Tragic Figure In Antigone

In Sophocles’ piece, King Kreon prohibited the burial of Polynices, Antigone’s brother, because he was seen as a traitor to his country. Antigone blatantly disobeyed King Kreon’s proclamation because she thought that Polynices ought to be buried not only because he was blood- family, but because the gods law states that burial is a necessary ceremony. Her sister, Ismene, tried to warn her of the trouble she could find herself in, if King Kreon finds out that it was Antigone who had buried her brother, the traitor. (Blondell, 21). In addition, Antigone does not hesitate to admit to this illegal deed when the guards catch her in the act (Blondell, 37,38). While she acted out of respect for her brother and the gods, it was selfish in the fact that she was only thinking of herself. She did not hesitate to disregard King Kreon’s law and did not take any factor into consideration. Antigone accepted that her life was the price to pay for her civil disobedience, but her actions also, unintentionally, led to the death of two other people. Although, in the end, King Kreon sees that Antigone was right, the reason for which she had fought, and ultimately lost her life for, had no significant positive effect on anyone else.

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Being that Antigone is the protagonist, her character is important in the play. She made the decision to bury her brother knowing that it was against Creon’s law. Ismene refused to help Antigone, which left her angry, yet still determined to bury her brother. She knew that burying her brother could lead to her own death, but she continued to show courage, strength, and determination throughout her role. In the beginning, Antigone says, “Dear god, shout it from the rooftops. I’ll hate you all the more for silence/ tell the world!”(17,100-101). This was said to Ismene, when they were discussing burial plans and Ismene was telling Antigone that she was against the plan. Antigone’s dialogue shows that she is not worried about being punished or worried about who knows what she has done. It is clear that Antigone is sincere about honoring the gods, her actions show that she feels that she is pleasing the gods and that is all that matters to her. “These laws/ I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods.”(30, 509-511). This demonstrates how she feels about man’s law vs. divine law. In the plot, there was not one time where Antigone denied

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

Antigone’s motivation is love for her family- she puts it above all else. In fact, she is willing to sacrifice her life to defend that love. Antigone goes to great lengths to bury her deceased brother, who according to an edict issued by King Creon, died in dishonor, consequently making it illegal for anyone to bury his body. Through her actions to comply with her motivations, it is revealed that Antigone’s actions are also fueled by her strong beliefs that, first, the gods’ laws

Antigone face a potential death of being stoned to death for going against her uncle's law, which has never been brought on any woman before. When Antigone buries her brother Polyneices, she jeopardizes her life because the law of Creon goes against the laws of the gods. Her motives for her disobeying actions are religious morals, genuine love, and caution for her country.

Antigone justified her civil disobedience of giving her dead brother Polyneices the decent burial which is against King Kreon's decree, by knowing well that she has violated the state's law by burying her brother. She then allegedly carries out an act against King Kreon's state law; but it is also an act in accordance to her own conscience

In Antigone written by Sophocles and translated by David R. Slavitt, Antigone decides to risk her own life to be able to bury her brother in a respectful way in which she thinks is right. Antigone had an enthusiastic determination about it, approached it without regret, and also choose her destiny and her sisters. Her father’s fate was a big affect on if she was going to precede with burying her brother or to no give him the respect like the rest of the surrounding community. Even though Antigone risked her whole life and her entire future she made the right decision by burying her brother and sticking to her own judgment.

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

     Antigone's decision to bury her brother caused harm to many people. First, she tried to convince her sister Ismene to help her. She did this by trying to make Ismene feel guilty if she did not; stating it was Ismene's brother too. She says after Ismene tells her she is on a hopeless quest "If you say so, you will make me hate you and the hatred of the dead, by all rights, will haunt you day and night."(Act I: Scene I: Line 57) This threat brings Antigone farther apart from the only living family member that she has left. She has her mind set so much on burying her brother that she will stop at nothing, not even threatening her opposing sister to do it. Since Ismene has been through the same

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.

 Antigone feels that her crime is a display of respect for her dead brother, and her intentions were, in no way, criminal.  Antigone’s love for her brother and her reverence for the gods' wishes help her to overcome her fear of punishment for her actions. She makes the final decision to go through with the preparation of her brother’s body and his burial after coming to terms with her religious beliefs and their prevalence over Kreon’s demands.  A sentry catches her in the process of covering her brother’s body with dirt, and brings her before Kreon.  Antigone openly admits to her actions, as seen in the following passage:

disapproval but also against the King’s law. Antigone is very loyal and family oriented and takes

In Antigone, Antigone’s behavior turns out to be the sole cause of all the problems within the play. Usually, the protagonist’s choices lead to the crux of the tragedy. In Antigone, the main character, Antigone, portrays the role of the protagonist. Antigone’s determination to commit heresy initiated all the chaos within the play. Often, the crux of the tragedy affects the protagonist and innocent bystanders. The first being Antigone’s lover, Haimon, who was the son of Creon and Eurydice, Creon’s wife. Due to Antigone taking her own life, Haimon ends up taking his life as well. This action, allegedly, being done out of sadness for his lover, “Haimon lay beside hers, his arms about her waist, lamenting her, his love lost under ground, crying out that his father has stolen her away from him” (Sophocles 5.960-963). The second being Haimon’s mother, Eurydice, who likewise killed herself, but this time, out of sadness for