Tragedy : The Soul Of Tragedy

What is a tragedy? A tragedy is a drama in which the protagonist is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to cope with unfavorable circumstances. In the play Othello, William Shakespeare uses the literary device characterization in sequence to convey that Othello’s tragic flaw is the main reason that brings Othello to his downfall --- death. The causes of the tragedy of Othello are Othello’s gullibility to Iago, jealousy of Desdemona’s affair, and male pride.

Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary

Tragedy is an element of literature. It is rooted in Greek mythology and ancient Greek society. Its definition is “A literary piece that consists of a courageous noble character who must confront powerful obstacles, either external or from within”, and “the protagonist usually has a tragic

2. What evokes “the tragic feeling” in us as viewers of a play? What is the cause of the

Tragedy, as defined by Aristotle, is “a drama treating a serious subject and involving persons of significance” (Kirszner and Mandell 1086), the success of a tragedy occurs when the audience “feels both fear and pity because they see in themselves the potential for similar situations” (Kirszner and Mandell 1087). Aristotle’s literary theory of tragedy applies only to “imitation of persons who are above the common level, he must be one who is highly renowned and prosperous – a personage like Oedipus, Thyestes, or other illustrious men of such families” (Aristotle) because his theory was developed for application to the literary works of poets and playwrights such as Homer, Aeschylus, and Sophocles, whose works were the interpretations of Greek mythology. This means that one cannot look fully to Aristotle’s definition of a tragic hero in application to modern literature. Therefore, many scholars and literary critics look to playwright Arthur Miller’s description written in his article Tragedy and the Common Man where he writes, “I believe that common man is as apt a subject for tragedy in its highest sense as kings were” (Miller). Miller points out in his article that the common man can exhibit all the same qualities and characteristics as those of a man born into nobility, and that same common man can execute the same actions. But not all tragedies are heroic, there must be specific elements in the creation of a tragic hero that can be difficult to

Before beginning, however, it is necessary to examine the aim of Tragedy. A Tragic work, according to Aristotle, was simply one that showed men as better than they typically are in everyday reality. Tragedy served to show mankind at his noblest, without, however, depicting man as unreal or unbelievable. To represent a noble man

Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger.

When hearing the word Tragedy, it would not be surprising if several different individuals would immediately think of several unique examples of the word. Perhaps one is an opera enthusiast who immediately thinks of Puccini’s La Boheme. Another is a war enthusiast that thinks about History Channel’s new episode highlighting the harshest and bloodiest battles of World War One. Even a third one obsessed with Greek mythology could generate a handful of examples of tragedy. Tragedy, like love or comedy is a universal theme that can be used to entertain, enlighten and excite its audiences. William Shakespeare, a world renown writer, was a master of this genre writing works, including Romeo and Juliet, Othello, and Hamlet. Another lesser known

have been many fallen heroes who have been key subjects to be known in essence as

    By definition, a tragedy is a story that details the downfall of a protagonist. Most often, the protagonist (tragic hero) is a member of high society who is faced with an oppositional force, be it internal or external. In his Poetics, Aristotle states that "tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends...." This quote illustrates an aspect of tragedy upon which many works are based, including

Aristotle’s criteria for a tragedy involves three main subjects: values, characters, and a conclusion; William Shakespeare’s Macbeth incorporates these critical topics. The values are supernatural powers, which determine what is right and what is wrong. The character in a tragedy must be noble by birth and by action. In the conclusion, the character must understand why he or she fell, accept the punishment, and order must be restored. By including these, Macbeth fits Aristotle’s criteria for a tragedy.

According to Aristotle’s theory of tragedy, tragedies are best equipped to be based on a protagonist that is renowned and prosperous, so his good fortune can be dramatically changed. In contrast, Arthur Miller’s essay “Tragedy and the Common Man” states “that the common man is as apt a subject for tragedy in its highest sense as kings ever were.” He proves in his modern essay that the characteristics and emotions of the common man and the highly placed are entitled to be similar. Miller even identifies emotions of a average person and how they result in a better tragedy than those who are highly ranked. In his play “Death of Salesman” he demonstrates that the normal life of a sales man can still make for a great tragedy and that his protagonist, Willy Loman, is worthy of a tragedy.

Aristotle thoroughly describes his understanding of the tragedy in the Poetics and bases this conception on certain requirements. According to Aristotle the three most important variables that define a tragedy are plot, characters, and theme. Using Oedipus Rex as a sort of ideal, this philosopher demonstrates how a tragedy functions in order to evoke catharsis while exploring themes and human flaws, or mistakes. In Oedipus Rex, the main figure, Oedipus the King is a subject of fate, unable to escape himself and his desire to uncover the truth. In essence, this drama demonstrates the fall of a prominent figure brought down by his inescapable fortune and self-destruction. I definitely believe it is difficult to find a modern day tragedy that

In his Theory of Tragedy in the Poetics, Aristotle explains the characteristics necessary to create a good tragedy. He defines tragedy as “an imitation of an action that is serious, complete, and of a certain magnitude.” In other words, a tragedy must be focused and realistic. It must also evoke a “sense of fear and pity within the audience”, through its six parts, and end with a katharsis or cleansing of these emotions. The six parts of, a tragedy determines the quality and the most important parts include: plot and character. Aristotle also outlined the characteristics necessary in order to create an ideal tragic hero. Oedipus the King written by Sophocles, is an example of a perfect tragedy and Oedipus is a perfect example of a tragic hero.

Aristotle defines what a tragedy is in his famed piece Poetics. In it, he sets guidelines that all tragedies should meet in order to become the fantastic displays of misery that they are meant to be. Six main elements are present in every tragedy: plot, character, thought, diction, melody, and spectacle. The two most important, of course, were plot and character. Both had to be complex but believable, consistent, and possess the ability to arouse pity and fear in the audience. Although both are the top elements that are the focus of tragedy, the other four are imperative to achieve the tone and overall character of one.