Trifles by Susan Glaspell Essay

Hale and Mrs. Peters find a dead canary and a broken bird cage, it becomes obvious that Mr. Wright was an aggressive and controlling husband. Mrs. Hale states, “No, Wright wouldn’t like the bird- a thing that sang. She used to sing. He killed that, too” (1012). The canary represents Minnie Foster. Before she married Mr. Wright, she was a joyful girl who sang in the church choir. After her and Mr. Wright get married, she is forced to stop singing and is stripped of her happiness. The broken cage represents Mr. and Mrs. Wright’s controlling marriage. The bird cage is violently broken to represent how Mrs. Wright violently escaped her marriage. The women’s discoveries cause Mrs. Peters to sympathize with Mrs. Wright. Ultimately, Mrs. Peters decides to stand up for what she believes.

Susan Glaspell’s one-act play “Trifles” was written in 1916. It was written based on real events. When Glaspell was a reporter, she covered a murder case in a small town in Iowa. Later, she wrote this short play which was inspired by her investigation and what she observed. Glaspell used irony, symbolism, and setting in her creation of the authentic American drama, “Trifles”, to express life for women in a male-dominated society in the early nineteen hundreds.

“Trifles” by Susan Glaspell is situated in 1916 and is a one act play which incorporates essential components of what the women’s rights movement was about. After moving on from Iowa’s Drake University in 1899, Glaspell commenced her writing vocation of composing short stories and books. The play from Glaspell recounts the story of a homicide mystery involving the married couple of Mrs. Wright (Minnie) and her spouse, the murder victim, John Wright; this story also incorporates the outlook of society towards women being viewed as beneath men. “Trifles” demonstrates the unfair mentality regularly acknowledged among men towards women in 1916. In addition, it showcases the big role comradery plays for women in becoming equal represented

When the two women come across the empty, broken bird-cage, they ponder the reason for the broken door and the fate of the canary who occupied it. Later they discover the dead bird wrapped in silk with its neck broken, presumably by the hands of Mr. Wright. The bird symbolizes Minnie Foster, the young choir girl. The dead bird symbolizes Minnie after marriage, when she loses her spirit, and the cage symbolizes her husband who mistreats and isolates her. While describing Mrs. Wright, Mrs. Hale compares her to the bird when she says to Mrs. Peters, " She used to sing real pretty herself”. ( 576) Literary critic Janet Stobbs Wright states," Only as a picture emerges of the way in which Minnie Foster has been changed by her marriage to John Wright, is a process of identification between the two women initiated".

The men, though, laugh at the women's wonderings about the quilt. To them it is of little importance. Likewise, the bird and its cage are easily dismissed. In fact, the men just as easily believe a lie about this bird and cage. When the cage is noticed, its broken door overlooked, the county attorney asks, "Has the bird flown?'" Mrs. Peters replies that the "'cat got it'" (360). There is actually no such cat, but the men do not know that and never question the existence of it. The bird, however, is vital to the case. Mr. Wright killed the bird, Minnie's bird, which may have provoked her to then kill him. In addition, the strangling of Mr. Wright, a form of murder which perplexes all when a gun was handy, is reminiscent of the strangling of that bird. It is another answer to the men's questions, but an answer they never find. The women, on the other hand, take note of all they see. They notice not only the bird, the cage, and the quilt but other things that the men call "trifles," like Minnie's frozen preserves and her request for her apron and shawl. These women are united; it seems, not only as country wives or as neighbors but on the basic level of womanhood. This is apparent from the start of the play. Mrs. Hale and Mrs. Peters "stand close together near the door," emotionally bonded throughout the play and, here, physically, in a way, too. Mrs. Hale and Mrs. Peters also have a kinship to Minnie, just as to each other. They respect her work as a homemaker. Mrs.

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

Other significant symbols in the story are the bird and the birdcage. Mrs. Hale describes Minnie, before her marriage, as "kind of like a bird herself-real sweet and pretty, but kind of timid and fluttery"(glaspell 165). The bird is caged just as Minnie is trapped in the abusive relationship with John. John figuratively strangles the life out of Minnie like he literally strangles the bird. When he kills the bird, he kills the last bit of Minnie and her spirit. Mrs.Hale and Mrs. Peters find Minnie's bird cage in the cupboard, but they don't realize the importance of it until they find the dead bird with its neck twisted to one side. The birdcage symbolizes Minnie's life. The bird and the birdcage is a private symbol which is also representative of the role women are forced into in society, the bird being women and the cage being men. Minnie then strangles the life out of John like he strangled the life out of her bird.

When a woman marries she is expected to give up her family, her last name, and her virginity. In other words she is expected to give up the life she knew. Susan Glaspell’s play Trifles tells the story of a woman that gave up her all to please society and her husband. The story examines a woman who sacrificed her tranquility, her talents, and her individuality. In the end, the woman even gave up her freedom.

The audience and characters assume that Minnie is guilty, but with due motivation. “Two housewives, Mrs. Hale and Mrs. Peters, accompanying their husbands who are investigating the murder of a man by his wife, discover in the kitchen the clues which indicate the motive of the murderess” (Alkalay-Gut 1). The audience assumes that Minnie’s solitude, imposed on her by her husband, has lead her to be depressed. “Alienated from her husband, powerless and silenced by the circumstances of her marriage, and isolated from her neighbors, Minnie is an unseen woman long before she murders John Wright” (Noe 16). What if Minnie’s solitude was self-inflicted? Just as Mrs. Hale could have visited Minnie, Minnie could have visited Mrs. Hale and other women in the area, but chose not to. The audience assumes that John Wright treats Minnie coldly or harshly. Mrs Hale says, “No, Wright wouldn’t like the bird—a thing that sang. She used to sing. He killed that, too.” (Glaspell 1391). “Her life has been made miserable by an individual who has complete control of her” (Alkalay-Gut 3). What

The women empower themselves through silence, particularly in the kitchen communicating and reflecting upon things around them in the limited space they were given. The men dismiss the kitchen finding nothing that is relevant to the murder case. The men keep crisscrossing through the kitchen, ignoring and not realizing they could find the vital evidence through trivial details. Even though they were having difficulty in finding clues that lead to the murder. While the women were alone looking through Minnie’s kitchen they found the most valuable evidence the “missing piece to men’s puzzle” (Holstein 283). Mrs. Hale found the dead bird strangled in the sewing box telling “Mrs. Peters-look at it! Its neck! Look at its neck!” (782). Mrs. Hale and Mrs. Peters recognize the bird was strangled brutally “their eyes meet. A look of growing comprehension, of horror” (Glaspell 782). Both of them realized the bird was killed the same way as Mr. Wright with the rope around their neck. The strangled bird represents Minnie Foster how her freedom and joy was strangled to death. When the men came in the kitchen, the county attorney noticed the bird cage, wondering if the bird flew away, but Mrs. Hale lied and said “we think the- cat got it” ( Glaspell 782). The county attorney seek only visible evidence for murder he was wasn’t thinking critically what it may mean. Mrs. Hale and Mrs. Peters covered the evidence keeping it between themselves for their own knowledge. They

Feminist rights have been a controversial issue throughout human history, so naturally this theme manifests itself often throughout many works like the play, “Trifles” does. In fact, the whole conflict of Trifles happens because a feminine revolt against male dominated oppression in the form of a murder and this allows the main character, Minnie, to become liberated. The following quote shows how little Minnie’s voice mattered between the couple and one of the motivations to why Minnie killed John Even the other character, Hale, acknowledges that John doesn’t care about Minnie’s opinion which illustrates the oppression Minnie had undergone because of her gender role; this is similar to another work called “The Story of the Hour” which also features a female protagonist who feels liberated just as Minnie did after hearing about her husband’s death (Chopin). Glaspell’s theme for Trifles is that women were belittled and discredited in society, and this is evident by observing the setting, conflict, and the characters.

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

A Symbol can be specified as an experience, from both a perceptive point of view as well as a creative one. The specific use of the term “Symbolism” relates to the cultured movement; of different styles of writing, that began in the nineteenth century which has a major role in literary arts. Susan Glaspell uses symbolism in Trifles as a literary device to highlight the theme of feminine identity. Here, Glaspell provides women with a numerous amount of symbols to justify their feelings and making it easy for them to hinder the investigation. In this drama, details are thoroughly thought out and selectively placed to give the reader more ambition to find their own explanation of the symbols. Glaspell’s symbolism helps paint a picture that is

What is a trifle? A trifle is something that has little to no importance (dictionary.com). For instance, the color of your nails would be considered a trifle. In Trifles by Susan Glaspell, women are criticized and made fun of by men because of the little things they worry about, such as the color of their nails or their hair. This exhibits the gender role difference portrayed during the play’s time period. The central conflict is what the plot is centered around. In Trifles, the central conflict involves the investigation the Mr. Wright’s murder. As the story progresses, we learn that the women’s trifles would’ve helped the men solve the murder, which is ironic. Numerous accounts of symbolism, relating Mrs.Wright to the bird, is also found

Have you ever wondered what people say about you behind your back or what they think of you what you're not there? This book strongly shows what other people think of Minnie Wright and their true opinions come through. Trifles is a play written by Susan Glaspell. It is a murder mystery about who killed John Wright. Towards the end of the story, we come to the conclusion that the murderer was Minnie Wright, John wrights wife. Minnie Wright took her own husband's life because he had killed the one thing that she had loved most, her bird. She thought as if she needed revenge on him for doing what he did, this being said she killed him in the same way that he had killed her beloved bird; a rope around the neck. Susan Glaspell decides to tell this story mainly through the eyes and minds of Mrs. Peters and Mrs. Hale. While the main plot of the story is about Minnie Wright and her actions, she never appears in the story because well, she doesn't have to. Susan Glaspell chiefly relies upon the characters in the story to give the readers and audience a sense of what type of person Minnie Wright is. Readers can sense her presence through the way she and her house are described. The characters say things like, “here is a nice mess (referring to her house)” (118.) or “she looked queer” (116.) These small statements can help us form an image of what Minnie Wright is like when she is not even present. Minnie Wright’s absence also allows the women to sympathize with her and therefore makes the women feel obligated to keep her secret.