Tragedy(Dead Poets Society)

“According to Aristotle, the function of tragedy is to arouse pity and fear in audience so that we may be purged or cleansed, of these unsettling emotions.” (“What is” 739) This “purging” is clearly effective in Sophocles’ Antigone which is about a young woman’s will to do what is right by the Gods. Also, according to Aristotle, “a tragedy can arouse twin emotions of pity and fear only if it presents a certain type of hero or heroine who is neither completely good nor completely bad” (“What is” 739). He or she must also be “highly renowned and prosperous,” have a tragic flaw, learn a lesson, and suffer greatly (“What is” 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

A tragic hero is a character who makes an error of judgment or has a fatal flaw, which combined with fate, results into a tragedy. The tragic hero must fall from good luck and well being to misery and misfortune. The tragic hero causes a sense of pity through the tragic downfall that weakens the character. In Antigone by Sophocles, Antigone follows her own beliefs by giving her brother a proper burial, even if she has to break the law of King Creon. Because of her innocent actions, Antigone is punished unjustly and unfairly. Through her risky and unselfish actions, ability to follow her own beliefs, and perseverance Antigone is the tragic hero of this play.

Tragedy, like comedy, is in the eyes of the beholder and what makes a particular fictional character more tragic than another can be argued until the end of time. However, despite this, it seems that an undeniable part of what makes a character tragic is their ability to save themselves from their predicament but, for whatever reason, refuse to do so, thus damning themselves to their wretched fate. Likewise, the more obvious this ability, the more control that a character has over their fate, the more tragic their eventual downfall. Moreover, coupled with the preventable nature of the character’s tragic fate, is this fate’s unpredictability, which causes the audience to, even until the very end, have hope that the tragic character will triumph over their predicament. Furthermore, this is all merged with the ultimate insignificance of the tragic character’s demise and how, despite all their struggles, they are eventually rendered wholly irrelevant and forgotten. Hence, the most tragic of the three protagonists studied is Jay Gatsby because his final fate, compared to that of Willy Loman’s or Macbeth’s is the most unpredictable, had the least impact on society, and, ultimately, was the most avoidable.

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

The tragic hero of a story has to have his/her tragic flaw. Creon and Antigone both shared the beliefs of freedom and the protection of personal dignity; those must be their tragic flaws. Creon believed that if he made a direct command he would carry it out all the way and not bend the rules for anyone. That shows how stubborn he was and how heartless and vile he was. Those are the traits of his tragic flaw. Antigone believed that everyone has their equal rights no matter whom they are fighting for, especially if they are part of her family. She would be stubborn and would not bend her ideals for anyone like Creon. She would go as far as it would take for her to get her point across. A tragic hero must realize that he/she has a tragic flaw and must then try to change themselves.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

            To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins

Neil is presented as an aspiring young boy with the goal of becoming a doctor, or so it would seem. Later we find out that Neil’s true dream is to become an actor. It is Neil’s father who wants him to become a doctor. A great portion of the movie is taken up by this conflict of ideas. Tom Perry represents the conformity in Neil’s life and acting and the Dead Poets Society represent his outreach to individuality. Neil struggles direly to fulfil his own needs but in the end he is smothered by his fathers closed minded insistence that he drops his own interests in the name of sensibility. This represents that in the case of Neil conformity was far more powerful than individuality, as he is driven to death by the

Neil Perry was an aspiring actor, though his father wanted him to forget about acting and focus on his school studies and becoming a doctor. Neil embraced the lessons he learned from Mr. Keaton and took a chance and followed his heart and he starred in a play against his father’s wishes. Neil knew that he did not have his father’s consent or support about the play but he decided to do what he wanted.

Hundreds of years ago Greek plays were very popular. People would plan to go to these plays for entertainment and to have fun with their friends. These plays would also help to teach the audience all about Greek mythology. The main character in these plays often had something tragic occur at the end, such as death. This character was the referred to as the “tragic hero.” A couple hundred years later a Greek philosopher named Aristotle described tragedy with 4 simple elements, nobility of the character, the flaws of the tragic hero, the start of the tragic hero’s downfall, and his/her punishment. In Things Fall Apart, Oedipus, and Antigone there is a character that shows this definition of tragedy by the end of the book and or play. This is usually caused by something called hubris, excessive pride. Things Fall Apart, Oedipus, and Antigone all fulfill Aristotle 's definition of tragedy.

In the Greek tragedy, Oedipus the King, Oedipus struggles to accept the truth and he lets his temper over power him. Throughout the tragedy, he displays all the necessary elements to be categorized as a tragic hero as defined by Aristotle. His refusal to accept the truth led to Oedipus’ downfall. A tragic hero, as defined by Aristotle, “is a literary character who makes a judgment error that inevitably leads to his/her own destruction.” Based off this definition, Sophocles’ Oedipus clearly exemplifies Aristotle’s definition of a tragic hero.

The Greeks considered tragedy the greatest form for literature.  However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person.  Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone.  Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends.  As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy.  Therefore the tragedies were not a result of a plot by the fates, but rather a result of the