Essay on Trojan Sofa

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

In the short story “The Tell-Tale Heart” by Edgar Allan Poe creates the guilty character of an unnamed narrator through indirect characterization. Using the components of actions, dialogue, and motivations, Poe depicts a story about immorality and reveals confidence can cause a person to lose their awareness of a situation.

Roiphe begins her essay with a personal anecdote describing the “horrifying” realization that she married a man exactly like her father. This technique immediately establishes the essay as informal and personal. It is a great way to capture the reader’s interest. Also, this particular anecdote is used as background information for the first point Roiphe makes in the following paragraph—that “. . . people . . . have at one time or another been fouled up by their childhood experiences.” Another anecdote in the essay explains how Roiphe’s mother used to give Roiphe “mad money” before going on dates. “My mother and I knew young men were apt to drink too much . . .” and “mad money was for getting home on your own, no matter what form of insanity your date happened to evidence.” Anecdotes such as this are entertaining and tend to lighten the mood of the essay. Also, it is quite easy for readers to relate to personal experience. Another function of anecdotes in this essay is to substantiate and support main ideas. At the end of one paragraph Roiphe

“Love and Honour and Pity and Pride and Compassion and Sacrifice”, focuses on the relationship between the protagonist, who is referred to as ‘Child’, and his father, referred to as ‘Ba’. The opening story follows the protagonist as he is struggling to overcome writers block, whilst dealing with his estranged Vietnamese father who is visiting. A number of flashbacks are used as a literary device to divulge into the protagonists past with his father as well as the fathers past. This reveals, not only an abusive past with his father, but also his father’s memories of the Vietnam war. It becomes clear that the son makes excuses for his father, with his girlfriend Linda also noting this, “I think you’re making excuses for him…You’re romanticising his past to make sense of the things you said he did to you” (pp.20). The protagonist reflects this himself, making the excuse that “he was a soldier” (pp.13), and that is why his father treated him as he did. The protagonist, despite once being able to admit to Linda that his father abused him, can no longer admit this, as his relationship with his father grows, and it can be argued that he is willing to overlook his past in an attempt to reconcile with his father. “It was too much these words, and what connected to them” (pp.13).

The transition of the boy’s opinion of his father (from exasperation at his carelessness to admiration of his free spirit) reflects a relaxation of the boy’s severity and of the story’s serious tone. Initially, the writer uses clipped phrasing during the son’s dialogue with his father – such as the blunt “I guess” (1) and the lack of the playful response “Right, doctor” (1) – to create an

Edgar Allen Poe, a master of suspense, wrote stories over a hundred and fifty years ago that remain popular today. One of Poe’s suspense techniques in these short stories are unreliable characters. An unreliable character is a character, whether in literature, film, or theatre, whose credibility has been seriously compromised. The unreliable narrator forces the reader to ask questions like, “Is this true?” rather than “Who did it?” or “What happened?” Poe uses unreliable characters in many of his stories very effectively to keep the reader guessing what is ultimately true. Three of his most famous stories, “The Tell-Tale Heart”, “The Black Cat, “The Cask of Amontillado” and “The Masque of the Red Death”. He illustrated how effective such narration is.

The art of deception played a key role in fooling customers. The “ordinary people” at the New York City law firms were bound by an oath to abide a rigorous code of ethics (Callahan 33). Though these lawyers dealt with legal affairs of America’s largest companies, they were faced with not meeting year end billing requirements. In the most desperate cases of being downsized, lawyers turned to padding their hours by simply making up the numbers. They rounded up their hours and added in miscellaneous hours which was described as the “new math” (Callahan 39). “Let me tell you how you will start acting unethically…One

The character of the mother executes the tell-tale signs of counterfeit happiness when she tells the murderous story of the narrator’s father’s brother. “‘Oh honey,’ she said, ‘there’s a lot that you don’t know. But you are going to find out’” (36).

Collectively, these literary images go to describe a young ethnic man, probably of Latin descent, who lives with his mother in a poverty stricken area. The careful recitation of instruction given to the younger man seems to demonstrate an intricate knowledge the narrators has accrued from both predecessors and experience. Singularly, this part of the story is very powerful in that it shows a young man having to hide who he is and where he comes from in an effort to seem appealing to women, and speaks volumes about the deception that both genders go through all in name of the chase.

* Lying or being lied to can be very dangerous. Statistics show we are lied to up to 200 times a day!

Firstly, Joyce incorporates multiple figures of speech and elements of design to express a purpose through the events that occur in the story. As mentioned before, this story is written in first person perspective of a boy who lives with his aunt and uncle. The perspective best allows readers to understand what this boy encounters every day and his opinion on certain topics. Furthermore, it also allows readers to perceive the feelings this boy has for a girl. For example, the author mentions the boy playing and says, “The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses…” (Joyce, 1). This quote highlights the lively and childish fun the boy has with his friends.

Deception: deception will not be used in this research. Participants will be informed of the research.

Throughout James Joyce’s “Dubliners” there are four major themes that are all very connected these are regret, realization, self hatred and Moral paralysis, witch is represented with the actual physical paralysis of Father Flynn in “The Sisters”. In this paper I intend to explore the different paths and contours of these themes in the four stories where I think they are most prevalent ,and which I most enjoyed “Araby”, “Eveline”, “The Boarding House”, and “A Little Cloud”.

It was a long time ago, and I don’t remember most of it, but what I do remember is how the floor just started to shake. I was very little, and couldn’t understand what was going on, but my mom called for my dad and told him to find my sister, Molly and get her onto the Pink Chair. The Pink Chair was a large pink chair with leaves and flowers on it. It had a huge cushion, and a back cushion, sort of like a mini couch. The leaves, which were green, contrasted greatly with the bright, cotton candy pink of the cushion color. The flowers were a softer color of pink, barely showing up, but there nonetheless. Our parents used to bring us all onto it and read to us. It was our safe place, where we would all curl up and read, or watch movies. Sometimes just to sleep. It was always a very calm affair, going onto the Pink Chair, but now there was a hint of urgency in my mom’s tone. Her face was tight, from what I can remember, and she was swaying slightly, due to the shaking of the floor. Sher cracked her knuckles and shook her hands out. Looking outside at the rattling windows, she picked me up and started to shakily walk towards the chair. I wasn’t aware that anything out of the ordinary was happening. My brain just couldn't process it. I was too young. My mother put me on the chair, and I instantly looked for my sister.

In recent years, the term ‘narratology’ has often been associated principally with European structuralism [1], bolstered by the work of Gerard Genette, perhaps one of the most famous narrative theorists. Rather than other theorists, such as Todorov, who’s work on the influence of the protagonist on a narrative equilibrium has too provided an insight into different forms and varieties of narratives [2], Genette is more concerned with breaking down the mechanics and processes behind a story, shifting away from the characters and their respective character arcs. He argues that the principalities behind explaining narratology exist in the routine in which the story is presented. In simpler terms, his interest is not in the story itself, but how it is told. [3} In this essay, I will use this as an analytical tool for taking apart a selected narrative.