Agamemnon Tragic Hero Essay

“According to Aristotle, the function of tragedy is to arouse pity and fear in audience so that we may be purged or cleansed, of these unsettling emotions.” (“What is” 739) This “purging” is clearly effective in Sophocles’ Antigone which is about a young woman’s will to do what is right by the Gods. Also, according to Aristotle, “a tragedy can arouse twin emotions of pity and fear only if it presents a certain type of hero or heroine who is neither completely good nor completely bad” (“What is” 739). He or she must also be “highly renowned and prosperous,” have a tragic flaw, learn a lesson, and suffer greatly (“What is” 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

In book three of Iliad, “illustrious king” (9.126) and his Achaean armies fight the Trojans to stop wife stealing but despites that he still dishonors and takes Achilles prize, Breseis. Agamemnon in the Iliad can be seen as the mortal Aphrodite. In book three of Iliad, Helen disobeyed Aphrodite and she responds with rage and so does “lord of men” (9.112) in book one. Agamemnon feels that Achilles disobeyed him, so he answers with wrath just to show “how much greater [he] [is] than [him]…. for hoping to rival [him] strength for strength” (1.219-221). His statement makes Achilles furious with rage. “Why, why in the world if not for Helen with her loose and lustrous hair? Are they the only men alive who love their wives, those sons of Atreus? Never!” (9.411-414). Achilles expresses his feeling on how contradicting the whole Trojan war is and that is he going to involve himself, it will be for Bresies only. Bresies is who he loves not

A tragic hero is a person who has qualities of a hero such as intelligence and strength but makes choices that lead to their self-destruction. The tragic hero is usually from a noble family or high position. Oedipus from The Sophocles is a tragic hero because he possesses tragic flaws such as hubris, hamartia, and too much curiosity. Marcus Brutus, a Roman politician, also serves to be a tragic hero since he is too naive, honest, and sometimes impulsive. Both Oedipus and Brutus have certain characteristics that determine them to be a tragic hero.

A tragic hero is a character who makes an error of judgment or has a fatal flaw, which combined with fate, results into a tragedy. The tragic hero must fall from good luck and well being to misery and misfortune. The tragic hero causes a sense of pity through the tragic downfall that weakens the character. In Antigone by Sophocles, Antigone follows her own beliefs by giving her brother a proper burial, even if she has to break the law of King Creon. Because of her innocent actions, Antigone is punished unjustly and unfairly. Through her risky and unselfish actions, ability to follow her own beliefs, and perseverance Antigone is the tragic hero of this play.

What makes a tragic hero? Aristotle lays down groundwork of a tragic hero as being essentially good. They are neither villain nor saint because they have flaws. Several elememts are nevcesary to have a tragic hero, they are the tragic flaw, the reversal, recognition, and hubris. These generally make up the story of the tragic hero, and in the case of Jocasta, the wife and mother of Oedipus in Sophocles’ Oedipus the King, she posses all three. Yet she is not truly considered a “tragic hero,” but a tragic character by many. However seeing as it is the character of Jocasta that sets the story in motion, and she posses the qualities in a

The theme of honor can be seen throughout the storyline. In book 3, the war is started when Menelaus honors his wife, Helen, by fighting for her against the Trojans after Paris runs off with her (Homer 50-51). Homer uses Menelaus to show he is motivated by honor when going after his wife. It would give him a cowardly image to let another man run off with his wife and him do nothing in return. The contrast to Menelaus going after his wife is Paris. Paris is shameful for running off with another man’s wife instead of finding his own. He shows shame later on in the story as well. Homer uses these characters and their motivations actions to set up the main conflict in the story and to predict the later decisions that they make.

One of the greatest Greek plays is Antigone. Antigone is a tragic Sophoclean play, which portray two great examples for a tragic hero. I believe Creon and Antigone, the main characters of the play to be tragic heroes. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. Both Creon and Antigone are dignified and flawed in their own ways, having a similar tragic flaw.

During that entire time, Achilles’ justification for wallowing in self-pity is that he has been “dishonored”. This argument becomes null and void when Agamemnon offers lavish compensation for the affront. In addition to returning Briseis, Agamemnon offers Achilles seven unfired tripods, ten gold bars, twenty burnished cauldrons, a dozen horses, seven beautiful women from Lesbos, twenty Trojan women, his daughters’ hand in marriage along with a rich dowry, and the ownership of seven populous cities. Any reasonable person would have taken the offer but not prideful, bitter Achilles. Instead he continues on with the same old rhetoric and refuses to fight. As if standing idly by while his countrymen were being killed was not enough, Achilles has his mother call in a favor to Zeus asking him to help the Trojans so that even more Greeks would die during his absence. Not only did he abandon his comrades, he actually prayed for them to die because his pride had been hurt.

According to Aristotle, “A tragic hero is a character who is not eminently good and just, yet whose misfortune is brought about not by vice and depravity, but by some error or frailty…” The classic tragic hero has some type of tragic character flaw which creates an inner struggle, leads to his making a serious error in judgment, and leads to his eventual downfall and death.

As defined by Aristotle a tragic hero is a literary character who makes a judgment error that inevitably leads to their own destruction. They are born into nobility and have a fate of their own. One also looks at the background information that influences the character to be a tragic hero. In order to be a tragic character a character has to have certain characteristics. In the novel Antigone, the character Antigone meets all these characteristics making her a tragic character.

Achilles questions himself, "Should he draw the long sharp sword slung at his hip, thrust through the ranks and kill Agamemnon now?--or check his rage and beat his fury down?" (108). Here, Hera has Athena intervene to keep Achilles from killing Agamemnon, which shows how the gods control Achilles' destiny. The argument between Achilles and Agamemnon clearly shows that the two men have different opinions about the power of the gods, what is holy or unholy, and what is proper treatment of other men. These differences are one source of Achilles' rage.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

Tragic Greek dramas featured tragic heroes, mortals who suffered incredible 
losses as a result of an inescapable fate or bad decisions. According to Aristotle, a tragic hero is a character, usually of high birth, which is pre-eminently great, meaning they are not perfect, and whose downfall is brought about
 by a tragic weakness or error in judgment. The three Greek heroes Oedipus, Medea and Agamemnon, who each killed a member of their family, carry most of the qualities that make up a tragic hero: being of noble birth, being surrounded by an extraordinary circumstance, and gaining self-awareness or some kind of knowledge through their downfall. There is an important need for the audience to identify with the Aristotelian hero through

In the play Oedipus the King, Oedipus struggles to accept the truth and lets his temper over power him. He can be displayed as a tragic hero. His refusal to accept the truth led to Oedipus’ down fall. A tragic hero, as defined by Aristotle, “is a literary character who makes a judgment error that inevitably leads to his/her own destruction.” Sophocles’ Oedipus exemplifies Aristotle’s definition of a tragic hero.