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Tuesday's Lecture Analysis

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This week's seminar started with the disappointment about the Tuesday's lecture with Faith Austin being cancelled. We commented and discussed about it with Daisy, that informed us about Austin being ill. After numerous propositions from my colleagues to have the lecture at the end of the term, the teacher claimed that she will do her best so we can manage to have the lecture about Production and Stage management. After that, together as a whole group we talked about the recent news, including Bristol funding cuts for arts increasing, The Faction and their website (following Mark Leipacher's lecture from 31/01/2017). In addition, we talked about the different ways to stay informed and be aware of the latest theatre news, following websites like …show more content…

They would build a whole wall, completely real and with all the bricks perfectly placed, playing the character of a carpenter. As I mentioned before, Daisy talked about her experience encountering experiential theatre, she saw a play of Melanie Wilson, a writer from London, in which they included only sound and there was no lighting. I argued that this was not a theatre, or was it ? As the audience was not able to see the performers and I questioned how would you say that they are for example, good performers ? This was a very important debate as it was crucial for my Theatrical Manifesto for the other module I am studying: The Empty Space 2. This was a group debate between all the group and several colleagues participated having different opinions, that this is perfectly acceptable, or that it is like a recording and one could stay at home. Later on, we talked about how the definition of stage manager and production manager vary depending on the company and the scale of the play. Moreover, the function and tasks expected to be completed from the production and stage manager also …show more content…

The topic was playwrights, and Daisy asked us our favourite playwright. They were all varied, from Sophocles, to Lorca or Sarah Kane. What I learned about Sophocles from the lecture was the amount of plays he wrote (around 120), and that only 7 remain complete: Electra, Oedipus Rex, Ajax, Antigone, Philoctetes, The women of Trachis and Oedipus at Colonus, that was very interesting unknown information that I received. In addition, another interesting fact that I learned was that Sophocles introduced the third actor and the concept of Skenographia (scenery-painting). Another playwright mentioned was Tom Stoppard with plays like Arcadia or R and G are dead, crucial to make himself known. Federico Garcia Lorca was also mentioned, a Spanish playwright and poet that I already knew, but interesting to hear that other people from the seminar class share the love for him. Willy Russell with Blood Brothers, was another playwright named, it was the first time to hear it. In addition, it was the first time to hear about Arthur Miller, with plays like The Crucible, The Death of a Salesman or Tragic Hero. Samuel Becket was definitely a well-known name, and we talked about how different is Waiting for Godot. In contrast to the last statement, Alan Bennett is a playwright that I discovered in this seminar, with

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