Turmoil In Shakespeare's Othello

Fear of cuckoldry is widely known theme in medieval and Renaissance English literature. Fear of cuckoldry was also a widespread fear in English society during those eras. Men often treated their wives as possessions. Once men and women married, divorce was almost impossible, especially since it was almost impossible to prove that one had been cuckolded. If one were cuckolded and one’s wife had another man’s child, one might spend decades taking care of that child and passing on one’s money and belongings to that child without ever knowing that one had been deceived. Unmarried women are seen as their fathers ' property and the play 's two marriages are marked by jealousy and cruelty. Most

In Othello every character has their own personalities that makes them the person they are. In Othello there are characters that show true grit, a fixed mindset, and a growth mindset. Each characters are different which makes the book even more interesting. True grit means to endure and push through to do something better no matter what it takes. An example of grit is studying for a long period of time for a test and enduring the amount of work that must be completed. The definition of mindset is the established set of attitude held by someone. There are two other types of mindset as well. There is growth mindset and fixed mindset. Growth mindset is when the person isn 't

In Othello Act 3, the plot is able to advance with the introduction of Othello's internal and external conflict forcing him to make a decision. In scene 3, Othello faces an internal conflict after hearing from Iago that he had seen Desdemona and Cassio lusting for each other grew worrisome. He questions Desdemona virtue contemplating if his “wife be honest” or “think she is not” (385-386). Othello inner self struggles with the idea of the his first love Desdemona with someone else. This allows for jealousy to shroud over Othello’s thoughts and choices. This internal conflict allows to advance the play by making Othello make rash decisions on what he believes to be true. Furthermore, in scene 4 Othello now doubtful and full of suspicion,

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

What is a tragedy? A tragedy is a drama in which the protagonist is brought to ruin or suffers extreme sorrow, especially as a consequence of a tragic flaw, moral weakness, or inability to cope with unfavorable circumstances. In the play Othello, William Shakespeare uses the literary device characterization in sequence to convey that Othello’s tragic flaw is the main reason that brings Othello to his downfall --- death. The causes of the tragedy of Othello are Othello’s gullibility to Iago, jealousy of Desdemona’s affair, and male pride.

Analyse how a key relationship was used to comment on the human condition in the written text(s).

“We must sympathize with a man to avoid crying for him.” William Shakespeare’s, Othello is concerning a character who raised emotion in the reader through his oblivious, yet innocent nature. Shakespeare imbued him with such personality so as to create sympathy and contempt side by side. Shakespeare’s characters mostly are not unicoloured but rather surrounded by shades of grey and it is this imperfection that adds a tinge of realism to them. Othello, is no different. Throughout the play, we are introduced to his dark side time and again but the qualities that truly make the audience weep and feel for him is his love for Desdemona and his trust in Iago’s friendship. The fact that he is so gullible and ignorant towards Iago’s motives almost makes

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

When pairs of texts are considered together, their universal themes and ideas lead to greater understanding, appreciation and insight of both the old and the new. The texts Othello, William Shakespeare (1600) and Othello, Geoffrey Sax (2001), ring true for this statement. Despite the differing contexts and ages, the universal themes of racism and betrayal bring new meaning to each of the texts. The primary meaning from the juxtaposition of the two is that of the human condition, and how the problems faced in the 17th century are faced in modern times.

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

It would be difficult for anyone to come to terms with such contradictory notions of themselves, and Othello is no exception. Once Iago sets the stage for Othello?s fall, the negative emotions aroused in the general cause him to release the lunatic black man that the insiders have feared lies within ?The Moor?s? austere composure. Many critics have suggested that Othello?s extreme jealousy is what amounts to his belief in Iago?s twisted tale of Desdemona?s infidelity and thus his ultimate downfall; however, it seems more likely that it is Othello?s insecurity over his sense of self that allows this manipulation to amount to such an extreme representation of character. Othello himself admits ?Rude am I in my speech? (I.iii.81), failing to have the confidence to eloquently explicate his relationship with Desdemona, although his words prove him to possess quite an impressive mastery of the English language. He comments again on his

Tragically, this pure, innocent love obsession more often than not, develops into a bitter and resentful obsession that will spite one or both parties. This is clear in Shakespeare’s Othello. Desdemona’s and Othello’s harmonious marriage is warped by the Machiavellian villain Iago, who is insanely jealous and obsessed himself. Othello finds true contentment in Desdemona; she truly comprises his ‘other half’, as a spousal cliché states. She provides serenity in the life of a soldier who has known war since the age of seven. Unfortunately, this serenity and this union is what Iago seeks to undo. Expert in his understanding, he seizes upon lines previously spoken: “Look to her, Moor, if thou hast eyes to see:/ She has deceived her father, and

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

Through the expanse of the play Othello, the themes of jealousy , betrayal and guilt have played a prominent role in both character development and the drive of the story. The dramatic events within act 5 scene 2 aid in concluding the narrative with a rather unfortunate ending. When analysing Othello’s character before and after his misguided deed within the act, there is a definite change in both his tone and manner in general. Originally Othello is seen as an understanding and noble gentleman. However, the actions Iago took to deliberately hurt the moor earlier in the play, left him emotionally wounded. Within act 5, and even more prominently scene 2 , we as the audience can finally see the detrimental effects of Iago’s ill intention had to Othello as a character. Once Othello smothers Desdemona as a result of, it is evident taht Othello’s character shatter and break down emotionally, by his guilt and betrayal that has brought him to a slow draw to madness.

Character development is indicated through the form of love along with abhorrence and vulnerability; it can often intertwine with the two. When analysing Othello, Othello himself is a character who represents that love can descend into turmoil and destroy a character. Due to his unfaltering love that is held for Iago, and to Iago’s conniving nature, he is able to manipulate Othello into his little puppet through persistent usage of questions amongst many other things; “But how? How satisfied, my Lord? Would you the supervisor, grossly gape on? Behold her topped? […] What then? How then? What shall I say? Where’s satisfaction?” [p72] Shakespeare employs these questions in order elicit the message that Iago is a smart character and, due to his