Tragic Essay: Hiero Or Tyrannicus

If you're a tyrant, people fear you. They fear you because you have power and abuse it, and if you get in the way you have to expect the worse. I believe the quote “All men could be tyrants if they could” is true because just as

Considered one of the greatest dramas of all time, Sophocles’ play Oedipus the King follows the tragic life of Oedipus, king of Thebes. Considered a Satyr play, the Oedipus trilogy is perhaps the most famous of Sophocles’ plays. Oedipus the King, is an Athenian tragedy that was first performed somewhere around 429 BC in Athens, Greece. Originally, the Greeks referred to the play as simply “Oedipus,” as that was what Aristotle referred to it as in the Poetics. Perhaps what makes this play so memorable, is Sophocles’ uses of the tragic hero as the main theme. Sophocles uses characterization and conflict to portray Oedipus as an Aristotelian tragic hero.

Plato’s account of a tyrant is close to that of the “great” Soviet Leader, Joseph Stalin. In Book IX of the Republic, Glaucon notes that under a tyrannic rule, a city or state will be tragic and depressing; additionally, it is also stated that city will always experience more freedom and content under a king. (Bloom, 257). This account is a key factor in comparing Stalin with the Republic, as Stalin’s ambitions were similar with Plato’s descriptions. Using other descriptions from Plato’s Republic, it clear that Joseph Stalin fits Plato’s account of a tyrant. The Soviet regime under Joseph Stalin suffered greatly and the tyrant rule of Stalin was oppressive, restrictive, and produced great amounts of casualties. We are comparing how Plato’s account for a tyrant is accurate of the results of Joseph Stalin; that a city will experience freedom with kingship, as well as darkness and scrutiny under a tyranny.

Through using powerful words in, “Othello”, the human behaviour of the characters is either positively or negatively influenced, and their characteristics and destinies are created. In the following essay “the power of words” in “Othello” will be discussed. Firstly, an introduction paragraph will be given about the power of language devices. Secondly, the language device, “words as power”, will be discussed. Thirdly, the language device, “words as character”, will be elaborated upon. Lastly, the

Shakespeare's play, Hamlet illustrates the tragedy of a young prince's pursuit to obtain revenge for a corrupt act, the murder of his father.   As the exposition unfolds, we find Prince Hamlet struggling with internal conflict over who and what was behind his father's death.  His struggle continues as he awaits the mystic appearance of a ghost who is reported to resemble his father.  Suddenly it appears, proclaiming, "Pity me not, but lend thy serious hearing / To what I shall unfold" (1.5.5-6).  The ghost continues to speak providing an important clue: "The serpent that did sting thy father's life / Now wears his crown" (1.5.38-39).  In short, this passage reveals evidence leading to the identity of whom

The conflict between law and morality has been in existence since the beginning of human society, and to this day still greatly influences people and society. Written by the Greek playwright Sophocles in the 5th century BCE, Antigone is the tragic story of a young girl who goes against the king’s edict and buries her brother, a traitor to the state, sentencing herself to execution. The conflicting ideals of logos - moral, divine, or natural laws, and nomos, or man made laws are Greek virtues explored in the characters of Antigone and Creon, both of whose lives end horribly. Although nomos is often too concrete to manipulate to one’s advantage, logos is much more open to interpretation, and in the case of Creon, whose tragic flaw is hubris, the fluidity of logos allows him to use it to justify and influence his actions, ultimately harming him much more than nomos, and causing his story to end in tragedy. After investigating societal gender roles and the effect they

Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.

In his Theory of Tragedy in the Poetics, Aristotle explains the characteristics necessary to create a good tragedy. He defines tragedy as “an imitation of an action that is serious, complete, and of a certain magnitude.” In other words, a tragedy must be focused and realistic. It must also evoke a “sense of fear and pity within the audience”, through its six parts, and end with a katharsis or cleansing of these emotions. The six parts of, a tragedy determines the quality and the most important parts include: plot and character. Aristotle also outlined the characteristics necessary in order to create an ideal tragic hero. Oedipus the King written by Sophocles, is an example of a perfect tragedy and Oedipus is a perfect example of a tragic hero.

Oedipus the King is an excellent example of Aristotle's theory of tragedy. The play has the perfect Aristotelian tragic plot consisting of paripeteia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

Fate chose him to kill his dad, marry his mom, and discover it all in Oedipus Rex, Sophocles’ tragedy. Oedipus was so determined to save Thebes from the plague bestowed on them by Apollo. But little did he know that he was the source of it all. His constant reversal of fortune, neutrality, and suffering make him the perfect example of a classic Greek tragic hero.

Sophocles said that a man should never consider himself fortunate unless he can look back on his life and remember that life without pain. For Oedipus Rex, looking back is impossible to do without pain, a pain that stems from his prideful life. Oedipus is aware that he alone is responsible for his actions. He freely chooses to pursue and eventually accept his own life's destruction. Although fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his undying quest for the truth ruin him.

A tragic hero, as defined by Aristotle, is a man who is great but also terribly flawed, who experiences misfortunes while still remaining admirable to the audience at the end of the play. One of Aristotle’s favorite works, Oedipus the King, a play by Sophocles, is a play that above all others, defines the meaning of what a true tragic hero really is. In the play, Oedipus the King, the story unfolds after Oedipus unintentionally kills his own father and goes on to marry his mother. The events of the play are tragic, but it is the way that Oedipus handles the tragedies that make him a tragic hero.

As one of the most significant works in philosophy, The Republic has been one of the most historically and intellectually influential basis of many political theories and philosophical approaches since its first appearance. It is also crucial to mention that the book contains both Plato’s and Socrates’ arguments of life and the view of the Athenian Democracy in the ancient Greek world. Therefore, it can be confusing and complicated to decide to which philosopher the arguments belong. The main focus of the book is to find the definition and the whereabouts of order, justice and to establish a just state, as well as to prove that a just man is happier than the unjust man by providing examples. The true importance of The Republic lies in the fact that everything has meaning in it, not only the arguments, but also the people who act as metaphors for the different kind of roles, which they fulfill in the Athenian society, furthermore the way they speak symbolizes those roles and every one of them embodies a part of the soul and the city-state. Even though it is not obvious, Plato / Socrates criticizes the Athenian society and tries to establish a new, ideal one with the different people he meets and talks to in the book.

Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,