Trajan's Column Essay

Thesis: The Greek influence of outstanding culture, gods, and their beautiful art to the Romans’ they took this inspiration on to their own creation. Both ancient build devotion to their gods they would bring the most precious things to them temples, however, they would focus on making large empire to rule and to take control of their city-states.

There have been countless duels between two opposing sides in the history Roman artistry. This sculpture relief signifies the classic battle of good versus evil. Time and time again, benevolent heroes find themselves in a struggle to combat worthy yet malicious adversaries. The Roman sarcophagus, a two by five feet marble coffin, is certainly no exception. It represents another division to this timeless good-evil epic, its visual characteristics, emphasis on contrasts, and its extensive array of details give it an identity that is uniquely its own. It portrays a sense of legendary fantasy to the viewer, one pertaining to hostility, violence, and pure anger. The sculpture seems overly shallow due to

I am choosing to focus on the imperial portrait reliefs from the Ara Pacis for matrix cell 1 because this monument combines politics, religion and social values. The Ara Pacis Augustae epitomizes the Mos Maiorum, the visual manifestation of Roman virtues and laws. This paper will explain why the reliefs on the Ara Pacis can be considered political propaganda. Furthermore, I will analyze how the art in this monument exhibits the importance of civic piety in Roman politics.

14 As Stamper argues, this is a significant aspect of portraying authority when one an emperor uses precedent of Rome’s founding 15 and this is shown by Augustus in commemorating the temple to Julius Caesar as a sign of celebrating his own triumph. The Temple of Julius Caesar sat on an elevated podium with rostra in front of the colonnade where prows of the ships captured from the Battle at Actium were hung.16 Similarly, the public rostra erected at the opposite site of the Forum also consist of captures obtained from the Battle of Actium and these rostra that faced each other act as a reminder of the glories of the old Republic and the achievements of the restored Rome under its new leader, Augustus.17 To reflect more of the idea of power, Augustus uses different architectural elements to deliver them. Similar to the nearby Temple of Castor and Pollux erected during the Republic, the Temple of Julius Caesar had a pycnostyle composition that consisted of six closely arranged columns with

Galinsky adds a new dynamic to the telling of Augustus’ life with his interpretation and depiction of the leadership and the progress made at the time. He is attempting to show the reader a more rounded picture of the life of this young emperor. The strict structure of the overall book is great in reminding the reader that this is a recount of historical events. This along with the inset boxes may at times dry out the entertaining aspects of the story being told. That being said this book is well put together and unlike the average historical text has foudn a way to keep audiences engaged while keeping structure, and fact in unison.

Octavian enabled the long, nonviolent time of the Pax Romana, (Latin for Roman peace) by changing Rome from a frail, collapsing republican government to a powerful empire. He is known as the first, and one of the greatest, Roman Emperors ever. Octavian was born on September 23, 63 BC, and died in 14 AD. Born with the name Gaius Octavius Thurinus, he was adopted posthumously by his great-uncle Gaius Julius Caesar via his will, and then was named Gaius Julius Caesar Octavianus. This happened in 44 BC when his great uncle, Julius Caesar, was assassinated by a group of conspirators. Additionally, he received the name “Augustus” a term meaning “the revered one” from the Roman Senate in 27 BC. Because of the various names he had, it is

During the third debate, the major question discussed during the debate is focusing on the involvement of Augustus in the arts. During the debate, there were strong arguments made by both the praetorians and the tribunes about whether Augustus should be involved in the art and literature aspect of the Roman community. The praetorians debated that Augustus should not have a major impact in the arts and used logos, ethos, and pathos during their debate. Additionally, the tribunes made strong arguments that Augustus’ involvement in the arts will only help the Romans going forward.

Cole’s first major painting, “The Course of the Empire,” was a symbolistic illustration showing the five stages of an empire; which were the savage state, pastoral state, consummation of the empire, destruction, and finally desolation. The different canvases display the relationship between man and

In Mary Beard’s book, The Roman Triumph, she explores one of the most interesting victory celebrations of the ancient world. Instead of having a small gathering, or even a raucous party, Romans brought what they had seized and carted it through the city. They even brought some people they had captured so that the crowd could know exactly who they triumphed against. This celebration gives historians a view into the Romans lifestyle. Roman triumphs also show what values were important to the Romans and where they found their significance. Using Mary Beard’s book I will demonstrate the nature of Roman triumphs by giving examples from Pompey’s triumph in 61BC, what these triumphs tell historians about the Roman world and why they are significant, and what they tell us about the values the Romans held dear.

Caesar Augustus the man who found Rome a city of bricks and left it a city of marble. Caesar Augustus, one of the strongest and most strategic leaders in roman history, but this was all much later in his life, he started off in a very poor state yet through hard work and determination he came out on top to be known throughout the generations.

To conclude Trajan's column is one of the greatest monuments that were made before the fall of the Roman Empire and one of the few Roman monuments to have survived the fall. But as historians and archaeologists still stand baffled at the intelligence of the Romans to know how to construct such a monument, tourists and researchers can just enjoy the 126 foot tall creation of the mighty Roman

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

In ancient history there have been many great leaders who had saved the Roman Empire from destruction and demise. The leaders and heroes of the Roman Empire are countless, but one leader stands out from all the rest. Augustus Caesar’s contributions to Roman history helped make Rome the dominant empire we know of today. Augustus Caesar was without a question the greatest political leader in the history of the Roman Empire.

When examining and comparing The Equestrian Statue of Marcus Aurelius and Justinian as world conqueror it is important to examine the iconography and visual motifs of both pieces before comparing and contrasting them. The Equestrian Statue of Marcus is an example of a Imperial Roman made from gilded bronze, and Justinian as world conqueror is a panned from the Barberini ivory which is a diptych from the Byzantine Empire

In 27 BC Augustus began his political career with a “new policy which embodied a national and Roman spirit” (Galinksy, 1996, 225) and “represented new heights in creativity and sophistication” (Galinksy, 1996, 225). Augustus created a new political propaganda campaign that used art and architecture to promote and enhance his regime. The most fundamental message can be regarded as to establish the legitimacy of his rule and to portray him as the natural successor of Rome, as this is consistently presented throughout the visual programme. Yet factors such as the restoration of the Republic, reviving the old religion, nationalism and militaristic triumph can also be seen to be communicated prominently through art and architecture.