Trifles By Susan Glaspell Has An Authority Over The Text

Composers of texts present a biased attitude to the events, personalities or situations represented. In various texts such as Shakespeare’s “Julius Caesar” and Leunig’s cartoon “Yet another picture with the wrong caption”, the composers bias is evident even though conflicting perspectives towards the personality are presented.

For the first two weeks of Mr. Rosenberg’s leave we read a book called “Backwards and Forwards” by David Ball which was a guide to help us understand both “theater and literature complements”. It was a way for us to comprehend traditional methods of literary analysis of scripts. The book used its examples from many different Greek such

Trifles was written in the early 1900's by Susan Glaspell. This occurred far before the women's movement. Women were generally looked upon as possessions to their husbands. Their children, all wages, and belongings were property of their husbands. In Glaspell's story it is easily depicted as to what role the men and women portrayed in society at this time.

Susan Glaspell’s one-act play “Trifles” was written in 1916. It was written based on real events. When Glaspell was a reporter, she covered a murder case in a small town in Iowa. Later, she wrote this short play which was inspired by her investigation and what she observed. Glaspell used irony, symbolism, and setting in her creation of the authentic American drama, “Trifles”, to express life for women in a male-dominated society in the early nineteen hundreds.

Although “A Jury of Her Peers” and “Trifles” are similar in plot, Mustazza’s article, “Generic Translation and Thematic Shift in Susan Glaspell’s ‘Trifles’ and ‘A Jury of Her Peers’” highlights the differences and similarities between the two. Mustazza’s article may help aid readers to understand the differences between Glaspell’s two works and provide understanding as to why Glaspell may have changed the genre and form of the plot. “Trifles” is a dramatic play whereas “A Jury of Her Peers” is prose fiction. While some differences may be seen on the surface, other differences will need to be inspected closely. Mustazza’s article may help one to understand Glaspell’s works by providing analysis and additional perspectives on both “A Jury of her Peers” and “Trifles”.

No society remains immobile, even if some human beings resist changes. The advances in technology and the emergence of new beliefs allow people to have a broader imagination. Thus, numerous new interpretations of ancient works, whether they are plays, folktales, or poems, permeate around the world. These renditions re-tell the original stories in contexts that adjust to modern world. What was regarded serious in the past becomes mockery nowadays. William Shakespeare, one of the greatest English play writers, has a profound influence upon different societies globally since the fifteenth century, for his plays inspire many contemporary artists to present new scopes reflecting their societies. Considered as one of Shakespeare’s greatest

The film ‘O’ directed by Tim Blake Nelson is a recognised contemporary interpretation of Shakespeare’s classic tragedy Othello, which addresses a number of issues that are relevant to a modern day audience compared to that of the past. The director of the film has changed crucial parts of the play which makes the play such a classic, which has essentially ruined the literary value of Othello. This is evident for a number of concepts including, the overt links between the play and film, the power of words and language and Iago and his motives

Of all Shakespeare’s thirty-seven plays, perhaps the best known and loved is Hamlet, Prince of Denmark. Many people think that it is unforgettable because of its poetic language and style. But, while these are factors that mark the play as a classic, it remains timeless because it explores many of the issues that are still important to people today. These issues, including loyalty to family and country, protecting loved ones, and deception are still prevalent around the world, and are especially prominent in the United States government. Another play that addresses major issues that are still relevant to society, especially women, is Susan Glaspell’s Trifles. Because Glaspell’s play

At first glance or giving a slight ear to the two plays “Trifles” and “Othello” the differences can be very noticeable. “Othello” was written by a man William Shakespeare and “Trifles” by a women Susan Glaspell. While Glaspell authored her play in the twentieth century, Shakespeare on the other hand penned his play in the seventeenth century. “Trifles” theme dealt with isolation whereas jealousy was the theme in “Othello”. When taking a closer look and compare the two the use of verbal irony, situational irony, and dramatic irony are used in the same way to keep the audience intrigued and full of suspense.

Very few producers of art can actually let their works claim the appellation 'classic.' For to create a piece of work - literature, art, or poetry, that stands the test of time, that proves the author's premise relevant not just in the period when he created it, but also in the generations that follow, is not an easy task. The works of William Shakespeare (1564-1616) have, more than once, proved worthy of the title 'classic.' Not only does his work hold up, as he wished, a mirror to his own society, but manages to reflect what is going on much later, and indeed, may be relevant well into the next millennium, if civilization continues to peruse Shakespeare's writing. A

Texts reflect their contexts. Is this true of Shakespeare’s Othello and Sax’s film Othello? (700-800 words).

“Trifles” a play written by Susan Glaspell is also a short story named “A Jury of her Peers”. These two forms of writing that are similar in many regards but somewhat different when taken a closer look through. The following with compare and contrast the genres of the story, give a detailed reasoning on why one is better than the other, and a preference on which title is better and alludes more to the writing.

Susan Glaspell’s play, Trifles, shows the importance of staging, gestures, and props to create the proper atmosphere of a play. Without the development of the proper atmosphere through directions from the author, the whole point of the play may be missed. Words definitely do not tell the whole story in Trifles - the dialog only complements the unspoken.

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.