Trainspotting
"Over the years, heroin and addiction have provided the subject matter for more than a few noteworthy films." The cult film Trainspotting, based on Irvine Welsh's book of the same title, offers an attractive case study as it represents a wide view of British youth culture by considering a large number of issues such as the critiques of consumerism, Thatcherism, class stratification and gender identities. The film portrays the lifestyle of a group of young drug addicts which places its emphasis on youth culture and links it to the drug subculture, and while also involving female characters in this drug subculture it manages to successfully relate the issues of drugs and gender. Therefore I will attempt to trace the
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This belief that tabloids instigate moral panic is prominent in the book Hooligan by Pearson (1983). He introduces us to the concept of moral panic and heightens our awareness of the image of the criminal. This concept was evident in the aftermath of Trainspotting, as people believed that the major cities in Britain were all filled with drug addicts and that if you visited there you were putting yourself in serious danger of being mugged by one. Pearson believed that the public were put in a state of fear due to the misrepresentation of criminals in the tabloids. A fine example of this could be seen when, in Easter of 1964, the entire front page of many significant tabloids was plastered with stories of how youngsters had beaten up an entire town and a community had been invaded by a mob hell bent on destruction'. Mods and Rockers had been accused of assaulting local residents and destroying a great deal of public property. However, after extensive research, Cohen(1973) discovered that this was untrue and the amount of serious violence and vandalism estimated by the tabloids was actually very small. "The typical offence throughout was not assault or malicious damage, but threatening behaviour." After Cohen confronted
Dangerous illegal drugs have plagued American citizens and their youth for as long as the country has been in existence. These harmful drugs are not only responsible for countless amounts of deaths, but the corruption of the American society in general. All too many times have these drugs been blamed for insanity, racism, rebellion, and straight up violence. Today the government is spending approximately $19.179 billion in one year to combat these evils (Gifford). Unfortunately, even with all of this effort going in to stop illegal drug use, the “War on Drugs” is yet to produce almost any positive results. Because of this, politicians are urging the government to spend even more money to combat the seemingly
Heroin, a powerful narcotic, acts upon the brain as a painkiller, increasing physical addiction and ongoing emotional dependence (Schaffer Library of…). Heroin has many challenging and highly risky effects on the user, all the more hazardous if overdosing is present. This extremely dangerous drug, heroin, will never cease being used, but may cease the existence of an individual.
The United States has the world's highest incarceration rate. With five percent of the world's population, our country houses nearly twenty-five percent of the world's reported prisoners. Currently there are approximately two million people in American prisons or jails. Since 1984 the prison population for drug offenders has risen from ten percent to now over thirty percent of the total prison population. Federal prisons were estimated to hold 179,204 sentenced inmates in 2007; 95,446 for drug offenses. State prisons held a total of 1,296,700 inmates in 2005; 253,300 for drug offenses. Sixty percent of the drug offenders in prisons are nonviolent and were purely in prison because of drug offenses (Drug War Facts). The question then arises,
According to the text, what factorshave been major contributors to the demise of the two-parent household?
Throughout the evolution of popular music in American culture, many factors have been instrumental in the inspiration musical artists. The wide range of sources reflects the variety and creativity of music in the modern day that musicians claim as their muses, ranging from religious beliefs to love interests. However, the primary driving force behind the creative minds in music in the United States has undeniably been the drug subculture that was the largest at the given time period. Without the use of recreational drugs by artists, popular music would have taken an entirely different and unimaginable evolutionary path, resulting in a completely different musical world. Music is what is taken from drug culture to be incorporated and sold
"Cocaine and crack are among the most addictive substances known to modern science, and they have already ruined the lives of millions of Americans" (Morganthau and Miller, 208). Cocaine and crack are both dangerous, harmful drugs. Though pleasurable effects can be obtained from these drugs, the use of crack and cocaine cannot be worth the actual consequences that are inflicted on mind and body. The bad effects of these drugs, by far outweigh the good. Because crack and cocaine are so closely related, it is important to have a firm understanding of both drugs.
Every day, hundreds of people experience the overwhelming effects of addictions. Individuals can become addicted to virtually any action or item. If individuals use addictive substances, there will be serious medical repercussions. This paper will focus on the idea of addiction through the fields of anthropology, psychology, and sociology, and how these fields have benefitted this prominent issue. Addictions are currently being researched by various social scientists in an attempt to fully understand their causes and cures.
Society today has been clouded and somewhat overtaken by social drugs. Wherever you may look, a drug is being used, whether it is more commonly a cigarette being smoked on the street, or the covert teens smoking marijuana in secluded areas. In any case, there is not one person who can say drug use is not prevalent, since society has made it clear through news, music and everyday life. However, there are certain drugs that seem to be worse than others, and society once again has taught us that through our laws and restrictions. The worse the drug, the more you pay for having it. Basically, drugs have become a part of our life, and you never know when they can land on your doorstep.
Volunteering and participating in service projects are two of the most rewarding activities in my opinion. Some people may find it was a hassle or only do it because they have to meet the minimum requirement for school or work. Helping others, for me, has always been somewhat second nature to me. Over many years of volunteering I believe I have developed qualities that will stick with me for life and benefit me in my career. As early as freshman year, in high school, I found myself looking for ways to give back. I started by looking for opportunities within school, where I came across the A+ tutoring program, and so my journey of giving back began. While tutoring, my patience for others really evolved, partly by choice and partly because
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis
Heroin addicts have the psychological dependence on heroin that leads them into the state of self-destruction and the possibility of leading to death by the extreme use of heroin. Never estimate the poppy flower for its power that withholds the fiends to their mentality enduring the euphoria enslavement of the mind that contained for many centuries. The heroin addiction nation is a self numbing injection and dry approach to have the mind under the state of the greatest feeling of great happiness leaving the pain behind under the spell of heroin. Heroin comes in many forms for addicts to enjoy in their own way. They come in powder and rock like form that is combined with other narcotics. The snorting form for heroin is not
The United States is not immune to the worldwide drug addiction epidemic. Drugs pour in from Mexico daily, then distributed to throughout the country. The economic crisis in America is creating an excuse for drug use (e.g., depression, hopelessness). This chemical fix not only creates problems for the addict, but the family and community as well. Every addict has an enabler, a person who makes the addiction possible through various venues of support (e.g., financial, denial). Addicts are only concerned with their next fix and will resort to any means to obtain it (e.g., theft, prostitution, pan-handling). Some have even resorted to extremely desperate measures; for example, murder for inheritance or life insurance proceeds.
"Poison or Pearls, Reality or Fantasy?" (Street 110): How do the makers of Trainspotting depict British youth sub-culture and what methods of filming do they use to communicate their message in the surrealist way the film is famous for?
Running, eating, cooking, reading, there are countless of different hobbies to choose. Some of them may seem useless in a way, trainspotting for instance. Even addiction to drugs is trivial to me, and the characters’ lives do not attract me. Maybe the drug addiction and the trainspotting hobby have similarities, at least both of them can be considered as fairly special lifestyles.
Irvine Welsh’s Trainspotting’s depiction of Scotland’s heroin-addicted subculture elicits a number of questions regarding issues of heroin addiction, choice, and societal dissociation; questions which will be explored and subsequently answered in this paper. Jason Middleton notes that it has been argued that influential pop-culture works such as Trainspotting are to blame for “’glamorizing’ heroin and ‘making it look cool’” (Middleton). However, I argue instead that Trainspotting provides a complicated viewing of a besmirched and quite unglamorous side of Edinburgh through characters such as Mark Renton, whose articulation on the importance of choice highlights the interplay between heroin use and the societal and cultural disconnect he experiences in the novel. Middleton, on the idea of societal disconnect, suggests that “negation of all affect and even the body itself [is] a possible consequence of disengagement from dominant social standards” (Middleton). In regards to the cause of this disengagement, Judy Hemingway contends that “spatial politics of culture are exemplified in Trainspotting through its portrayal of divisiveness which took place during the Thatcherite 1980s when lines of demarcation were drawn between those who were valued and those who were not” (Hemingway 328). Using Middleton’s ideas on “disengagement from dominant social standards” (Middleton) as the catalyst for this paper, I aim to explore Renton’s choice to disconnect from British and Scottish