True Love in Shakespeare's Twelfth Night Essay

The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the

From the difference in character and personality between Viola and Orsino, we can see that Viola is displayed as a rational, witty, yet manipulative woman, who loves deeply and sincerely. This is shown from, “If I did love you in my master’s flame/With such a suff’ring/such a deadly life”, as it implies that Viola’s love towards Orsino, is true, and has depth, and other-centred. This is in comparison to Orsino’s love towards Olivia, displayed in his portrayal of love towards her. This can be seen from, “With adorations, fertile tears/With

He is one who is supposedly love-struck from the elegant and beautiful Olivia, yet she does not feel the same way. Instead, someone else feels the same regarding Duke Orsino: Viola (Cesario). Throughout the play, it is clear Duke Orsino is all about himself, as he places himself at the center of all situations, constantly repeating personal pronouns (Me, my, I) This complicated love triangle egotist Orsino encounters with his lavish lifestyle makes him a perfect form of communication for Shakespeare to share ideas about love and marriage. Some simple themes that Shakespeare communicates are that love is indeed something that occurs first sight, as with Viola, Orsino, and Olivia, but also that it is something one must learn that they cannot control. Viola, Orsino, and Olivia all realize this to a degree, and Orsino ends up changing his love for Olivia to love for Viola (other factors contribute as

This inconsistency is embodied in the Twelfth Night when Orsino is irrational in his pursuit of beautiful Countess Olivia, yet he cedes her without regret or uncertainty. The duke then falls instantly in love with Viola, who was formerly known to him as a man named “Cesario.” Moreover, it almost seems as if Orsino enjoys the pain and suffering that comes with romance. He continues to engage himself in the quarrels of love while he states that it is an undying appetite, yet he can say that love “is so vivid and fantastical, nothing compares to it," implying that love is obsessive and bittersweet. Through this sudden change and obsession of love even through pain, Shakespeare communicates that love is something fantastic, pleasing and passionate, and our desires for these things lead our love lives to be obsessive, incoherent, excessive and unexpectedly

One can observe Orsino's love for Olivia as obsessive. Orsino’s first words “If music be the food of love, play on,” introduce him as a love-sick character whose mind revolves around a woman who does not return his feelings (I.i.1). Olivia constantly populates his mind and he does not cease his pursuit for her love, even after she expresses distaste towards him. Shakespeare mocks love-sick individuals for acting like fools and putting themselves through misery. After learning of Olivia’s marriage, Orsino realizes he has lost her and lashes out at Cesario. He threatens him by stating “I’ll sacrifice the lamb I do love to spite a raven’s heart within a dove”(V.i.33-34). Shakespeare uses Orsino’s love for Olivia to differentiate between good and bad love. Unrequited love can cause an individual to pursue violent actions in blind rage. Orsino shows how love is consuming, crippling, and hinders the ability to live out life.Orsino believes his love for Olivia is true, but he is actually in love with the idea of love, and believes he can only obtain it from Olivia. Shakespeare tries to inform the audiences that they could mistakenly believe they are in

According to The English Review, Duke Orsino has “full of devotion to an ideal of love.” He does not understand that love is not straightforward, and if you love someone, they might not love you back. Orsino loves Olivia, but Olivia loves Cesario who is really Viola. Olivia’s love is complicated. She decides to confess her love to Cesario by saying “Would thou ’dst be ruled by me!” (4.1.68). The confusing part of this encounter is that Olivia really says this to Sebastian, Viola’s twin brother, not Cesario. Olivia’s confusion is most likely not commonly found in the everyday world. However, her complex relationship shows how love is not simple. Olivia thought she loved Cesario/Viola, but in the end, she loved Sebastian. Now, Viola’s character shows the pain and complication of a silenced love. She loved Orsino the whole time she was pretending to be Cesario. She says that she would marry Orsino in the beginning of the play when she says “myself would be his wife” (1.4.46). However, she couldn’t act upon this love until her true identity could be revealed. Sounds very simple and easy does it

As this journey ends in these lovers meeting, a counter-argument may assert that Orsino is not truly in love with Viola since he proclaims a love for Olivia only moments before. Throughout the play, however, he actually falls in love with Viola underneath Cesario; he simply does not realize it until the end. Despite Cesario’s identity as a man, Orsino cannot help but adore Viola’s female attributes that shine through the disguise: “Diana's lip / Is not more smooth and rubious; thy small pipe / Is as the maiden's organ, shrill and sound, / And all is semblative a woman's part” (I.5.34-37). Later, Orsino interviews him about a woman that Cesario has apparently fallen for; little does Orsino know that he himself is the “woman” that Viola as Cesario

This is the set up of many situations, such as the meeting of Olivia and Viola in which Olivia falls very quickly in love with Cesario ‘even so quickly may one catch the plague’ this is an example of unrequited love, or the ‘melancholy lover’ a melancholy lover is a lover which suffers from his/her love. The other example of unrequited love is again because of mixed Identities, Viola the other ‘melancholy lover’ in the play, loves Orsino but Orsino cannot return that love because he thinks she is a man so never would think that she loves him, but she also cannot reveal her love to him because she would then have to reveal her true identity, which cannot be revealed until the right time. Cesario/Viola talks about how she knows how Orsino feels because “My father had a daughter loved a man,” Viola talks to Orisno about how her ‘sister’ loved a man that

Yet he still continues to get a “yes” from Olivia. He grows rambunctious and upset when he says.” O’ she hath the heart of a fine frame, to pay the debt of love but to a dead brother” ( Shakespeare page 11 33-34) He lacks sympathy towards Olivia for her problems, but he has time to listen to his own desires. Nonetheless rather grieving with her, he goes and gives her his words of love. Duke Orsino knows that Olivia is unsure and this is an act of selfishness. Furthermore, he craves something he can’t have, Olivia’s love. Love is to crave to the extreme, it’s hunger that lovers hope they can never fully

Her brother disappeared due to the storm and Viola believed that he drowned. She had to figure out how to defend for herself in the new country. Viola decided to disguised herself as a guy to get close to Duke Orsino. Duke is a handsome bachelor that governs the land of Illyria. Duke is already in love with Olivia, who is not interesting in dating at the time. Duke asked for Cesario to vouch for him to Olivia. Ironically, Olivia falls in love with Cesario not knowing that “he” is a girl. As time went on, Viola ended up falling in love with Duke Orsino. By Viola being in disguised, she created a tangled love web between everyone. Malvolio is a character that becomes intertwined with the love web as well. He is in love with Olivia and he thinks he has a chance because of a forged letter he received. At the end of the play, Sebastian ended being rescued which made the plot thicken. Viola did not have a choice but to reveal her true identity to everyone. Once the truth was finally told, Viola and Duke ended up getting married with some

Shakespeare presents Orsino as furious and irritated at Olivia’s constant refusal of his love and starts noticing how Olivia is not the perfect woman he claims she is while discreetly implying a shift of his romantic feelings for someone else (Cesario/Viola).

Viola, one of the main protagonists, experiences suffering when she falls in love with Orsino, whom she cannot pursue or express her true feelings for. After a shipwreck, Viola finds herself stranded in the country of Illyria. In order to work for the Duke Orsino, she disguises herself as a man named Cesario, which makes romance with the duke impossible. After spending three days with him, she falls in love. Not only does she have to repress her feelings toward Orsino, but to add to her pain, Orsino assigns her to spend her time trying to persuade Lady Olivia to marry him. Viola says to the audience, “whoe’er I woo, myself would be his wife” (1.4.42), because she wishes to marry Orsino.

Viola also associates music with the major theme of love and connection in the scene of her first appearance in the play in Act I Scene ii. Viola’s plan is to be presented to Orsino as a eunuch. She tells the captain “For I can sing/ And speak to him in many sorts of music” (60-61). Viola recognizes that music is the food of love too, as Orsino states in his opening soliloquy. These lines also imply that Viola will try to woo Orsino with music, which the audience discovers is true in Act II Scene iv when she tells Orsino the story of about “Cesario’s sister,” although Orsino resists her at the time and continues to try to woo Olivia.

In the opening scene of the play, the Duke expresses his feelings of love "If music be the food of love, play on, give me excess of it, that, surfeiting, The appetite may sicken and so die......" It appears from this quote that Orsino is in love with the idea of being in love. His speech is full of melodramatic words which show that he is over indulgent of love. His feelings of love for Olivia are so intense that he seems overwhelmed by his thoughts of her. As Orsino feels so fanatical about pursuing Olivia, you could claim that he is obsessed with her. The Duke thinks he loves Olivia, but has he ever even spoken to her? The Duke is drawn to an emotion which he believes is love. In doing so, he has created a false image of her and so really is in love with an illusion that he puts Olivia 's name too. Orsino does not seem to know Olivia 's personality. The Duke is drawn to Olivia because of what she can offer him: status, wealth, and beauty "O when mine eyes did see Olivia first, Me thought she purged the air of pestilence ". He feels that marrying Olivia would bring him ultimate happiness. The Duke finds it hard to distinguish between feelings of passion and physical attraction. This is proven when he is talking to Cesario about his views on women in Act 2 scene 4. "For women are as roses whose fair flower, Being once displayed doth fall that very hours". His philosophy is that women 's beauty fades with time. The Duke adores Olivia for what she can offer him as he is very

Viola’s arrival begins to break both characters out of their self-involved shells, but neither undergoes a clear-cut change. Orsino relates to Viola in a way that he never has to Olivia, diminishing his self-involvement and making him more likable. Yet he persists in his belief that he is in love with Olivia until the final scene, in spite of the fact that he never once speaks to her during the course of the play. Olivia, meanwhile, sets aside her grief when Viola (disguised as Cesario) comes to see