Trestle Work, Promontory Point, Salt Lake Valley

Accordingly, the nature was one of the Romantic themes adored by numerous readers during this era. The author’s description of untamed environment and striking sight inspires and impresses the readers. Soothing and relaxing people through these illustrations, author takes them away from the impersonal society. For example, The Most Sublime Spectacle on Earth by John Wesley Powell vividly displays the spectacular views of Grand Canyon to make readers forget the depraved reality. “The carving of the Grand Canyon is the work of rains and rivers,” Powell stresses that Grand Canyon is the splendid work of nature, not the artificial work of

In 1964, President Lyndon Johnson declared an unconditional war on poverty in the United States and the most photographed area was the Appalachia region. Many of the photographs intentional or not, became a visual definition of the Appalachia region. The images have drawn from the poorest areas and people to gain support for the war on poverty, but came to represent the entirety of the region. The point of the Looking at Appalachia project is to explore the diversity of Appalachia and to establish a visual counter point. (Home - Looking at Appalachia.) The three images I am going to analyze are challenge some of the stereotypes put on the Appalachia region. I believe my images challenge the stereotype that all Appalachian people do is work hard, go to church, and don’t have time for anything besides those two things.

One final illustration that had a positive advantage was the symbol of the cow. This symbol is an extremely simple and non- extravagant drawing but I feel that it really stands for a lot. In the book it says that in 1868- 1869 Texas cattle were brought into the country. I believe that this symbol was an illustration of trade for the Native Americans. I think it marked the beginning of their trade because later on in the book there is a document of how the Indians go on to trade cattle for guns with other tribes. The image on page 48 really shows the trade use at its full potential by illustrating the trade within tribes. Trade is a very important in any civilization and is always an important advantage.

Cole has no restrain in describing the beauty of all the elements found in the American scenery. He talks about the mountains, the sky, the streams, the sunset, waterfalls, all of which are overflowing in richness, full of magnificence, and unsurpassed by any other. For Cole the scenery and nature are subjects which must be present in the souls of every American. While he considers himself and even others underserving of “such a birthright”, he is thankful for the beauties given to us by nature. Cole suggests to his audience that the reason behind him painting natural scenes relates to the experiencing of a particular emotional response while doing so. This is a response which can only be compared to a “calm religious tone”, full of “tranquility and peace.” Witnessing the beauties of the American scenery, anywhere one goes, makes one realize how “the sublime and beautiful are bound together in an indissoluble chain. In gazing on it we feel as though a great void had been filled in our minds.” Cole places great emphasis on the importance for all members of society to learn how to cultivate “a taste for scenery.” This can be achieved by appreciating the physical beauty of nature and the ability of said beauty to provide mankind with a different perspective about life and with

The content of Bierstadt’s painting, Sierra Nevada, shows beautiful distant mountain peaks covered by dense fog and clouds. A river flows through a valley in the mountains that forms into a waterfall and then empties into a vast body of bright blue-green water. Tree limbs and rocks are submerged in the water near the shoreline; there is also a reflection of the waterfall and the surrounding mountains on the water surface below. The tall mountains diminish the wildlife below, the family of three deer by the shore are barely distinguishable along the sandy beach. A few trees line the far end of the shore accompanied by various

Davies images are usually shot from a very high vantage point, this creates vast and extremely detailed views. His images will often juxtapose natural environments with some industrial elements. He wants to create highly detailed and crafted images to convey a sense of reality in his work, but also be made in an understated way. These ideas will allow the viewer to draw their own personalized conclusions. He also gives political and historical context next to his images, but doesn’t show his own views on the changing urban landscapes. One of his famous set of images is called ‘Durham Coalfield’. These images are showing the exploration of the impact of the industry working on coalfields. The set of 33 images is an excellent example of how the composition and black and white in his images makes us perceive them in a whole different way. Image number 14 of the 33 in the set is probably the most famous. The cranes in the background of the image reminds the viewer what he is trying to portray to his audience.

Both William Wordsworth and John Muir use imagery to express their relationships with nature. In paragraph two of The Calypso Borealis, Muir describes the environmental obstacles he encounters when he sets off to find the elusive flower: “fording streams more and more difficult to cross and wading bogs and swamps that seemed more and more extensive and more difficult to force one's way through.” Muir’s choice of words helps the reader imagine how difficult and harsh the environment was as

In chapter 5 of Mavericks, From Space to Territory Aritha van Herk writes about the West and its romantic appeal along with different men who were given the task of surveying and exploring the West where upon in turn they became captivated by its romantic appeal. In her writings about these men, and the West that they were tasked with “discovering”, there is a connection to regionalism, landscape and subsequently Plains identity. Regionalism refers to the unique characteristics of a geographic area, or to people’s perception and identification of that area. Landscape refers to that geographic area’s features that help form the characteristic qualities of a people in the region. Landscape also dictates how a region will develop over time. Plains identity follows as it is formed by regionalism and landscape. These three concepts can be found in van Herk’s writings in this chapter as she analyzes how people perceived the West.

Generally when one thinks of the American west their mind jumps to an image of untouched, unspoiled land, such as the land that is represented by America’s national parks. These tourist destinations in the West showcase the history of our nation’s land in a way that many people assume is and has always been the reality, but although the natural beauty of these lands is represented perhaps the beauty of the cultures that used to inhabit them is not.

In the early nineteenth century landscape artists painted scenes of America’s east side near the Hudson River, but by the mid-nineteenth century Landscape artists tended to paint portraits of the newly explored western territory and the South American tropics to show a more extravagant side of the United States.

I am analyzing the form and content of a stylized painting entitled The Palisades by John William Hill. This was found in the collection section of themetmusuem.org which was painted during the pre Raphaelite movement; when artist emphasized meticulous detail in what was observed rather than imagined nature. This artwork shows the aesthetics of nature, depicting a peaceful scenery with spacious green acres during the year of the 1870s. During the late 18th centuries, natural resources weren’t highly industrialized and that in itself shows how nature was essential for all human species. I argue that this painting shows how everything in nature connects and communicates with one another.

Imagery is the primary concept of this work. The two roads are each described in such a way that the reader can easy picture the

Imagery is the primary concept of this work. The two roads are each described in such a way that the reader can easy

• The focal point of the painting is the sun-drenched valley and river. The emphasis comes from the diagonal of the tree to the left that directs the view of the scene down the valley toward the farmland.

It is the first modern landscape in Western art. Though the humans seem to be the main focus, the landscape is just as important.