Treatment Of Mental Illness : What Do Kate Chopin And Charlotte Perkins Gilman?

In the short stories “The Story of an Hour” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Perkins Gilman, are stories about women who suffer from different conditions, but are very similar. In “The Story of an Hour” the main character suffers from an unknown heart condition, and becomes very detached from her husband. In “The Yellow Wallpaper” the main character suffers from a psychological condition, and is taken care of by her husband John but slowly grows away from his care. While these women may have very different situations, they are very similar in the way they grow away from their husbands, feeling oppressed by society, and wanting to feel free.

The Story of an Hour by Kate Chopin and The Yellow Wallpaper by Charlotte Perkins Gilman written in the 1890s both reflect gender roles of this time, specifically women’s roles. In these stories both of the women are oppressed by their marriages, and by the end of the stories both wish to be rid of their husbands. Also, in both of these stories these women experience mental illnesses, mainly depression. These illnesses were looked at as something minor during this time, was it because psychologists were uneducated, or because as women their mental stability did not really matter? These stories connect so well because of their work to bring to the surface the reality of gender roles in the 1800s. Even though these stories were fictional their ideas were very real. By comparing how men and women were treated during this time, and how they are treated more equally now, it shows that with time American has come a long way.

Nellie Bly faked insanity and got into an asylum to journal in New York City. She wrote a book about her brutal experiences at the Women’s Lunatic Asylum on Blackwells Island called 10 Days in A Mad House. Nellie wanted to get herself checked into the asylum because she read about the horrible conditions of other asylums. Her main goal was to expose the asylum and get help for the mentally ill. Nellie wondered as she asked her editor “How will you get me out, after I once get in?” “I do not know.” he replied, “but we will get you out even if we have to tell who you are.” Nellie didn’t have much faith in her plan to deceive the insanity experts, although, the plan worked. Nellie reported from the mad house, extreme temperatures, abuse from the workers, and rotten food. Not to mention, they were forced to sit on a cold hard bench from 6 A.M until 8 P.M, and if they moved or talked, they would be beaten. Nellie states “ the asylum was in such

Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,

The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.

Gilman uses indirect characterization in revealing the narrator’s private thoughts and feelings through the narrator’s secret journal. Since the narrator is diagnosed with nervous depression, – “conventional women’s disease of the nineteenth century” – her husband John, who is also her physician, recommends that her treatment be a rest cure, where she is not allowed to do anything active, especially reading and writing (Treichler, 1984, p.61). Treichler writes that during that time, doctors dictated this therapy because it was believed that too much intellectual stimulation would cause women to experience this illness (1984). But, because the narrator insists that the freedom to read and write would improve her condition, she decides to keep a secret journal as an outlet for her thoughts and imagination (Gilman, 1892).

In Bly’s time, mental illnesses were not taken seriously. Bly described the asylum she was admitted to as overcrowded, cold, and dirty (ch. 7). It defeated the purpose of trying to give extra attention to those in need. It was easy to get admitted into an institution, but nearly impossible to make it out because the treatment was not treatment.

Elizabeth Cochran, a.k.a. Nellie Bly was the first known female reporter. Bly's life spanned Reconstruction, the Victorian and Progressive Eras, the Great War, and its aftermath (Kroeger, 1996). And, even though there remains no fully organized collection of her life's personal or

Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous

In Nellie Bly’s excerpt from ten days in a mad house she goes on crazy trip through a lunatic asylum. The place no man or women wants to end up, this insane asylum is gruesome to patients, unfriendly, and not helpful. She has to come in contact with miserable treatments that are useless to help ones state of mind. This asylum is the complete opposite of what a normal mental institute should be like. Nellie Bly is able to communicate with the rest of society and explicit the truth about what is going on in these asylums. The lunatic asylum represents society as a whole; the Excerpt from Nellie Bly 's 1887 non-fiction novel 10 Days in the Madhouse exemplifies how horrid the medical treatment was for mental illness in women as well as societal perception’s of women’s psychological issues in the eighteenth century.

Through the course of time, mental illnesses have always been in existence due to varying factors and causes. However, as time has passed, the perceptions and available treatments for mental illnesses have also changed as new technology was developed. By looking at the treatments and perceptions of mental illnesses in the early 20th century, we can learn how to properly treat and diagnose not only mental disorders but also other conditions as well as show us the importance of review boards and controlled clinical trials.

Both women in the stories suffer from an illness, both physical and mental, an extent in both

In these short stories, Gilman’s “The Yellow Wallpaper” and Olsen’s “I Stand Here Ironing”, each have common situation about mental illness towards self, family, and even with outside of world-society. Different people handle struggles in different ways. In all the stories, freedom was taken away in one way or another. Both were struggling with inner conflicts about comforting to other people’s wants or needs. The characters in both stories hand to deal with abandonment in some form. All dealt with emotional and mental abuse. Both woman and daughter found their own way of escaping from conforming to what other people thought they should do. Both stories deal with the oppression of female. Female in these stories are all confined in one way

Charlotte Perkins Gilman and Silas Weir Mitchell were part of two worlds, one having to live and be treated for a nervous condition and the other having to study the conditions of nerves. Yet, in this particular moment in the late-19th century United States, one can detect a dialogue between doctor and patient in each of their short stories. That is exactly what is detected between Charlotte Perkins Gilman and S. Weir Mitchell. While both The Case of Dedlow and the Yellow Wallpaper use fiction to express themselves more thoroughly about mental health and science, The Case of Dedlow is more concerned with the aspect of scientific case study while the Yellow Wallpaper focuses on indicting science. This paper will compare and contrast the narratives of the aforementioned short stories and discuss the significance of their reception and how their audience understood them.

Approximately 22% of the American population suffers from some kind of mental disorder at any given time. (Passer and Smith, 2004) Schizophrenia is one of the most serious of these mental disorders, and there are many different kinds of treatment. While all mental disorders offer diagnosis and treatment challenges, few are more challenging than schizophrenia. It is both bizarre and puzzling, and has been described as “one of the most challenging disorders to treat effectively.” (Passer and Smith, 2004, 534)