Trapped in the Body of Society

The culture of set societal rules and conventions urges Catherine to be with Edgar, compelling her to be ‘the greatest woman of the neighbourhood’ due to them being relatively firm in their gentry’s status. This suggests the importance of her social status against the nature of her love for Heathcliff stating, ‘we would be beggars’, through employing the word ‘beggars’ the reader crafts the idea of her belief that she won’t survive without her status. Catherine admits ‘It would degrade me to marry Heathcliff now; so he shall never know how I love him’ Thus implying a swelling sense of her vanity and pride; enough to enjoy the position she gains from being married to Edgar despite her admiration for Heathcliff, being ‘more than (herself) than (she is)’and

Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).

With the coming of age of Catherine and Heathcliff, the hapless families of Earnshaw and Linton brave the storms that brew between them and realize that they must rise up to meet what they have forced upon themselves. Foremost, the main characters, Catherine, Heathcliff, and Edgar are never quite as they appear to be, and are constantly changing in both dynamic and static ways. For example, Catherine is the one who changes the most. As she states, “In my soul and in my heart, I’m convinced I’m wrong … I’ve dreamt in my life dreams that have stayed with me ever after, and changed my ideas: they’ve gone through and through me, like wine through water, and altered the color of my mind,” (p. 79). This expresses how she feels as if she has been

Having chosen to marry Edgar, through no other reason than it is moral option; Catherine feels no true love towards him. When conversing with Nelly, and questioned on just what it is that Catherine loves about him, it is apparent, that she struggles to find an emotionally invested response. The responses that she does return to Nellys question, consisting of the adjectives, ‘handsome’, ‘pleasant’ and ‘rich’ all show that Catherine feels

During his multiple visitations to her new residence, Thrushcross Grange, he meticulously tries to make her feel ashamed of her marriage to Edgar Linton. For example, in his second visit to Thrushcross Grange he states that “[she has] treated [him] infernally” and that she should expect “[his revenge] ... in a very [short] while” (105-106). Correspondingly, Catherine responds saying that she is in shock by “his [new phase of character]” and is curious as to how he will get his “[so called ‘revenge’] ... [on her supposed ‘infernal’ treatment]” (106). Infuriated by her calling his sense of judgment, and revenge a bluff, he starts his master plan by aiming his affections at Edgar’s sister, Isabella Linton. Wantonly, Heathcliff manages to win Isabella’s heart and as such “[takes her away on horseback]” for Catherine to find out (122). Once again at hearing the disappearance of Heathcliff, this time with another woman, Catherine slips into another round of hallucinations. Yet, unlike the last time, her condition becomes life threatening. Catherine, in the time of her ailment, believes that “[her old life, and self are gone because of how Heathcliff treats her now]” (151). At the same time of when Catherine thinks this, Heathcliff, returns once again, to inform that “[he has not changed in how he treats her, but she has changed in how

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

Catherine returns to Wuthering Heights, she is barely recognizable. Hindley, treating Heathcliff as a servant, allows Catherine's playmate to step forward to greet her when she arrives. Catherine kisses Heathcliff, but while doing so, she comments upon his dirty appearance and compares him unfavorably to Edgar. Heathcliff is hurt by the changes in his friend's appearance and attitude.

Wuthering Heights’s Catherine Earnshaw is infamous for her complex character, some arguing that she is egocentric and manipulative, others sympathizing with the difficult choices she is faced with. However, there is no doubt that she is innately childish. As Catherine grows older, her character is not changed; she remains juvenile and selfish, making everything a game that revolves around her and not empathizing with other characters and their needs - subconsciously or not. In a sense, her mindset never progresses past one of a child. As Sigmund Freud wrote in The Standard Edition of the Complete Psychological Works of Sigmund Freud, “What makes an infant characteristically different from every other stage of human life is that the child is polymorphously perverse” - an attribute which Catherine exemplifies throughout her lifetime. Her selfishness goes beyond the "ordinary self-centeredness" (Thormahlen 5) one might encounter in a regular adult - rather, Catherine directly affects her relationships with people through her "perverse" actions, and still does not recognize the harm in doing so. She exists in an irresponsible state, not perceiving that "she cannot have, and be, everything she wants whenever she wants it” (5) - and this is reflected in every single relationship she experiences. It is Catherine’s intrinsic immaturity and inability to progress from her childhood mindset that is the main catalyst not only in her in the other character’s

Nelly worked as a servant at Wuthering Heights since she was a girl and grew up with Catherine so she knows her better than anybody. Mostly she likes Catherine but sometimes she does not because Catherine can be mean and she has a bad temper. Nell thinks Catherine acts like a fake. She says “Catherine was full of ambition - and this led her to adopt a double character without exactly intending to deceive any one” When Edgar said bad things about Heathcliff Catherine did not defend him. And when Heathcliff talked about Edgar she did not defend him either.

Like Heathcliff, she was also a wild spirit, intrinsically inclined toward Wuthering Heights, yet capable of adapting to high-society living. However, she could not continue to ignore her inherent affinity for both Heathcliff and the natural world. Only as she approached death did she finally admit that she “[didn’t] want…Edgar” or Thrushcross Grange to be her home (Brontë 127). Catherine’s frantic love for Heathcliff and Wuthering Heights manifested as the “brain fever” that led to her death, symbolizing the conflict between her effort to fit into society and her longing for a life free of constraints with Heathcliff (Brontë 132). Despite his newfound suffering, Heathcliff continues to love Catherine, even after her

As children, the two were equals playing with each other, but that ended upon Cathy’s stay with Edgar after an accident. Upon her return Heathcliff acts colder, as “...he had ceased to express his fondness for her in words, and coiled with angry suspicion from her girlish caresses, as if conscious there could be no gratification in lavishing such marks of affection on him” (66). By beginning to emotional remove himself from Cathy’s actions, Heathcliff prepares to fight for dominance over Cathy’s time and affection. Cathy is somewhat aware of Heathcliff’s animosity against Edgar by attempting to hide his visits to her. Cathy tries to equalize all three of them by justifying her marriage to Edgar with “‘... if I marry Linton, I can aid Heathcliff to rise and place him out of my brother’s power’” (79). Consequently, her reasoning to bring Heathcliff out of degradation affirms his lower social status, and Edgar’s and her’s mutual social superiority by birth. Social norms dictate Cathy’s reasoning as well, to marry within one’s social class, which Heathcliff is not. Though socially inferior, Heathcliff manages to have power over Cathy by dramatically affecting her emotions upon his leave, since she “burst into uncontrollable grief,” (85) and long after he leaves, Cathy remains so, “Catherine had seasons of gloom and silence...never subject to depression of

Looking back on the years Nelly spent at Wuthering Heights, she can’t help but feel a sense of irritation. Catherine’s presence here would always seep through the walls like the sticky bitter sap of the moor trees, that clings to your skin even after doused in water. In many ways Catherine was divided and conflicted, unruly and tamed, and headstrong and loving. As Nelly reflects on her opinion of Catherine she realizes that Edgar, Catherine’s husband, might have held a slightly different view.

As a result of the Industrial Revolution, people were abandoning the countryside in droves and flocking to the cities in search of work. Emily Brontë lived in the last days of traditional, conservative ways of rural life. The society was overwhelmingly patriarchal, and this is evident in the Brontë sisters ' use of pseudonyms to publish their books. Female authors were not received welcomingly. Emily 's chosen name was “Ellis Bell”. [9]

Emily Bronte is a British author of Thornton United Kingdom, England was born in July 30, 1818; Famous for her only novel Wuthering Heights. Emily Bronte’s common themes in her writing Emily's poems are used to interpret her novel, particularly those poems discussing isolation, rebellion, and freedom.

Emily Brontë was influenced by familial experiences to write her characters in Wuthering Heights. Brontë was also surrounded by two other famous authors during her childhood, her own sisters Charlotte and Anne. Because of this, she always had an outlet to splash her creative juices. Although before this, Brontë had to tackle death at a young age considering she “lost two [of her] older sisters, Maria and Elizabeth, to tuberculosis after they stayed at a negligent boarding school” (Moss and Wilson). These two deaths impacted the “manner by