Similarities Between Okonkwo And Antigone

To illustrate, Antigone articulates to Ismene that Creon lacks the power to prohibit her from burying Polyneices (Prologue, line 35). Disregarding Creon’s powers, Antigone extends both her immaturity and recklessness in amanner that both generates a hazy impression of Antigone’s plausibility and discredits her personality because of the seldom conflict between the king and women in Ancient Greece. Furthermore, characters such as Eurydice and Jocasta, who experience much more tragedy, diverge from Antigone in the course of their reactions. While Jocasta and Eurydice grieve for their loved ones and succumb to the sorrow, Antigone’s reaction exists at the opposite end of the spectrum where she acts with the sole intent to spite Creon. Continuing, Antigone dictates that she is “not afraid of the danger; if it means death, / It will not be the worst of deaths - death without honor” (Prologue, lines 80-81). Recognizing her inevitable fate, Antigone makes little effort to alter her actions or consequences. Her proud acceptance of her death, which she claims to be one of honor, projects her arrogance and stubbornness toward her situation. This immediate compliance fails to reflect the true outlook and reaction toward approaching death both today and in her time. Additionally, the diatribe provided by Antigone to the chorus near her death sparks much criticism when she asserts that she prays Creon’s punishment equals her own when the truth of her actions emerges (Scene 4, lines 67-69). Antigone’s blatant assault on Creon’s life conveys her ignorance, which also transmits the impossibility of her individuality. Sophocles employs Antigone to generate the generalized perspective of tyranny Conversely, many individuals justify Antigone’s reckless behavior

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

While Antigone’s act of civil disobedience against King Creon is admirable, it was not enough. Her actions were carried out carelessly and hastily, ultimately leading to her demise. The reasoning behind her stance was selfish in the way that she was not defending those that fear locked up their tongue or the “do-nothingers” concerning injustice. She stood up to the king for personal matters concerning her family drama. The combination of her actions,

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Creon’s bad decision leads to his eventual downfall and demise. Creon realizes his hubris and his wrong decision a little too late. Antigone is already dead, and he cannot correct his wrong-doing. This makes the audience feel pity for him, for he

The story of Antigone is about a princess named Antigone, who wishes for the King of Thebes to peacefully bury her brother Polyneices. However, he reveals that he has never honored the man, and demands his kingdom to not mourn his death. This angers Antigone, for she believe's that one's body must be buried in order for their soul to rest in peace so, she buries her brother instead. The foolish act causes Creon and Antigone to go through conflict solely based on their differences throughout the story. However, the pair finds more similarities in each other than differences.

Antigone or Creon? In an idealized world, there would be a perfect divide between good and evil. Questions about what is wrong and what is right in the world would be non-existent; decisions would be made methodically and objectively. However, as the symbol of Ying and Yang illustrates, the world is not ideal. Balance is required . Good cannot thrive without evil and what is right cannot be realized without recognizing what is wrong. Antigone and Creon represent the Ying and Yang. Therefore, there is no hero in Sophocles' Antigone. Antigone's rash decision to do what is required by her Gods is driven Creon's demonstration of unwavering strength as required of the people's leader. Everything that occurs within the play after those decisions

Creon’s first lapse in judgement was his inability to understand the strong sibling bond between Antigone and Polynices. If Creon extended more compassion towards their familial bonds, then perhaps the tragedy would not have taken place. “Polynices, who returned from exile … a proclamation has forbidden the city to dignify him with a burial, mourn him at all. No, he must be left unburied, his corpse carrion for the birds and dogs to tear and obscenity for the citizens to behold. ”(222-231)

What is the difference between a tragic hero from an antagonist? In the story “Antigone”, written by famous play writer Sophocles, a young girl named Antigone fights a tragic battle in trying to prepare a proper funeral for her dead brother Polyneices. On the other hand Creon the King of Thebes, believes that Polyneices should be left unburied. The two conflicting characters Creon and Antigone differ based on their words, actions and ideas. Creon’s downfall slowly leads to more suffering even though he is just trying to follow the rules as a king. Creon’s traits of pride and ignorance are different from Antigone’s traits of perseverance lead to Creon’s position as a tragic hero because Creon can not accept the fact that Antigone is willing to do anything to have the burial for her brother and this leads to a series of tragic occurrences.

Who’s the tragic hero in the play Antigone written by Sophocles? The play Antigone is about Antigone fighting for her brother Polyneices’ proper burial. Creon, on the other hand, believes her brother should not be buried. This Greek tragedy leads to the death of three of the characters in the play. Many people argue that Antigone is the tragic hero, however I believe that King Creon of Thebes is the tragic hero. Although Antigone could be a tragic hero, Creon is more fit. His actions and pride is what leads him to his downfall which causes the play to be tragic.