The relation of the title of the play “Trifles” to the play is subtle but present. According to the Merriam-Webster dictionary, the word trifle means “something of little value, substance, or importance”. Near the beginning of the play, Hale says “Well, women are used to worrying over trifles.” (Glaspell 258). This is the only time “trifles” is used in the play. However, the way the characters act and speak amongst each other reveals the true meaning of the title. The men disrespect the women multiple times in the story. The sheriff and court attorney make comments that are obviously meant to be sexist toward the women such as “Well, you can beat the women! Held for murder and still worryin’ about her preserves” and “Ah, loyal to your sex, I see.” (Glaspell 258). The men treat the women as trifles and disregard them for a majority of the play. After making all those comments about women, they chose to investigate upstairs rather than the kitchen. That’s where the …show more content…
They are blinded by their sexism which prevents them from looking in the one place where they could’ve found a sufficient amount of evidence against Mrs. Wright. As the women look around downstairs, they realize more and more things about Mrs. Wright and begin to feel kind of bad for her. Mrs. Peters shows this by saying “Somehow we just don’t see how it is with other folks until--- something comes up.” (Glaspell 263). What she means by this is that one never knows what’s truly happening in someone’s life until that person needs to know or is allowed to know. The women in the play end up finding a dead canary and hiding it from the men to protect Mrs. Wright. They notice that the canary was killed by breaking its neck, similar to the way Mr. Wright was killed. This presumably shows the main motive behind Mr. Wright’s death. He killed the one thing that made Mrs. Wright feel like she had someone even when she was all alone. That is was leads them to hide
The county attorney does not give a second thought about how John may have treated his wife. Instead, he’s focusing on Mr. Hale’s testimony regarding the alleged “scared” look on John’s face. The men’s bias is often and openly expressed to the women verbally. In accordance to the dialog of the play, the men show they don’t consider what women say vital or pertinent. The Sheriff fires back, identifying with his partners, “Well, can you beat the woman! Held for murder and worryin’ about her preserves.” (Glaspell 1412). The men agree in general about the sheriff’s remark. Mr. Hale comes along and says, “Well, women are used to worrying over trifles.” (Glaspell 1412). The dialog of the play demonstrates the obliviousness and general absence of appreciation given to women’s comments. Even the sheriff addresses his wife openly as if a woman’s role in the home was insignificant. The prejudice from the men is evident and once a reader or audience starts inquiring about how the men treat women, a pattern is seen regarding the men’s standards. The court attorney kicks his foot against the pots and pans below the sink in the wake of discovering no clean towels, telling the ladies “Not
In the kitchen, the dishes are dirty, bread is sitting out on the counter, and everything is in disarray. The County Attorney is disturbed, because the kitchen is not clean. The men assume that Mrs. Wright must have not been a very tidy person. In this time era, men expected women to keep the house tidy and clean, cheerful, and decorated according to the County Attorney in Trifles; he states, “It’s not cheerful. I shouldn’t say she had the homemaking instinct” (1031). Men during this era think that women should only be in the house worrying about what the inside of a house should look. In the County Attorney’s mind, the house should have been warm, clean, organized, and presenting a happy feeling. This is a demonstration of how hard a woman’s life is when she is expected to be when a man’s views think of how a woman should be in the household, for example a slave to cooking, cleaning, and sewing. As shown in the beginning of the play, the men leave the women in the kitchen to gather some of Mrs. Wright’s items she requested as if this is where these women belong. The men go upstairs and out to the farmhouse to investigate for clues for a motive to prove that Mrs. Wright is guilty of the murder of her husband. The men never investigate the kitchen for any clues since they feel there is no significance in the kitchen. The kitchen is an area for women to do cooking and cleaning, which makes them feel there is nothing important in this area. Men
However, Susan Glaspell uses the kitchen in the plot as another theatrical metaphor for a domain of gender identification because it is a women’s domestic territory where women’s life is revealed through common kitchen items. Throughout the play, we can distinguish the roles given to women in that era. In this era, women’s roles were generally reproductive, so they have been relegated to the home with less interaction with the outside world. Because kitchens have often served as work spaces, women have found a sense of empowerment through domestic tasks such as cooking, food knowledge, and efficiency of the kitchen. These conditions reveal the state of mind of women in the play. Minnie Wright’s “gloomy kitchen” (Glaspell 443) is “left without having been put in order—unwashed pans under the sink, a loaf of bread outside the breadbox, a dish towel on the table—other signs of incompleted work” (Glaspell 443). She lost her motivation to do housework chores, which represents that her mind is battered and leads to Mr. Wright’s murder—he has distorted her life.
The title, Trifles, as well as the examples all represent how men view women. A "trifle" is something
An overall theme of femininity is highly evident in the play as well as the short story, and is displayed through the interactions of the characters. Initial evidence of feminism is seen in the play, when the court attorney relays his plans of searching the premises. He states, “we’ll go upstairs first.. and out to the barn and around there”. This shows his initial disregard for the possibility of evidence being found in the kitchen, the “woman’s sphere”. The sheriff solidifies this belief by saying, “nothing here but kitchen things”. This illustrates that Mrs. Wright’s area of the home is of no concern to them; quite an irrational statement, when investigating a murder. In the short story, this theme is strengthened when the sheriff laughed for
Mrs. Peters and Mrs. Hale both make the choice to protect Mrs. Wright from the men’s investigation. They believe they are making the right decision in not telling the men because they believe that Mrs. Wright was in an abusive relationship and the killing of her canary finally caused her to snap. In Marina Angel’s analysis of “Trifles”, she says “The symbolism is again clear. Minnie Foster ‘was kind of like a bird herself’… But Mr. Wright had been rough with her” (Angel 805). The dead bird that Mrs. Peters and Mrs. Hale find is a symbol for Mrs. Wright herself,
What is a trifle? A trifle is something that has little to no importance (dictionary.com). For instance, the color of your nails would be considered a trifle. In Trifles by Susan Glaspell, women are criticized and made fun of by men because of the little things they worry about, such as the color of their nails or their hair. This exhibits the gender role difference portrayed during the play’s time period. The central conflict is what the plot is centered around. In Trifles, the central conflict involves the investigation the Mr. Wright’s murder. As the story progresses, we learn that the women’s trifles would’ve helped the men solve the murder, which is ironic. Numerous accounts of symbolism, relating Mrs.Wright to the bird, is also found
The play Trifles takes place in a rural area and centers around a woman, Mrs. Wright, who has been accused of killing her husband by strangling him. The act starts off in Mr. and Mrs. Wright’s home on a cold, winter morning the day after Mr. Wright’s body was discovered by the neighbor; the county attorney, the sheriff and his wife and the neighboring farmer and his wife are all inside the
A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.
In the first scene of the play, for example, the female characters were introduced as their husband’s names rather than their own. This detail demonstrates how women in that time period did not have any power over their husbands at all. Men believed that the women had no importance rather than cooking and taking care of the home. Masculinity was another small significance in the play, because it helped exemplify the main theme of feminism. Men believed that they had complete authority over women, and in the plot of the story, did not plan for the women to have any say in the final decision in the outcome of the murder.
Susan Glaspell's Trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of little, or no importance. This stereotype makes the assumption that only males are concerned with important issues, issues that females would never discuss or confront. The characters spend the entirety of the play searching for clues to solve a murder case. Ironically, the female characters, Mrs. Peters and Mrs. Hale, uncover crucial evidence and solve the murder case, not the male characters. The men in the play, the Sheriff, County Attorney, and Hale, search the scene of the crime for evidence on their own, and mock the women's discussions. The women's interest in the quilt,
The play written by Susan Glaspell in 1916 is based on the murder of John Wright where the prime suspect is his spouse; Minnie Foster. “Trifles” is fixated on the investigation of the social division realized by the strict gender roles that enable the two men and women to have contending points of view on practically every issue. This is found in the way the men view the kitchen as they consider it as not having anything of significant worth. From the earliest starting point, the two women and men possess distinctive positions. For instance, the women are unimportant guests to Minnie Foster's home while the men have desired authority obligation.
The two women are collecting items to bring to Mrs. Wright. It is Mrs. Wright’s house that is being probed through. She is the suspected murderer. There are also three men investigating in the house at the same time. To give credit to the men, one did say, “What would we do without the ladies?” However, he did it in the same breath as accusing Mrs. Wright of being a bad housekeeper. The men leave the women in the kitchen and stop though a couple of times. During one of the passing’s the men laugh at the women. The women were wondering if Mrs. Wright was going to knot or quilt a quilt she was piecing. The men mock this query. Shortly after that, the women piece together the events that likely caused the murder. Incidentally, the women do not reveal the probable narrative to the men. Did they keep it a secret to protect Mrs. Wright? Did they keep quiet because they didn’t think that the men would believe them? Or did the women keep it to themselves for fear of being
The title, Trifles, suggests that the story is mainly focused on insignificant events or conversations. As the play proceeds, one can be amused by the satirical unfolding of events. Trifles a short story about the murder of Minnie Wright’s husband,
When Mrs. Hale finds a dead bird in Mrs. Wright's sewing box, she soon recognizes the obvious reason why John Wright was murdered. The audience sees character motivation in Mrs. Wright. Mr. Wright was a man who used silence and coldness to control and mold his wife into someone he thought she ought to be. He killed the singing bird, which was a symbol for Mrs. Wright as Minnie Foster. In an indirect way, he killed her joy of singing, her spirit, keeping her in her own "cage" which she can not escape from. Unless she "got rid of" what (or who) was holding her prisoner.