Trifles Gender Roles

Wright’s motive. Mrs. Hale reminisces on a similar situation: “When I was a girl… my kitten—there was a boy took a hatchet, and before my eyes—before I could get there… If they hadn’t held me back I would have hurt him.” No one was holding Mrs. Wright back. Her husband killed her most treasured possession, and she took revenge in the same way: strangulation. Although the Wrights owned a gun, Mrs. Wright took a violent and personal approach. She wanted to force him to suffer instead of swiftly killing him. Mr. Wright, a cold man, broke open the bird cage and strangled Mrs. Wright’s beloved canary to death. She was infuriated, and in return, strangled her husband to

Wright’s defense, the men all head upstairs to go over the crime scene to search for clues. The women; Mrs. Hale and Mrs. Peters knew they were in the center of all the clues. “Women are used to worrying over trifles” Mr. Hale said, and because of that, the women uncovered all the clues that would lead to motive and the men would remain clueless. As for the messy kitchen that the attorney did notice but just chalked up to Mrs. Wright not being a good house wife, the ladies noticed that she was in fact in the middle of cleaning up. That half the table was wiped clean and the other half left as if she were interrupted. They also noticed that the towel that the attorney thought to be just thrown across the room was in fact covering a loaf of fresh bread that was to later be put in the bread box. They also knew that the dirty towel roller was probably that dirty from the man they sent to start the fire in the stove that morning so that the house would be warm by the time they arrived. The ladies were to gather some things to take to Mrs. Wright to the jail. They found her sewing basket under the corner table and were admiring the bright pieces and the log cabin pattern. They wondered if she was going to quilt it or knott it. The men thought this was funny and made fun of them. Unbeknownst to them that the ladies had just found what could be the evidence of Mrs. Wrights’ frame of mind. The ladies noticed that most of the

In Trifles, Susan Glaspell debates the roles between men and women during a period where a debate was not widely conducted. Glaspell wrote Trifles in the early 1900s—a time when feminism was just getting started. In this play, Glaspell shows us her perspective on the roles of men and women and how she believes the situation would play out. Trifles seems like another murder mystery on the surface, but the play has a much more profound meaning behind it. Glaspell presents the idea that men and women analyze situations differently, and how these situations are resolved based on how we interpret them. Research shows that women’s brains “may be optimized for combining analytical and intuitive thinking.” On the other hand, male brains are predominately “optimized for motor skills and actions” (Lewis). In the play, this research shows true when the women, Mrs. Hale and Mrs. Peters, analyze details rather than looking at the apparent, physical evidence, and they find out the motive of the murder. The men, on the other hand, look at broader evidence that does not lead to any substantial conclusion. When Glaspell was writing this play, she wanted the women to be the real instigators, the ones that would end up solving the mystery. While the men in the story laugh at the ‘trifles’ that women worry about, these details mean a great deal in Glaspell’s eyes. Glaspell presents the idea what men and women are different in the way they live their lives through detail.

The county attorney does not give a second thought about how John may have treated his wife. Instead, he’s focusing on Mr. Hale’s testimony regarding the alleged “scared” look on John’s face. The men’s bias is often and openly expressed to the women verbally. In accordance to the dialog of the play, the men show they don’t consider what women say vital or pertinent. The Sheriff fires back, identifying with his partners, “Well, can you beat the woman! Held for murder and worryin’ about her preserves.” (Glaspell 1412). The men agree in general about the sheriff’s remark. Mr. Hale comes along and says, “Well, women are used to worrying over trifles.” (Glaspell 1412). The dialog of the play demonstrates the obliviousness and general absence of appreciation given to women’s comments. Even the sheriff addresses his wife openly as if a woman’s role in the home was insignificant. The prejudice from the men is evident and once a reader or audience starts inquiring about how the men treat women, a pattern is seen regarding the men’s standards. The court attorney kicks his foot against the pots and pans below the sink in the wake of discovering no clean towels, telling the ladies “Not

However, Susan Glaspell uses the kitchen in the plot as another theatrical metaphor for a domain of gender identification because it is a women’s domestic territory where women’s life is revealed through common kitchen items. Throughout the play, we can distinguish the roles given to women in that era. In this era, women’s roles were generally reproductive, so they have been relegated to the home with less interaction with the outside world. Because kitchens have often served as work spaces, women have found a sense of empowerment through domestic tasks such as cooking, food knowledge, and efficiency of the kitchen. These conditions reveal the state of mind of women in the play. Minnie Wright’s “gloomy kitchen” (Glaspell 443) is “left without having been put in order—unwashed pans under the sink, a loaf of bread outside the breadbox, a dish towel on the table—other signs of incompleted work” (Glaspell 443). She lost her motivation to do housework chores, which represents that her mind is battered and leads to Mr. Wright’s murder—he has distorted her life.

Gender roles throughout history have been portrayed in many works of literature. We imagine that in 2016 our world would be at its absolute best regarding the roles of women considering we just had our first woman from a major party run for the highest office in the nation. Unfortunately, we still seem to have a way to go. Oscar Wilde said, "Women have a much better time than men in this world; there are far more things forbidden to them." It has only been in the past few years that women have stood up and demanded equal pay and equal treatment. There are still many places in the world where women are still very oppressed. In Susan Glaspell 's "Trifles," written in 1916, the theme throughout is that the men are the smart, dominant ones, and therefore very chauvinistic, and the women only concern themselves with sewing and cleaning which is, therefore, insignificant and trifle. The women from the start of the play very clearly see clues to the murder that the men do not ever see. Glaspell tells the story of the murder of Mr. John Wright, who was found strangled in his bed. His wife Minnie is the main suspect. The men in the story, the County Attorney Mr. Henderson, the Sheriff Mr. Peters, and the neighbor who found the body, Mr. Hale, look for scientific clues and totally overlook what is right in front of them. In the 1900 's roles were clearly defined by the men and this is carried throughout the play. The women in this play are the unsung heroes while the men who are

Susan Glaspell’s one-act play, Trifles, weaves a tale of an intriguing murder investigation to determine who did it. Mrs. Wright is suspected of strangling her husband to death. During the investigation the sheriff and squad of detectives are clueless and unable to find any evidence or motive to directly tie Mrs. Wright to the murder. They are baffled as to how he was strangled by a rope while they were supposedly asleep side by side. Glaspell artfully explores gender differences between men and women and the roles they each fulfill in society by focusing on their physicality, their methods of communication and vital to the plot of the play, their powers of observation. In simple terms, the play suggests that men tend to be assertive,

Therefore, Mrs. Wright murdered her husband simply because he murdered her pet bird, and she did so the same way he murdered the bird, making the motive is unethical. Mrs. Hale finds a dead bird with a broken neck inside of Mrs. Wright’s sewing box wrapped in a cloth. Obviously as lonely as Mrs. Wright was the death of her bird would have been catastrophic for her. This is evidence of a motive proving Mrs. Wright killed her husband out of sheer revenge of the death of her bird, it was the last thing he was ever going to take away from her. Along with the broken cage Mrs. Peters states, “Why, look at this door. It’s broke. One hinge is pulled apart” (8). Then Mrs. Hale comments, “Looks like someone must have been rough with it” (8). This is how it happened, Mr. Wright came home from work in

In the kitchen, the dishes are dirty, bread is sitting out on the counter, and everything is in disarray. The County Attorney is disturbed, because the kitchen is not clean. The men assume that Mrs. Wright must have not been a very tidy person. In this time era, men expected women to keep the house tidy and clean, cheerful, and decorated according to the County Attorney in Trifles; he states, “It’s not cheerful. I shouldn’t say she had the homemaking instinct” (1031). Men during this era think that women should only be in the house worrying about what the inside of a house should look. In the County Attorney’s mind, the house should have been warm, clean, organized, and presenting a happy feeling. This is a demonstration of how hard a woman’s life is when she is expected to be when a man’s views think of how a woman should be in the household, for example a slave to cooking, cleaning, and sewing. As shown in the beginning of the play, the men leave the women in the kitchen to gather some of Mrs. Wright’s items she requested as if this is where these women belong. The men go upstairs and out to the farmhouse to investigate for clues for a motive to prove that Mrs. Wright is guilty of the murder of her husband. The men never investigate the kitchen for any clues since they feel there is no significance in the kitchen. The kitchen is an area for women to do cooking and cleaning, which makes them feel there is nothing important in this area. Men

“Trifles” by Susan Glaspell is a play that is largely based on stereotypes. The most prevalent one is the inferiority of women over men, though the play also explores the differences between genders in general.

The men?s prejudice is blatant and although it was easy for Mrs. Hale and Mrs. Peters to pick up on it, they react to it in a variety of ways. Defensively, Mrs. Hale, replies rigidly to the County Attorney?s remark by stating that "there?s a great deal of work to be done on a farm," (958) offering an excuse for Minnie?s lapse in cleaning. Later, he brushes her off when she explains that John Wright was a grim man. To the County Attorney, the women are just there to collect personal items for Minnie, they are not going to give him any valuable insight into the murder. To their credit, the women do not force their thoughts or feelings on the men when biased statements are made in their direction. They hold back and discuss the remarks later after the men go upstairs. Mrs. Peters observes that "Mr. Henderson is awful sarcastic in a speech and he?ll make fun of her sayin? she didn?t wake up" (960). The fact that she believes the men would laugh if they heard the two women discussing the dead canary reveals how sure she is that the men think of them as concerned with the

Crying over spilled milk is silly, right? Worrying about the little, mundane things is pointless and a waste of time. In Susan Glaspell’s one-act play Trifles, she demonstrates how being sensitive to the subtle details can be vital to solving a mystery. Throughout the one-act play, Glaspell highlights the theme of gender roles through the women’s worries, irony, and symbolism.

The women empower themselves through silence, particularly in the kitchen communicating and reflecting upon things around them in the limited space they were given. The men dismiss the kitchen finding nothing that is relevant to the murder case. The men keep crisscrossing through the kitchen, ignoring and not realizing they could find the vital evidence through trivial details. Even though they were having difficulty in finding clues that lead to the murder. While the women were alone looking through Minnie’s kitchen they found the most valuable evidence the “missing piece to men’s puzzle” (Holstein 283). Mrs. Hale found the dead bird strangled in the sewing box telling “Mrs. Peters-look at it! Its neck! Look at its neck!” (782). Mrs. Hale and Mrs. Peters recognize the bird was strangled brutally “their eyes meet. A look of growing comprehension, of horror” (Glaspell 782). Both of them realized the bird was killed the same way as Mr. Wright with the rope around their neck. The strangled bird represents Minnie Foster how her freedom and joy was strangled to death. When the men came in the kitchen, the county attorney noticed the bird cage, wondering if the bird flew away, but Mrs. Hale lied and said “we think the- cat got it” ( Glaspell 782). The county attorney seek only visible evidence for murder he was wasn’t thinking critically what it may mean. Mrs. Hale and Mrs. Peters covered the evidence keeping it between themselves for their own knowledge. They

The women appear to have a perspective that the things which deserve punishment are the things that could have been prevented. The men make fun of the women as they look for telltale signs of motive in the usual places, looking to prosecute the murderer for what she is. The women have an entirely different view on the situation. Mrs. Hale is remorseful for never visiting Mrs. Wright “I could’ve come. I stayed away because it weren’t cheerful” (Glaspell 1390). The women believe that the crime that should be punished is what could have prevented the crime “Oh, I wish I’d come over here once in a while! That was a crime” (Glaspell

Mr. Hale remarks, "Well, women are used to worrying over trifles" (1174), and Sheriff Peters assumes the insignificance of "kitchen things" (1174). Hence, women are forced into a domestic, secondary role, like it or not, and are not even respected for that. Mr. Hale, Sheriff Peters, and the county attorney all dismiss the dialogue between Mrs. Peters and Mrs. Hale as feminine chitchat. Further, the county attorney allows the women to leave the Wrights' house unsupervised because he sees Mrs. Peters as merely extension of her husband.