Horror has effects on people because getting scared sticks in your mind. There must be change throughout the story to keep the reader interested because people get bored. There are people who will get tired and shut down if you do not keep them busy and entertained and keep their mind going Transformation is used in horror stories, most of the time to create fear. “I would darken and spill all night running until at last morning broke called earth and I carried you home.” This transformation happens our reading because is seems as the Windigo changes his mindset. In the short film “Alma” there was transformation because at first she was all cheerful and the music was happy and cheerful and then when she went into the store when she saw a
As bizarre as it might seem, the element of transformation is truly a great benefaction when it comes to making a horror story. Change plays an essential role in gothic literature because it takes something that is familiar and safe to the reader and turns it into something new and uncomfortable. There are quite a few examples of this in literature, and other storytelling forms. For example, “The Fall of The House of Usher,” by Edgar Allan Poe, “Where Is Here,” by Joyce Carol Oates, and “House Taken Over,” by Julio Cortazar, which are all literary pieces that deal with the phobia of transformation. In addition to these Doki Doki Literature Club, also uses the metamorphosis to change from calm to physcotic to both excite and frighten players.
Out of many things that can scare us, the transformation of a person or environment can truly terrify us. Transformation can be erratic and random, so one cannot expect what would happen next and does not allow us to gain control over it. This truly frightens us. As a little girl watching Ratatouille, I was very scared. Before, I thought that it was the rat that scared me, but I now realize that the abrupt changes in the setting was what actually scared me. For example Remy, the main character, starts off on a roof top, then inside a house, then down a sewage “river” in the first few minutes of the movie. To add on, the scenes changed very quickly not giving me a chance to get used to the environment. It unnerved me that I could not expect what would happen next. Transformation in character and setting can instigate fear in with their erratic nature and can develop an uncertainty of what will happen next. There are many examples in literature where a character or setting goes through a transformation that establishes a sense of fear in the audience. Some examples of transformation creating fear can be seen in “The Fall of the House of Usher” and “Where is Here?” with changes in the characters and abnormal changes of the houses. “The Feather Pillow” also features how transformation can induce fear when Alicia’s health worsens as the monster inside her pillow grows.
Have you ever read a story that has a significant change in the plot suddenly? A lot of thrillers/horror stories, will use the method of transformation to create fear. Transformation plays a huge role in stories meant to scare us. It causes sudden change of mood or how you feel about a certain character quickly which can create a fearful aspect in the story. Examples of writers that use this method include; Ishmeal Reed and Edgar Allen Poe.
Transformation plays a role in stories meant to scare us by playing with our imagination safety and mood of a story. Imagination appears in both Edgar Allan Poe’s, gothic fiction story “The Fall of the House of Usher,” by Usher’s isolated environment and in Joyce Carol Oates gothic literature story “Where is Here?,” by foreseeing who people are. Transformation also plays a role by it assists knowing our own selves are safe in a scary situation. This is shown in, “ Why do Some Brains Enjoy Fear?,” by Allegra Ringo and in “ House Taken Over,” by Julio Cortazar. Transformation plays with our imagination and our safety it also plays a role in the mood and setting. This appears in , “The Fall of the House of Usher,” and “The Dream Collector,”
Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the
As can be seen horror has many plot twists. It could be leading up to one big moment and totally switch the story in an instant. For an example in why we crave
Many stories use transformation in humans, objects, and settings to elicit fear. Reading these stories is frightening when you become engaged in the characters and setting. Transformation in human emotions can create fear because we become captivated in the characters feelings. In The Fall of the House of Usher, the narrator, Roderick, and Madeline transform. The narrator notices increasing madness of Usher as his skin grows whiter, his normal routine was forgotten, and he roamed through the house or stared into space for hours.
What is a horror? What does it mean to be terrified? The definition of a horror fiction is "fiction in any medium intended to scare, unsettle, or horrify the reader." Since the 1960s, any work of fiction with a morbid, gruesome, surreal, or exceptionally suspenseful or frightening theme has come to be called "horror" (Wikipedia) . "The Fall of the House of Usher" is a great example of a story on the basic level of a gothic horror, in which the element of fear is evoked in its highest form. There are many different elements, such as setting, feelings, themes, and characters, that play an essential role in suggesting this.
Without transformation stories won’t be as scary as they are now. What are some things that transformation occur in? Transformation can occur in people, objects, and nature. There are some stories that have transformation in them. Transformation can occur in a lot of things like in nightmares and things that you hear from other people. The stories that require transformation is Frankenstein, ”Fall of the House of Usher”, the poem called Raven, and even pictures too like a picture with a boy stuck in the roof of his house in the water, and a boy in a burned down building. I even have heard and experienced it too.
Horror movies. The type of genre that gives a thrill of adrenaline, yet also gives nightmares late at night. Everyone has watched a horror movie at least once in their lives. And during the movie there is also a time in which the viewer just wants to punch the TV screen and call it quits. Whether it is because their favorite character just did something dumb, or because the ending was horrible, there is always a moment in which one thinks: I would have chosen a better option. I could have survived. In literature, it is often the same thing. Believe it or not, fear is a huge contributor to how the story goes; how it ends, and who dies. Fear either motivates the character to take action or, defeats them. But fear doesn’t act alone. Fear influences people, but what influences the fear? The answer is quite simple, no matter how shocking it can be. Just as love brings happiness, it also brings forth the poison of fear. Whether it is the fear of losing the person they love, or fear that they are no longer loved, both of them are huge contributors on how a character’s actions or decisions are influenced.
This transformation, as with others in the novel, carries with it a sense of loss and of the
A Comparison of Film and Novel Versions of Frankenstein The nature of horror stories gives the reader/audience a feeling of intense fear, shock or disgust. It creates an atmosphere of tension for the reader/audience. Horror stories are designed to entertain people by causing enjoyable feelings of horror.
Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).
When we think about horror, we think about death and bad things happening to good people. Horror gives a face to material that generally does not have a face. It gets our blood flowing and you cannot stop thinking about it. When is the next bad thing going to happen? Who is it going to happen to? It allows our minds to be creative and picture what we want. It kind of follows the idea that we are not at the top of the food chain like we always are and most people find that scary. Matthew Lewis does a wonderful job of depicting horror in The Monk.
Fictionalized horror has been very frightening as well as interesting to me and the community I lived. Civilization and the impact of religion both Christianity and Islam has made most of the superstition to vanish. This made some the believes like ghost uncommon in our society. With fictionalized horror, both videos and stories help us to remember the past. The adults in my community including me, see fictionalized horror as normal and the form or remembrance where as to the kids they seen it scary and unpleasant. Majority of the kids may have nightmare after watching as films.