Trip Switch Research Papers

“And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind” (Bradbury 10).

After the group’s first track heats-up on the local airwaves, Jerry Heller (Paul Giamatti) approaches Eazy E about taking N.W.A’s label, Ruthless Records, to a high plateau of success – inevitably leading to a wildly successful, yet crazed tour. Along the way, the abusive tendencies of the police fuel the lyrics that launch N.W.A into the stratosphere – in terms of popularity and

“We were clean hippies,” she said with a laugh. Decked out in military style jackets and peasant skirts, she did whatever she wanted. At the time, her favorite musicians were Crosby Stills Nash and Young and Simon and Garfunkel. “ I wasn’t a big Bob Dylan fan, well until later,” She recalls, “I was too shallow I guess.” Despite her age of just 15 years old, she, her sisters, and a group of teenagers from Southport went to Woodstock in 1969. Being the eager young teenagers they were, Emily arrived a day early and left a day late. She said, “I think woodstock was a three day festival but we were high most of it, so it might have been four days.” Drugs had begun entering the mainstream in a way that previous generations had not seen. Emily remembers drugs entering her social scene in 1965, when she was 11. She describes her parents as, “very innocent to it all.” While drugs were prevalent in the youth, where she was it didn’t spread onto the older

Ryan O’Neal sings the same lyrics twice as the cello continues to boom strongly with its accompanied violin, and while the piano creates the correct mood for the song. There has been a drum added in the melodies to resemble a heartbeat and to correctly tie up this song’s concept. The music moves in the same waves as the lyrics are told to help the audience comprehend the writer’s words. The depth of his words aren’t just thought, but feelings tied in

The third song on here takes from the title track of their highest-rated album, Transatlanticism. There are no words to describe the beauty of this song. The piano chord progressions are as deep as church organs. The electric guitar helps to create a dream atmosphere. This song reminds me of someone sitting and staring through a window as it is raining. Gibbard vocalizes his conflict of always falling short in a possessive relationship. “I need you so much closer,” echoes repeatedly. The last minute and a half of this 7.55-minute melancholy juggernaut ends in a harmonizing choir shouting, “So come on…” “Transatlanticism,” would have been further down this list had there been more variety in the

Taking a step back from the characteristic early-2000’s punk-pop of their first album, Lies for the Liars takes on a whole new direction for the used. The use of string instrumentation, choral singers, and more dynamic vocals creates a whole new experience for fans of The Used. However, lyrically, the album lacks cohesion. “Pretty Handsome Awkward”, “Hospital”, and “Liar, Liar” are all targeted attacks of hatred, while interspersed tracks like “Earthquake”, “Find A Way”, and finale track “Smother Me” are poignant love songs. This brings a disjointed feel to the album and takes away from the fluency of the music and its translation song to song. As individual songs, the emotions are subtley shown through the lyrics, backed by music that may

“Get me a new fucking monitor!” Highly Suspect’s lead singer and guitarist Johnny Stevens was livid after the band’s opening song “Lost.” Confused, I looked around at other members of the crowd and found that they were equally curious – the performance had been as bold as Stevens’ demand. The opening song was a display of unbelievable rhythmical control that could be appreciated even without knowing the band could not hear themselves, or that Stevens had slurred his way through greeting the crowd. Highly Suspect is primed to bring unapologetically audacious sound and personality back to the floundering genre of rock.

Last year a tiny band erupted seemingly from out of nowhere with their album, “Vile Child” that was met with widespread acclaim, many criticising the band as one of the most upbeat newcomers in the UK rock scene. Although it was far from revolutionary, it was a huge statement of intent, melding an uncaring punk attitude and grungy sounds

Sykes’ soft, lulling voice offers up his heart before the band finally, after one minute and fifteen seconds, begins their familiar harsh sound packed full of raw emotion. It’s a great transitional piece that displays their new rock sound before expertly diving into a phenomenal mixture of genres.

In one of the most well-known masterpieces by Pink Floyd, “Hey You”, focused on one of the most important aspects of human life – the sense of belonging through human interaction. The lyric highlights Roger Waters’ skill as a brilliant lyricist and composer, who reaches out to his audience with the haunting melody and emotionally-charged lyric. Waters has touched many lives with this piece by explicitly emphasizing on the pain of desolation and disassociation. He constructs his dialogue based on a life of his former bandmate Syd Barrett, whose life was severely affected by heavy drugs use, social desolation, and ultimately developed into mental illness.

The Black Keys play in the background, and damn if I don’t see Caleb plain as day. “These Days” is one of my favorite Black Keys songs, and I ride my high as they sing softly over smooth instrumentation. I can see Caleb screaming, but I can’t hear him over the music. I take another hit of my cigarette, lay my head back against the wall, and close my eyes.

February 17, 2017 - The Way to Go program is an outstanding non-profit organization whose sole aim is to offer an unforgettable summer experience to the kids. These experiences through summer camps at Los Altos are supposed to improve a child's development in a great way. Ever since its inception, the program structure of the organization is modified to include what provides an all-round benefit to the kids. For instance, Healthy Kids was initiated in the summer of 2009 in response to the shocking data about the obesity occurring in the kids. The program now attaches a strong importance on maintaining the physical fitness in kids along with building strong minds, hearts, as well as souls.

It starts off very soft, with piercing guitar work and Green weaving in an out of the vocals like he just awoke from a dream or a drug-induced euphoria. He slowly drifts into a darker state of mind as he sings, “I’ve been lying wide awake / paralyzed by the buzzing of the television.” As the song carries along, its once soft appearance quickly dilutes to a haunting tone, accompanied with chaotic guitars and Green’s vocals echoing and collapsing into the noise. Green’s vocals are mimicked backwards, as if trapped in a paralyzing, limitless

While song “Radioactive” clearly represents an awakening, an initial glance at it’s lyrics might result in an inaccurate assumption of what, in fact, is actually awakened within the singer. The majority for instance, may assume it reflects a person’s struggle, or daily life in prison. For example, “I'm breaking in, shaping up, then checking out on the prison bus” encourages one to believe the song displays a man in prison, but a deeper meaning exists. A more thorough analysis, however, leads to the more likely possibility that the song represents the artist waking up with a fresh view on the world he previously called an “apocalypse.”

In a society so rigidly ruled by structures, Radiohead holds up a funhouse mirror to reveal its flaws and inner workings. Radiohead’s OK Computer reveals that society’s obsession with hiding vulnerability through repeating symbolism, lyrical metaphors, and