Hip Hop Dichotomy Essay

In the article, Hip-hop; Music and Cultural Movement written by Alan Light, Greg Tate stated that “The term Hip-hop refers to a complex culture comprising four elements: deejaying, or turntabling; rapping, also known as “MCing” or “rhyming”; graffiti painting known as “graf” or “writing”; and “B-boying,” which encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as “postural

The roots of hip hop started in African American and West African music. The griots of West Africa are a group of gallivant singers and poets,

In this article, the speaker must be an expert in politics, ethnicity and the music industry. There is a linkage between the above fields hence the speaker must have had a superlative background on these issues. The audience targeted by this literature were seemingly music enthusiasts to be educated on understanding what Hip-Hop entails and hoped to achieve this as it was established. The subject was Hip-Hop as a music genre that was largely developed by African American men to express their plight on injustice and oppression. The principal issue was how Hip-Hop has been used as a form of resistance and need for deliverance of the African Americans.

Bambaataa used Hip-Hop to positively influence gang life. Bambaataa believed the values of Hip-Hop were “peace, unity, love, and having fun” (hiphop.sh). The creation of Zulu Nation was a product of Bambaataa's quest to turn gang life into a positive aspect of the community. Zulu nation encompassed a group of “socially and politically aware rappers, B-boys (break dancers), Graffiti artists, and other people involved in the Hip-Hop culture” (hiphop.sh). Through DJ Kool Herc and Afrika Bambaataa Hip-Hop culture became defined as Deejaying, Emceeing, Graffiti, and Break dancing.

Many Americans today embrace the culture of hip-hop. Since hip-hop became mainstream its influence has surrounded most Americans. People engage in social issues from the hip-hop culture In his recent work, How Hip-Hop Holds Blacks Back, John H. McWhorter have offered harsh critiques of hip-hop for delaying and marring the success of black people. McWhorter asserts hip-hop music “celebrates a ghetto life of unending violence and criminality(10).” He believes hip-hop contributes to the stereotype nearly all Americans maintain in regard to black people. Reflecting on harsh song lyrics McWhorter attempts to strengthen his argument. McWhorter acknowledges not all hip-hop promotes violence in people. He concedes “not all hip-hop is belligerent

Hip-Hop isn’t just four elements combined within a culture, it is also “ a way of life, a language, a fashion, a set of values, and a unique perspective” (Efrem 2), the hip-hop basic and sub-elements have a strong impact in the American society mainly on its

As Tricia Rose explains in A Style Nobody Can Deal With, hip-hop culture originated in the mid to late-1970s in urban New York as a way for minorities to express themselves. In the beginning, hip-hop culture consisted of four ‘elements’, or ways of expression: rapping, DJing, break-dancing, and graffiti (Rose 73). The rapper, or MC (master of ceremonies), expresses themselves through the most basic form of communication, words. He or she performs their lyrics over instrumentation provided by the DJ. These DJs brought unique sounds by

Rap and hip-hop first started to come together in the 1970 's, but didn 't really materialize and become popular until the 1990 's. With a huge surge in popularity and growth in the 1990 's, it seemed that rap and hip-hop had started a cultural phenomenon that still has noticeable effects easily seen today in music and also in pop culture. A cultural phenomenon is an idea, trend, or movement that shapes and defines that time period. During the 1990 's, rap and hip-hop spread like wild fire across the nation, from the inner cities to the suburbs to anywhere where you can find a radio. Rap and hip-hop brought a different kind of lyrical rhythms and upbeat, energetic music that most people weren’t too familiar with. This cultural

Hip-hop culture began to develop in the south Bronx area of New York City during the 1970s. It had a significant influence in the music industry. Hip-hop music generally includes rapping, but other elements such as sampling and beatboxing also play important roles. Rapping, as a key part in the hip-hop music, takes different forms, which including signifying, dozen, toast and jazz poetry. Initially, hip-hop music was a voice of people living in low-income areas, reflecting social, economic and political phenomenon in their life [1]. As time moves on, hip-hop music reached its “golden age”, where it became a mainstream music, featuring diversity, quality, innovation and influence [2]. Gangsta rap, one of the most significant innovations in

Hip hop and rap as a musical genre is a very controversial subject for nearly everyone. Its influences are powerful, both positive and negative. There are many positive influences of hip hop, and a few examples are the breaking down of cultural barriers, the economic impact, and political awareness of pressing and urgent issues. Though there are many positive influences, there are many negative influences as well. Some of the more heated debates of the negative influences of hip hop are that it glorifies violence, and the fact that the music sexualizes women and degrades them as well. Attached to the negative outlook on hip hop, there are also many stereotypes assumed by society towards this type of culture

Hip-Hop emerged in the 1970’s upon the arrival of a one Kool DJ Herc. Kool DJ Herc migrated to the United States from Kingston, Jamaica and settled in the West Bronx of New York. Kool DJ Herc was a disc jockey that attempted to incorporate his Jamaica style of disc jockeying, which involved reciting improvised rhymes over reggae records. Unfortunately for Kool DJ Herc New York seemed

Music is subjective which means people will often voice their opinions on it, and undoubtedly one of the most controversial genres that has sparked a barrage of disapproval is rap. It is believed and further encouraged by the media that rap music promotes a bad lifestyle. With corruption being apparent around the world it is easy for the media to put the blame on a genre of music that is filled with explicit lyrics about violence, drugs, and rebellious subject matters. However, further investigation will reveal that because of its accurate depiction of reality, and wide variety of categories, rap music does not encourage an unhealthy lifestyle.

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for

From the beats to the lyrics, the current generation of youth is engrossed in hip-hop culture, tending to idolize the artist behind the songs. Since the 1970s, hip-hop has influenced American culture tremendously. In the past, hip-hop held a central focus around inequality, empowerment and overcoming hardships. Today, hip-hop talks more about sex, money, a male dominant social standing, and drugs. Hip-hop, from then to now, has drifted to the darker side of the social spectrum. The majority of today’s youth were subconsciously thrust into a time when the darkness of hip-hop was nearing its climax. Young African American males