Trifles Gender

In the drama Trifles, Glaspell shows two main view points. That is how the men have the role of being the head of everything and how the women do not get as fairly treated and are only house maids to the men. She characterizes the men as not giving the women the credit they deserve for their hard labors each and everyday. The sheriff, attorney, and neighboring farmer help prove how in the past men were completely superior to women. By showing these two points it makes us feel more sympathetic for the women because of how they are treated. The women always have to go along with what the men tell them, even if they disagree. Since the men are distinguished from the women, the women form their own

It is human nature to have issues of balance within any relationship. For example, the knight, desperate in need, found an old woman who knew the answer to save his life. In order for him to receive vindication, he had to pledge his life to her. The old woman at last revealed the answer, that all women want sovereignty over their husbands and lovers (“The Wife of Bath’s Tale” 170-71). In contrast, Walter forces Griselda to be submissive at all times as he tests her loyalty and obedience by pretending to kill both of her children and asking for a phony divorce. One tale appears to suggest that the male should be inferior to his wife as the other tale promotes that the woman should be at least steadfast in adversity and obedient to her significant other. The issue of an unbalance relationship is still a part of modern society because the majority of people are familiar with the saying, “Who wears the pants in the relationship?” That joke derives from the struggle of dominance in a relationship. Yet the characters’ opinions of where they believe a woman belongs in a relationship are slightly polar; both stories are constructed around the theme of struggle in a relationship (“The Clerk’s Tale” 217-24).

While women are confined to the homestead and are wired to remain subservient to their husbands, Wilson does not explicitly demonstrate male authority over women. Rather, he has aimed at depicting the complete opposite.

In Trifles, Susan Glaspell debates the roles between men and women during a period where a debate was not widely conducted. Glaspell wrote Trifles in the early 1900s—a time when feminism was just getting started. In this play, Glaspell shows us her perspective on the roles of men and women and how she believes the situation would play out. Trifles seems like another murder mystery on the surface, but the play has a much more profound meaning behind it. Glaspell presents the idea that men and women analyze situations differently, and how these situations are resolved based on how we interpret them. Research shows that women’s brains “may be optimized for combining analytical and intuitive thinking.” On the other hand, male brains are predominately “optimized for motor skills and actions” (Lewis). In the play, this research shows true when the women, Mrs. Hale and Mrs. Peters, analyze details rather than looking at the apparent, physical evidence, and they find out the motive of the murder. The men, on the other hand, look at broader evidence that does not lead to any substantial conclusion. When Glaspell was writing this play, she wanted the women to be the real instigators, the ones that would end up solving the mystery. While the men in the story laugh at the ‘trifles’ that women worry about, these details mean a great deal in Glaspell’s eyes. Glaspell presents the idea what men and women are different in the way they live their lives through detail.

All the men notice is clutter. The men do not look deeper behind the meanings of this disarray. However, the women do. The women understand that the reason that things such as the towels are not clean is because she more than likely was busy doing her many other chores of the household. They also considered how much trouble Mrs. Wright went to fix the preserves. The women reason that the uncaring concern John had for Minnie and the attention he paid to the house perhaps forced Minnie to resort to killing. Even the County Attorney, Sheriff, and Mr. Hale could not understand all the difficulties women go through. They criticize Mrs. Wright as well as insult all women. Mr. Hale says, "Well, women are used to worrying over trifles." The actions of just these men show how women were taken for granted in this era. Inevitably, the men are unable to prove that Mrs. Wright murdered her husband but are going to convict her anyway. However, the women have solved the case. They come to the conclusion that Mrs. Wright was not treated very well by her husband and was not able to withstand the mistreatment anymore. They could tell the lack of attention he paid to his wife. The men still have a hard time accepting this concept because they do not believe that men treat women badly.

However, Susan Glaspell uses the kitchen in the plot as another theatrical metaphor for a domain of gender identification because it is a women’s domestic territory where women’s life is revealed through common kitchen items. Throughout the play, we can distinguish the roles given to women in that era. In this era, women’s roles were generally reproductive, so they have been relegated to the home with less interaction with the outside world. Because kitchens have often served as work spaces, women have found a sense of empowerment through domestic tasks such as cooking, food knowledge, and efficiency of the kitchen. These conditions reveal the state of mind of women in the play. Minnie Wright’s “gloomy kitchen” (Glaspell 443) is “left without having been put in order—unwashed pans under the sink, a loaf of bread outside the breadbox, a dish towel on the table—other signs of incompleted work” (Glaspell 443). She lost her motivation to do housework chores, which represents that her mind is battered and leads to Mr. Wright’s murder—he has distorted her life.

In the dram “Trifles” Glaspell uses symbolism and irony to prove how men’s lack of empathy toward women cause their downfall. This is the investigation drama where some officers are investigating a crime scene where a woman, Mrs. Wright, reportedly murdered her husband and while the officers were investigating they brought their wives to collect some clothing for her. By what they were saying, the officers were laughing at their wives because they thought they were paying attention to unimportant things, thus ‘trifles’. Where all the wives solved the case and the men did not.There is an obvious segregation between the men and the women, social, psychological, and physical.“Nothing here but kitchen things”.This was the first belittling comment

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

The gap between husband and wife is made even more apparent through dialogue.  The men hear that Mrs. Wright was worrying about her preserves, and they laugh at her saying that she should be

In the kitchen, the dishes are dirty, bread is sitting out on the counter, and everything is in disarray. The County Attorney is disturbed, because the kitchen is not clean. The men assume that Mrs. Wright must have not been a very tidy person. In this time era, men expected women to keep the house tidy and clean, cheerful, and decorated according to the County Attorney in Trifles; he states, “It’s not cheerful. I shouldn’t say she had the homemaking instinct” (1031). Men during this era think that women should only be in the house worrying about what the inside of a house should look. In the County Attorney’s mind, the house should have been warm, clean, organized, and presenting a happy feeling. This is a demonstration of how hard a woman’s life is when she is expected to be when a man’s views think of how a woman should be in the household, for example a slave to cooking, cleaning, and sewing. As shown in the beginning of the play, the men leave the women in the kitchen to gather some of Mrs. Wright’s items she requested as if this is where these women belong. The men go upstairs and out to the farmhouse to investigate for clues for a motive to prove that Mrs. Wright is guilty of the murder of her husband. The men never investigate the kitchen for any clues since they feel there is no significance in the kitchen. The kitchen is an area for women to do cooking and cleaning, which makes them feel there is nothing important in this area. Men

The gender differences in the play are obvious and important to the story. The men in this play exhibit some traditional stereotypes of men during the time period, such that they were aggressive and self-centered. The women seem to be more cautious, intuitive and sensitive. These traits allow the women to come a lot closer to figuring out the murder than the men do. At one point in the play the women find a quilt that Mrs. Wright had been working on. Mrs. Hale asks Mrs. Peters, “I wonder if she was goin’ to quilt it or just knot it?” (658). Just then the sheriff comes down the stairs and once again ridicules the women for worrying about such little things. “They wonder if she was going to quilt it or just knot it!” (658), he exclaims. This is actually an important piece of evidence in the story, as the ladies find out later. They realize that she was extremely nervous about something while she was sewing, because she usually sews “so nice and even” (658), but the piece she had been working on was “all over the place” (658).

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

While the men in the story where playing Sherlock Holmes looking for evidence that Mrs. Wright killed her husband, they missed the bad fruit and the bread left out of the bow, a quilt that was not finished and had a few bad stiches, an unclean table and a birdcage that was empty. They were so determined to find specific clues of the murder, that they missed the clues of the emotional abuse that Mrs. Wright was subjected to from her husband. They were also so busy criticizing everything that Mrs. Wright did or did not do, that they missed everything that was right in front of their eyes. They even slipped with some sexist remarks Mr. Hale says ‘Well, women are used to worrying over trifles’, not realizing that the women were in the room.

Mrs. Peters, we'll call her the antagonist, repeatedly brings up the fact that the men are only doing their job and that the law will determine Mrs. Wright's fate. Mrs. Hale, on the other hand, as the protagonist, resents the men's "sneaking" and "snooping around. Now she turns the men's stereotype of women against them. She feels guilty about not being around the Wright's farmhouse more often.

In the end, each character has played a role based on the expectations society creates. The men and women all have their own ways of manipulating one another. “The woman is judged by society under the man’s law (Rosefeldt).” Society’s expectations of woman back