Tough Love in Mel Gibson's Hamlet and Branagh's Hamlet Essay

His mother and his uncle have married after only 2 months of Hamlet’s father’s death. This has caused Hamlet to be in a heavy state of anger, mixed with his already deep state of mourning. According to Theodore Lidz, these two states can lead to one thinking back on all the negative wishes one may have had in the past. Considering Hamlet’s relatively young age, death wishes upon a parent are not serious but they are common among children. “…and as most, if not all, children have sometimes had death wishes toward a parent, guilt over such wishes can become intense when the parent dies.” (Lidz 48) All of these emotions mixed together so early in the play could lead to a sense of depression.

The male characters in Hamlet continually abuse both Ophelia and Gertrude, physically and psychologically, as a pathetic attempt to gain power and control over the situation. One of the greatest examples of psychological abuse comes from the harrowing scene where Hamlet and Ophelia have their final conversation before Hamlet leaves for England. During this rage-induced altercation, Hamlet refuses to accept Ophelia’s returning of the gifts previously given to her from him, saying “I never gave you aught” (3.1.97). Ophelia is appalled as Hamlet continues to insult her and laugh in her face. In the climax of the argument, Hamlet tells Ophelia that she “should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not” (3.1.117-119). The immense amount of psychological damage received by Ophelia between the addition and removal of love by Hamlet and her father’s death is enough to drive anyone to madness. David M. Smith recounts this as Hamlet’s necessity “to genuine outsideness because of the danger of being co-opted by love” (Smith, 1). However, Hamlet no longer needed to protect himself in his situation. His actions from this scene were not only uncalled for, but added to the slow mental demise of his sweet Ophelia. Hamlet’s next scene of abuse come shortly after this when he goes to speak to Gertrude about her participation in the murder of Old Hamlet. His rage, yet again, takes over, but this time he adopts physical abuse

His feigned madness permitted Hamlet to express these emotions freely towards Ophelia: “...Get thee to a nunnery, / farewell. Or if thou wilt needs marry, marry a / fool; for wise men know well enough what monsters / you make of them...” (3.1.138-41). It was also important for Hamlet to be so vulgar towards Ophelia because it would not have been possible for him to continue being a caring loving boyfriend while attempting to avenge his father’s death. Lastly, by pretending to be mentally disturbed, it provided Hamlet with an excuse for any sinful deeds he would commit on his pursuit of revenge. Hamlet exemplifies this conception as he seeks for Laertes forgiveness for murdering his father Polonius: “If Hamlet from himself be ta’en away, / And when he’s not himself does wrong Laertes, / Then Hamlet does it not, Hamlet denies it. / Who does it then? His madness...” (5.2.230-33). Hamlet’s pursuit of the truth and revenge was much better accompanied by madness rather than sanity which gave Hamlet a clear motive to fabricate insanity in the play. In the midst of Hamlet’s supposed madness, the prince continues to speak rationally with certain individuals as well as maintain sensible and logical thoughts. This idea is depicted through his conversations with his good friend Horatio who is assisting Hamlet in his search for the truth behind Old Hamlet’s death. For example, before the

The women in Hamlet are affected greatly after being exploited by the men in the play. Ophelia goes mad – her nature is “indeed distract”- not only because of the exploitation, but also because of her Father’s death,

The props and costumes the Kenneth Branagh version used are very modern and unique while the Mel Gibson version of Hamlet costumes are more old and traditional. In the Kenneth Branagh version the costumes are very elegant while the costumes worn in the Mel Gibson version is seen more as rags. For instance, Ophelia is seen wearing old rags covering her when she acts insane in Act 4 Scene 5. In the Kenneth Branagh’s film the director uses flashbacks as a way to illustrate scenes like the scene where Gertrude explains Ophelia drowning in the river. Camera techniques in the Kenneth Branagh version of Hamlet were creative as the camera slowly pulls back in Act 4 Scene 4 of Hamlet’s soliloquy. However in the Kenneth Branagh version the scenery and props adapt more to the Shakespeare’s play Hamlet.

Primarily, Hamlet displays feelings and emotions similar to what an average person might encounter following the death of their family member. He is wallowing in depression, and seems to be quietened with despair. It is stated by Gertrude in Act 1 Scene 2, “Good Hamlet, cast thy nighted color off, / And let thine eye look like a friend on

His inconsistent treating of Ophelia eventually drives her to insanity. The actual recognition of his love for Ophelia can only come when Hamlet realizes that she is dead, and free from her tainted womanly trappings “I lov’d Ophelia”. This is without doubt one of the most villainous qualities of Hamlet.

Polonius's assertion is ironic since he falsely believes Hamlet's madness stems from Hamlet's love of Ophelia. But Hamlet's behaviour becomes more erratic; his acting mad seems to cause Hamlet to become temporarily insane and lose his grip on reality. His impulses and madness drive him to succumbing to physical violence when under duress indicates that Hamlet is not merely acting mad but rather experiencing a psychotic breakdown. This proves that acting on psychotic impulses, even on the spur of moments, usually involves disastrous consequences.

Initially the reader can understand Hamlet’s anger with Gertrude when she marries his uncle. “O, most wicked speed, to post / with such dexterity to incestuous sheets,” says Hamlet in disgust towards his mother’s marriage (1.2.161-12). Gertrude did marry the king’s brother quickly after his death, so any resentment Hamlet feels towards his mother is justified. The reader sympathizes even more with the character when Hamlet says of the union, “It is not, nor it cannot come to good. / But break, my heart, for I must hold my tongue” (1.2.163-164). It appears that Hamlet is attempting to be respectful towards his mother, so it’s easy to appreciate his character in the beginning.

Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As  a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on  several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”.  As the progress of the play foreshadows a significant end to his insanity that he acts upon.  As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my

Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.

Another example of how Hamlet is truly insane is his treatment of Ophelia. “Others argue that Prince Hamlet goes over the edge into madness at times during the play. His treatment of Ophelia, a woman he had loved, is extremely cruel, and driver her to insanity and then death either though a mad accident or suicide.” (Shakespeare)Throughout the play Hamlet’s treatment of Ophelia worsens. Ophelia was once Hamlet’s girlfriend and true love. After Ophelia randomly ends her relationship with Hamlet, Hamlet won’t accept it and starts to change his attitude towards her. Hamlet starts to use harsh language towards Ophelia and questions her decision many times. Hamlet doesn’t respect Ophelia and her decisions and thinks she’s a phony and has been throughout their entire relationship. Because of this, Hamlet begins to go mad and behaves mad, Due to Hamlet’s treatment and behavior Ophelia also begins to show signs of being mad and later this drives her to commit suicide. Hamlet also shows the theme of his madness after the killing of Polonius and his treatment of Ophelia by spreading his madness over to Ophelia. “The gentle

This essay will discuss several literary criticisms of Shakespeare’s Hamlet. After skimming through several articles, I ended up with four peer-reviewed journal articles, each a different critical perspectives of the play: feminist, psychoanalytical/freudian, moral, and new historicism. My previous studies of Hamlet, as well as my rereading of the play this semester, has collectively given me a general knowledge of the text. My familiarity of the play made it easier for me to decipher the academic journals and see the connections each critic made with the play.

William Shakespeare’s Hamlet is one of the world’s most renowned plays, one which has stood the test of time over the course of 400 years, finding relevance even today. A complex and sophisticated work, Hamlet is a masterful weaving of the myriad of components that make up the human experience; it delicately touches upon such topics as death, romance, vengeance, and mania, among several others. Being so intricate and involuted, Hamlet has been interpreted in countless fashions since its conception, with each reader construing it through their own subjectivity. Some of the most popular and accredited methods of analyzing the work are the Traditional Revenge Tragedy, Existentialist, Psychoanalytic, Romantic, and Act of Mourning approaches.

Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,