Few would argue against the notion that society has unrealistic and unfair expectations of women. However, little time seems to be spent talking about harmful societal expectations of men, specifically those associated with toxic masculinity. Toxic masculinity is when men feel the need to prove their masculinity by upholding traditional masculine values and behaviors in a way that is detrimental to themselves and others. These behaviors traditionally associated with men include a need to prove one’s strength over others, blocking out emotional attachments, asserting dominance over others, and denying traditionally feminine behavior, such as crying and showing emotional weakness (Hess). Michael Omi’s article “In Living Color: Race and American Culture” describes how the media has had a large role in perpetuating racial stereotypes, but all his arguments can very well be related to gender stereotype. Movies that glorifies toxic masculinity will inevitably legitimize its behaviors to the public. Therefore, media that critiques stereotypes is important to shifting audience opinions. Despite being a comedy film about a team of superheroes fighting aliens threatening the universe, the 2017 Marvel film Guardians of the Galaxy Vol. 2 tackles this subject of toxic masculinity through essentially all of its male characters. In particular, the movie’s protagonist, Peter, is the focal point of this commentary. Peter’s mother died when he was young and his father was absent his entire
In the article “Toxic Masculinity Is Killing Men: The Roots of Male Trauma,” Kali Holloway explains why the ideal of masculinity is so unrealistic and harmful to men. Holloway also gives many studies and writings to back the idea that to be a strong man you have to suppress feelings and pain. In these studies, it proclaims that both men and women start off equally feminine as babies and that these ideas are taught to boys and girls as they grow up learning how to “be a man.” Holloway goes on to say that masculinity is not just taught by parents, but also taught through television and movies that portray men as masculine and strong. There are many examples given showing the ways men release their stress differently than women. This makes it
We often hear the phrase nowadays of “toxic masculinity”. Many use it but often without explanation. What exactly is toxic masculinity? Why is masculinity and the history of hypermasculinity in American culture so toxic? In American culture, there is a history of a “survival of the fittest” mentality. The strongest men are domineering and powerful, and take no nonsense from women, or progressives, or gay people. These traits are hypermasculine, an extremeness of generic masculinity, both of which should be handled with care, as masculinity itself is a fragile construct. American masculinity can be extremely toxic and dangerous to both the men themselves and the people around them. Masculinity can often be a cage to men, whom society
Representation in media is hugely important as it influences, both consciously and subconsciously, culture and society. Gender representation is especially important in this day and age because more and more media is being consumed by younger audiences. In G-rated animated movies and televisions shows targeted for young girls, the female characters are hyper-sexualized and, 9 out of 10 times, their stories revolve around finding a man to love them, facilitating our cultures obsession with heteronormativity. Boys are encouraged to watch male dominated action movies, full of violence, sexy, scantily-clad women, and heteronormative, hyper-masculine stereotypes. Boys who are interested in any media designated “for girls” is seen as less masculine and may face bullies and pressure from all walks of life, at home and in school. Society begins teaching boys and girls how to gender immediately, what is appropriate, tolerated, encouraged, and what is unacceptable. As we grow up our media becomes more violent, more sexualized, and even more gendered. I will be exploring gender representation in Buffy the Vampire Slayer, Gilmore Girls, and The 100, discussing the problematic and the progressive representations of gender, starting with Gilmore Girls.
The emphasis of these characteristics coupled with the prevalence and narrative authority of superheroes constitute a type of hegemonic masculinity, defined as the “culturally exalted form of masculinity,” which is linked to institutional power and the subjugation of women (Aulette and Wittner 527). Hegemonic masculinity suggests that there is one correct way to hold power, and that it is hypermasculine, a standard reinforced by dominant trends in comic book portrayals of superheroes. Any grand deviation from these stringent ideals creates a subordinated masculinity, one that challenges the dominant narrative of hypermasculinity, though often throwing into question the identity of the man in question (8). On the surface, the characters in Watchmen seem to bend to these ideals, but as each of them lack or challenge key aspects of hypermasculinity they serve to question both its importance and the misogynistic basis of hegemonic masculinity.
No matter what, we are almost always talking about violence masculinity in America. Whether we are talking about the horrifying, high-profile mass shooting we have seen over recent decades, the far greater rates of murder and gun violence we see on a day – to – day basis that barely register in the national news, or the epidemic of sexual violence and domestic violence, the vast majority of this violence is committed by men, young men, and boys (Jackson Katz, 2013). Throughout this essay the topics covered will be how culture defines masculinity, according to the film, violent masculinity as a cultural norm, agents of socialization that teach boys how to be men, the cool
What dictates the social roles, the individual responsibility everyone has in society, and stereotypes, an overgeneralized and oversimplified belief of a particular person or group, in America’s 21st century society? Can rationale and critical thinking be held accountable for the establishment of ethical beliefs involving people and their sex, gender related value systems? The following readings covered in this essay are both found within the textbook, Signs of Life in the U.S.A.: Readings on Popular Culture for Writers; the Introduction: Popular Signs written by coauthors Sonia Maasik, a writing programs lecturer at the University of California, Los Angeles, and Jack Solomon, an English Professor at California State University, and located within the second chapter of the textbook, the brief article, Dove’s “Real Beauty” backlash, written by Jennifer L. Pozner, the executive director of Women In Media & News (“Sonia Maasik”)(“Jack Solomon”)(194). Mass entertainment culture, the popular interests of the majority broadcasted in the media, can be attributed for constituting and sustaining the potentially hindering culture myths, a fictitious but widely accepted belief of a certain culture, regarding all genders. These cultural myths are not exclusive to men and women as they also involve transgender individuals and others who identify as another gender not classified under ‘cisgender.’ An extensive analysis of mass entertainment culture and
In the media we see today, and movies that are continually coming out all have a central idea in common. They all show and represent the idealistic perspective of male versus female in society. From cartoons to chick flicks to romances and comedies we notice identifiable differences and trends represented between the two genders. In the movie I watched, “Clueless,” there are many examples illustrating male superiority over female, ideas of what femininity should be, and female appeal towards the male figures in the film.
In the world people idolize the idea of the aggressive and powerful man, but this is a dangerous icon to present to children. Taken to an extreme it can cause the cycle of toxic masculinity to begin. Toxic masculinity is a dangerous set of ideals and beliefs, it provides a dangerous mindset of violent behavior to young boys, leads to anger issues, depression, and a severe urge to compensate for perceived inadequacies by the use of violence in the teenage years, can lead to an adulthood filled with violence towards family, and others, and allows the cycle to repeat.
Stereotype is the most common issue that people get effect from superheroes. Due to the fact that superheroes are men, boys are the most effective group in the real world. Boys think that they should be “superheroes,” and they should be as strong and powerful as superheroes. In the article “Today's Superheroes Send Wrong Image to Boys, Say Researchers,” Psychologist Sharon Lamb, PhD, distinguished professor of mental health at University of Massachusetts-Boston told the American Psychological Association (APA) news interviewer about the influence of superheroes in boy basic on her survey, “She and her co-authors found that marketers take advantage of boys’ need to forge their identity in adolescence and sell them a narrow version of masculinity.”
As a boy grows into a man he faces the ever-raising mountain of masculinity. In regards to the occurrence, he finally reaches maturity he has no choice but in order to fight to retain his measly sense of manhood. He is not allowed to act feminine or else he’s not man enough, he can’t show his emotions, he has to hide that he can do anything a woman can do sans give birth. Boys grow up being told they are not allowed to cry and that they are supposed to be tough, that they are not able to be like girls and in the event that they are then they are not real boys. This concept is known as toxic masculinity, some people are not aware that men are being forced to suppress their emotions or even that toxic masculinity should be a topic that is
The presence of media is prevalent in our technology savvy lives. Yet with inequality shown in media, we are constantly bombarded with sexist concepts. This issue was specifically exemplified in the movie “The Avengers” where a bunch of superheroes get together to collectively defeat an enemy.
If a girl begins to demonstrate some signs of male characteristics, she is referred to as a ‘tom-boy’. It is like a taboo to show such kinds of signs in a girl. On the other hand, if a male does not have masculine features, he is seen as an outcast. All of these perceptions are obtained from the media, and especially televisions and movies. According to Mehta and Hay (2005), media houses have for a long time helped to construct and reinforce stereotypical ideas about masculinity and men. From what is portrayed in the media, it is possible for people to dismiss others on the basis of whether they have masculinity or are feminine (Ferrey, 2008).
Social media for me is a constant battle between deleting folks for their toxic masculinity, racist rhetoric, and disgustingly ignorant disregard for basic human rights to persevere my sanity and protect my energy and practicing my ability to tolerate those whose beliefs I don't agree with or
Masculinity, a seemingly simple concept. Yet, when examined more closely, it is clear that masculinity is constantly changing in its definition as well as in its most basic essence. Throughout the years, one can see this evolution firsthand by looking back at the men who have been portrayed in popular media in the United States of America. From the suave Don Draper types of the 1950s to the more casual, educated, and easygoing men- with perfectly chiseled abs, of course- that are portrayed in media today, the difference is clear. This drastic, yet unsurprising, shift in ideals, as well as the exponential increase of media consumed every day, has led to a change in how “masculinity” is perceived, as well as how it is enforced by society in the modern day. Alarmingly, this trend has led to the birth of so-called “toxic masculinity”, a bastardization of the original ideas behind masculinity which has created an enormous, detrimental effect on society as a whole. As defined in the article The Difference Between Toxic Masculinity and Being a Man, toxic masculinity is “manhood as defined by violence, sex, status, and aggression. It’s the cultural ideal of manliness, where strength is everything… where sex and brutality are yardsticks by which men are measured,” (O’Malley) This is a clearly displayed truth, and it’s astounding to see how even from a young age boys are taught not to show emotions other than anger, conditioned to believe that being “like a girl” is the worst possible
Frequently, most superheroes in cinema are portrayed by male characters rather than women, creating a distinction between gender roles. Indeed, through the passage, “These results may suggest to viewers that women are less important, knowledgeable, and capable than men – and less likely to be a hero” (Miller et. al) women are much less likely to be featured as the hero within the film, and more likely to be featured as the “damsel in distress” of the story. Furthermore, women are much more likely to be depicted in a sexualized fashion, even when displayed in the role of hero. This feature of women with a lack of dominance defies feminism, as they lack roles in superhero films and they are portrayed with the sole purpose of boasting