Transcendentalism In Ernest Hemingway's The Old Man And The Sea

Although he is grateful for the little boy who provides him with company from time to time, most of the people in his village do not respect him. These private tendencies and Santiago’s willingness to stray from the crowd indicate that he is a Transcendentalist.

In the novel, “The Old Man and the Sea”, Santiago’s fatal flaw is his pride. Despite struggling with age, poverty and a series of streaks of misfortune, Santiago’s pride prevents him from relying on others for assistance. However, this pride serves as a righteous feature for Santiago since his pride is a combination of his passion for fishing and trying to retain his identity and dignity in an unjust society. “You did not kill the fish only to keep alive and to sell for

The forces of the universe have crucified both Santiago and the marlin.  We see this when Santiago carries his mast cross-like to his shack and the author's description of his exhausted repose "face down on the newspapers with his arms out straight and the palms up" (Hemingway  122).  Yet, through this struggle, through this pride that made him go far out beyond all people, Santiago learns the meaning of life in a meaningless universe is humility and love.  We see this expressed most clearly in his mentor-like relationship with Manolin.  Human solidarity and interdependence may not make a man any more capable of beating the forces of the universe, but they are sustaining as much as the courage and dignity with which Santiago faces life "the boy keeps me alive, he thought.  I must not deceive myself too much" (Hemingway  106).  Before coming to shore, Santiago recognizes he has gained humility and he is loved.  He is appreciative the other fishers will worry about him.  They bring him food and newspapers to

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

Even though he is an adolescent boy, Manolin loves spending time with Santiago. He loves to go out fishing with him but, his parents no longer will let him. The reason for this is because Santiago has not caught a fish for eighty-four days. As a result of this unfortunate occurrence, others deem Santiago the term salao, or the worst kind of unlucky. Knowing the struggle Santiago is facing, Manolin tries to help him in as many ways as possible. Manolin brings Santiago drinks, food and the newspaper so they can talk about baseball and the great Joe DiMaggio. In spending all this time with the old man, Manolin develops a form of respect for him. He comes to understand that despite the recent unlucky situations, Santiago remains hopeful as well as prideful. This is why Manolin looks up to the old man so much. “Santiago… I could go with you again. We have made some money. The old man had taught the boy to fish and the boy loved him” (Hemingway 10). Along with just loving Santiago for himself, Manolin also looks up to him because Santiago taught him how to fish. Manolin understands that he is a large part of Santiago’s life and feels honored and

I wish I could feed the fish, he thought. He is my brother. But I must kill him and keep strong to do it. Slowly and conscientiously he ate all of the wedge-shaped strips of fish” (59). This relates to perseverance by showing how Santiago doesn’t really want to harm the fish, but he knows he has to in order to make a living. Santiago’s hand has cramped up, yet he feels sorry for the fish, not himself. He has caught a few small fish to eat raw. He wishes he could feed the

Manolin is very devoted to the old man. Though he is not allowed to go fishing with Santiago, he aids the old man however he can. “’Keep the blanket around you,’ the boy said. ‘You’ll not fish without eating while I’m alive,’” (Hemingway 19). This statement uncovers how much Manolin cares for the old man. Manolin wants to be there for the old man, however difficult it may be for him. The two characters divulge a bond that is unbreakable because of how much they love and care for each other. Though Santiago is not able to fish as well as he used to, Manolin still believes in him. Manolin has faith in Santiago and that is root of their relationship. “’Que va,’ the boy said. ‘There are many good fishermen and some great ones. But there is only you,’” (Hemingway 23). Manolin’s devotion to Santiago highlights the old man’s values and beliefs as a fisherman and as a person. Manolin admires the old man and cannot contain his love for Santiago. He sees himself reflected in Santiago, which is why he has an abundant amount of love for him.

Manolin admires Santiago, and is always there to help and take care of him. Santiago thinks of Manolin as his own son, and is his only hope to carry on his legacy. THESIS Hemingway uses Santiago’s relationship with Manolin to convey that when you pass down your knowledge and lessons about your experiences of life to your child or student in order to help them with their own journeys throughout their lives, your legacy will continue to live on. PREVIEW To support the concept of living on through one’s legacy, Hemingway uses examples of archetypes of the wise old man, with Santiago teaching Manolin how to fish, when the student Manolin states his memories of fishing with Santiago, and resurrection with Santiago’s conversation with Manolin about luck and suffering.

Manolin glanced an unfathomable large fish being reeled out of the water. He thought that his eyes were deceiving him, and ran quickly toward Santiago to get altered to the situation he was oblivious to. When he reached, nothing but the fish’s sand print was visible. By examining Santiago’s lacerations, Manolin had foreseen Santiago’s death aftermath. Albeit the agonizing suffering, Santiago’s inner strength was reflected throughout. He endured the pain and said in a fading voice, “It’s never about others, but the person you”.

Santiago is a man who surely has shown his dedication to his craft of fishing, which also shows his persistence. Throughout the entire novel he fights the overcome the various circumstances in his life and yet uses these struggles to grow as a person. Ultimately, Santiago is a great example in literature of perseverance no matter the circumstances.

Throughout the journey, Santiago encountered many struggles and hardships, however he never gave up. Throughout The Old Man and the Sea Hemingway wants to show Santiago’s perseverance and Santiago as Christ. Santiago is faced with many struggles throughout his journey of catching the marlin yet he preservers through his struggles. Santiago was once known as the champion fisherman by locals, however he had not caught a fish for eighty-four

Santiago of The Old Man and the Sea is the quintessential “Hemingway Hero”-a type of fictional character created by Hemingway in all of his books whose basic response to life appealed very strongly to the readers. The Old Man begins the narrative with all the elements of such a hero despite his senescence and poverty. He shows strength, determination, and dedication to himself despite his struggles. Santiago relates back to readers as a strong failure who picks himself up repeatedly.

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway

One of the predominate dreams that Santiago has during the book takes place on the coast of Africa with lions playing around with each other. The book tells us this is the only dream he has and the dream connect Santiago with memories of his childhood. Like the lions, Santiago is a hunter at heart with him being a fisher. But since his dream depicts the lions playing instead of hunting, the dream serves as a break from the real world.In the Old Man of the Sea, one of the main themes in the book is modernism. One of the characteristics of modernism found in the book is when Santiago is stuck on the boat while he is fishing. It is only him and his thoughts and the readers get to read everything. Through his thoughts we are able to understand how he feels. Despite the the fish Santiago