Tragedy In Oedipus The King

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

This story is a perfect model for a great tragedy because it emphasizes on human weakness and man’s inability to change his destiny. “Oedipus the King” was introduced by Sophocles in which he introduced the achievements of Oedipus. It takes you on the journey or Oedipus and this tragic things that he goes through. Although Oedipus was a good person and a true hero, he was the unfortunate one to discover that the gods were only playing with him. Oedipus has everything a man of that time could ever want: he has a great wife and children, he becomes the king of Thebes, and has great fame throughout the lands. “The world knows my name; I am Oedipus.”

The task of tragedy is to bring ‘Catharsis’ to all its spectators, the belief of witnessing a spectacle consisting of tragic themes, is to provide the spectators a feeling of being cleansed and renewed which purges the spectators’ emotions. However, the idea was to strike pity and fear to all who go to see it. Tragedy is commonly defined as a play involving a main character who is born of royal blood with good intentions, the mistakes they commit leads to their downfall. However, what makes Oedipus The King a highly-regarded piece of Greek Theatre is due to Oedipus not realising that he has already fulfilled his fate by committing the deeds that were

The dictionary describes a tragedy as, “a serious drama typically describing a conflict between the protagonist and a superior force (as destiny) and having a sorrowful or disastrous conclusion that elicits pity or fear.” Aristotle’s “Poetics” have long been the standard of a proper tragedy. Yet, could there be more to the perfect tragedy than what either the dictionary or Aristotle suggests? What are the actual characteristics that form a “true” tragedy? In Sophocles’ “Oedipus the King” and Shakespeare’s “Hamlet” (two of the most renowned tragedies ever written), lay the keys to unearthing the facts about what characteristics produce the ultimate tragedy.

Sophocles' play Oedipus the King has endured for over two thousand years. The play's lasting appeal may be attributed to the fact it encompasses all the classical elements of tragedy as put forth by Aristotle in Poetics nearly a century before it was written. According to Aristotle, tragedy needs to be an imitation of life according to the law of probability or necessity. Tragedy is serious, complete, and has magnitude. It must have a beginning, middle, and end and be spoken in language that is fit for noble characters. Furthermore it must be acted, as opposed to epic poetry, which is narrated. Tragedy shows rather than tells. Finally it must result in the purging of pity and fear, or a catharsis. Tragedy is based in the fundamental order of the universe, it creates a cause-and-effect chain that clearly reveals what may happen at any time or place because that is the way the world operates. Tragedy arouses not only pity but also fear, because the audience can envision themselves within this cause-and-effect chain. Tragedy as a whole is composed of six elements: plot, character, language, thought, spectacle and melody. Melody and language are the media by which the effect of imitation of action is carried out, spectacle is the manner or way the tragedy is carried out, and plot, character and thought are the means that initiate the action. Oedipus the King possesses all of these elements.

play has the perfect Aristotelian tragic plot consisting of peripateia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to his hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

During the Ancient Greek period, Aristotle, a great philosopher, wrote a book called the Poetics to describe what makes a great tragic play. Using the Oedipus Rex by Sophocles as the basis for his book, Aristotle goes into great detail about plot, character, and much more, breaking up the components of a tragedy. Since Oedipus Rex had a huge part in the creation of Aristotle’s book, it fulfills many of the Greek philosopher’s requirements for a tragic play.

Evidence: “ How i weep for you -- I cannot see you now… just thinking of all your days to come, the bitterness, the life that rough mankind will thrust upon you… such disgrace and you must bear it all! Who will marry you then? Not a man on earth. Your doom is clear: you’ll wither away to nothing, single, without a child. (Line 1625-1645)

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.

In the play “Oedipus Rex” by Sophocles, Oedipus finds out the horrifying truth about his life. From his point of view his life was right where he wanted it to be, he was king and he had everything he wanted, but that all changed very quickly. Oedipus had made several mistakes in which caused him to lose his role as king. Tragedy is a very important element in this play because it causes the reader to keep an open mind about who killed King Laius, Oedipus being blinded throughout the play, and of course who was at fault for everything that had happened. The death of King Laius was a very important tragic moment.

exercising his free choice by making bad decisions . Oedipus certainly meets these portrayals of a tragic hero. The dialect of tragedy consists of two circles: one is a relative point and the other is impacted and the effect on its audience. Sophocles and Aristotle’s achieve that task with absolute clearness. The modern reader, coming to the classic drama not entirely to the enjoyment, will not always surrender himself to the emotional effect. He is apt to worry about Greek ‘fatalism’ and the justice of the downfall of Oedipus, and, finding no satisfactory solution for these intellectual difficulties, loses half the pleasure that the drama was intended to produce . In dramatizing stories, there will dependably blends of passionate sentiments, suspense, and fervor to discover what’s

Following the victories of the Greeks invading the Persians at Marathon in 490 B.C. and Salamis in 480 B.C., Athens experienced a period of social optimism and period expansion during the first half of the fifth century B.C. The second half of the fifth century B.C. was also very successful in that Athenians tremendously developed culturally and intellectually. This was the era of Sophocles and a period where everything and anything seemed possible through man effort and reason. Sophocles wrote a trilogy of tragedies, which contained of 3 Theban plays. Oedipus Rex, the first play in the trilogy, was written during a period of political instability and plague. In Oedipus Rex by Sophocles, many themes such as the quest for identity, the nature of innocence and guilt, and the abuse of power are portrayed and are pivotal for the play to build up to the tragic ending.

The great Greek philosopher Aristotle set forth to explicate the true nature of tragedy. Considering Sophocles’ Oedipus the King as a great tragedy, Aristotle speculatively based his analysis of tragedy off of this Greek classic. Aristotle’s definition possesses multiple characteristics such as that a tragedy should be an imitation of an action, possess magnitude, and be made of pleasurable language—to name a few features (Heath, 10). However, the portion of the definition that is relevant to this paper is the fact that a tragedy, according to Aristotle, induces pity into the audience. Therefore, three of Shakespeare’s masterpieces will be analyzed to show how each utilizes murder to evoke pity in the

is a trait viewed as being favorable to a character at first, but it leads to their later downfall. It was often used in ancient Greek tragedies to show that mankind was susceptible to flaw. This was present in Sophocles 's tragedy, Oedipus the King. The protagonist of the tragedy,Oedipus, was not exempt from his own flaws. Oedipus’s traits of excessive pride and desire for knowing the truth were advantageous to him in the beginning, yet were the very things that contributed to his tragic downfall.