card. The idea of the credit card was thought up by Frank McNamara and he got the idea from one of his friends. He got the idea from his friend when he and his friend “went out for supper and his friend forgot his wallet” (“Technology in the 1950’s Timeline”). His reason for the creation of the credit card was that people could be “easily accessible” to have money without actually carrying dollar bills (“Technology in the 1950’s Timeline”). Those inventions were just a few technological inventions and advancements of the nineteen fifties. These examples of technological inventions have changed our

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, even if for just a few short hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Despite the popularity of the recent films The Hunger Games and Divergence, the dystopian theme in film is not a new one. The Matrix shows a society where humans exist without any freedom. The film, not only entertaining but thought provoking as well, paints a world with two different dimensions, a world very much like today’s when the film is closely examined. The Matrix questions the benefit of technology and influence over society.

Within Ridley Scott’s 1982 ‘Blade Runner’ memories serve as the “cushion” (‘Blade Runner’ 1982) for replicant emotion; subsequently making them easier to control. By this, memory lays a foundation, with past experiences creating a bridge to feel and identify as more human. Through past and present circumstances, mood, and relationships, memory serves as a lever to react with a “readiness to respond” (HM Works) within both the present and the future. Scott explores the function of memory in order to illustrate the human psychology in a complex light, using scientific references as to highlight key debates in what makes humans more empathetic and how they use memory in order to be a more emotive species; thus, evaluating the superiority of mankind. Memory in ‘Blade Runner’ is used in order to create a platform to mould replicants into society as more functioning humans as to be a more exact replica, rather than to serve as the initial function of a “slave” (‘Blade Runner’ 1982).

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, if only for a mere two hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Dystopian themes are not new, and have historically provided a template to gage the course of human existence. The Matrix portrays a society where humans exist without freedom. The film is not only entertaining, but also thought provoking. It paints a world with two different dimensions, one with the mind numbing

The Martian Chronicles is a novel where earth inhabitants decide to make a new life on Mars. There is a fantasy-like idealism that the people have with Mars, and believe that the planet will create total bliss, but the problem with this is that there are citizens who already created an established life and are unhappy with the new visitors from Earth. In reality, travelling to a new place and expecting it to overwrite everything they’ve ever experienced, can result in unfulfillment.

lives were ended as a result of this unnatural disaster, most of them civilian. The people

The natural environment is, of course, not “getting its revenge”. Geophysical, meteorological, and hydrologic processes are unfolding as they have for millennia, beginning long before humans occupied the earth and continuing to the present. Given the eons-long perspective of the natural environment, it would be very difficult to identify meaningful changes in event frequency for the short time period in which scientific records are available on geological, meteorological, and hydrological phenomena. Event frequency, from an emergency management perspective, is not really the issue. It is certainly true that, over the years, more people have been affected by natural disasters and losses are becoming progressively greater. The significant feature driving these observations, however, is the extent of human encroachment into hazard prone areas. With increasing population density and changing land use patterns, more people are exposed to natural hazards and consequently our accumulated human and economic losses are increasing. Much of this exposure is a matter of choice. Sometimes people choose hazardous places, building houses on picturesque cliffs, on mountain slopes, in floodplains, near beautiful volcanoes, or along seismic faults. Sometimes people choose hazardous building materials that fail under extreme environmental stresses—for example, unreinforced masonry construction in seismically active areas. Some exposure results from constrained choices; the cheap land or

Technology is a key part of the movie and its advances are shown through out the movie.

Dystopian science fiction films of the past have frequently presented a critical dystopia, by projecting future cities that perpetuates corporate capitalism’s prominent features. Examples of these features are urban decay, commodification, overcrowding, highly skewed disparities of wealth and poverty, and authoritarian policing. An example of a Dystopian science fiction film that project cities that perpetuates

Today’s society has an affinity for fledgling technological advances. Looking around it is easy to see that almost everyone has the

Some days I wonder if they miss me. Granted, what I did was unlawful and unforgivable. The trauma I have caused them is one wound that time is unable heal. I got what I deserved, and I had it coming to me. I woke up this morning to the unwelcoming voice of Garrett yelling, “Wake up maggot!” Out of muscle memory, I jolted out of bed, stood up straight and nearly saluted. It was at that moment I remembered that they did nothing better to me, just shipped me off to a third world country where I had to watch my brothers die in a senseless war. It only aided and abetted my drinking. Garrett opened my cage, letting me free for my sorrowful breakfast. Then again, if I don’t eat it it gets forced into my system through a pipe, but that

There are disasters occurring all around the world that most individuals will not hear of due to a lack of media coverage. Many of these disasters can have incredibly detrimental effects on entire populations, and those at risk deserve a chance to educate themselves. Two of the disasters found were the West Fertilizer plant explosion and the increasing rate of acidification of ocean water. Despite the fact that these disasters pose such incredible dangers, they were found to be among the least reported on stories amongst media outlets. Although these disasters have not been covered nearly as much as other major catastrophes, such as hurricane Katrina, they still have far reaching physical and emotional consequences and have their own unique story.

Have you noticed the amount of natural disasters that have occurred lately? Recently, natural disasters have been happening such as hurricane Harvey, Irma, and the 7.1 magnitude earthquake Mexico experienced. Sadly, California could be next to be hit from an earthquake.

Action-packed and highly-rated, Mad Max: Fury Road is a critically-acclaimed film about a journey of survival through a post-apocalyptic wasteland. There is no doubt that post-apocalyptic films are becoming increasingly popular among audiences as seen with movies such as the Hunger Games. However, Leggatt (2012) describes another variation in the post-apocalyptic genre, one that has been dubbed post-9/11 after a string of patterns prevalent in some post-apocalyptic films. Leggatt’s definition of post-9/11 apocalyptic films are ones that have a pessimistic tone towards the future of a society. As the world evolves and progresses, many new issues overlap and outgrow previous issues that have plagued the world before - though this transgression, the film industry follows suit in order to invent stories and media that is thought-provoking and relevant to changing society. Mad Max: Fury Road (2015) is a film that encapsulates many elements of Leggatt’s post 9/11 apocalypse film genre through the apocalyptic setting, derailment of redemption, and societal obsession with apocalypse over utopia.

“Natural disasters have killed more than 600,000 people and left behind trillions of dollars in damages in the last two decades, the United Nations said Monday.” (Chan) Extreme weather has caused millions of casualties and extreme damages over the years, but lately there has been an increase in severe weather events. This is causing problems in the US, with the amount of tornadoes rising in tornado alley “Tennessee experienced a 67 percent increase in tornado activity in 1983-2013 compared to the 1954-1983 time period. Oklahoma experienced a nearly 35 percent decrease in tornadoes in 1983-2013 compared to 1954-1983.”