Turn Of The Screw Mystery

Mary Katherine Blackwood reveals the novel through a narrator’s voice. The novel is in first person in Mar Catherine’s point of view, since she is the story’s protagonist. She includes the thoughts that people would think of herself and her memories. The story starts with describing Constance as a practitioner of sympathetic magic that lives with Merricat. Also Uncle Julian that lives confined in a wheelchair in the heart of the Blackwood’s Castle. The antagonist village that live next to the Blackwood’s castle are very afraid with blind ignorance and hatred. The cause of this is the mass murder of the Blackwoods parents, Uncle Julian’s wife, and his

Reverend Parris is exceedingly acquisitive as evidence by his actions towards the community of Salem. Within Act I Parris’ greedy attitude and selfish motives are brought forward and highlighted throughout stage directions, dialogue of the play, the way others react to him, and his feelings towards Betty. Although the minister of the church, he is disliked and prides himself on his reputation. Parris’ caustic attitude and monetary greed is evident to lead him to his downfall. He describes himself as “...not some preaching farmer with a book under [his] arm; [he is] a graduate of Harvard College” and assumes that the people of the village care about his education status (29).

Mary Warren, a young woman living in Massachusetts during the Salem witch trials, shows no exception to differing viewpoints. Throughout The Crucible, in which Mary Warren is a character, the very children whom the town considers holy, appear also to perpetrate the vicious crime of murder through false allegations of witchcraft. Unable to recognize the children’s crime because of their innocent appearance, citizens of Salem conduct dozens of

Reverend Parris’ fear of losing his job provokes him to cry witch. Reverend Parris’ daughter feigns to be in a coma. When the doctor bade Susanna tell Reverend Parris that he “might look to unnatural things for the cause of it” (9), he denies that possibility because he fears that rumors of witchcraft under his roof would help his “many enemies” (10) to drive him from his

The second visitation of the ghost of Peter Quint also occurs while the governess is by herself. As the governess, the children, and Mrs. Grouse are preparing for church, the governess goes back into the house to retrieve gloves she sees a visage of the same man she saw at the tower. When Mrs. Grose sees her face she immediately asks what is wrong. The governess goes on to describe the man that she has seen in an odd mixture of attraction and revulsion. This adds question to the reader on the subject of the validity of the testimony of the visitations

Betty Parris’s considerable power throughout the first act is observed by her ability to single-handedly initiate chaos and hysteria within the town for her own personal benefit. This power is first witnessed following Susanna Walcott’s explanation concerning the possibility of a supernatural cause to Betty’s illness, leading Abigail to advise her Uncle about “the rumor of witchcraft [that] is all about: [She] thinks [he'd] best go down and deny it [himself]. The parlor’s packed with people, sir” (10). This is the first hint that others in the town believe in the presence and of the beginnings of the hysteria that follows. Betty started this rumor in the town by pretending to act sick so that she would not get punished for dancing in the woods.

The fear of being affiliated with or even being a witch and the shame and dishonor that comes along with it. Reverend Parris is a very paranoid but victimizing character misguided by fear. His daughter Betty becomes ill and he is afraid it’s regarding witchcraft, however he is not fearful for her health. He is concerned with keeping his reputation and position as the Church’s minister. This selfishness is not only a characteristic Parris demonstrates but other people in the town as well. A lot of characters of characters share this interest in saving their own skin under the influence of fear and shame. This will sooner than later contribute to the downfall of the town as a whole. Another reactive character includes Ann Putnam. Another paranoid woman in the town, ready to throw around accusations regardless of how logical or faulty they are. This may be due to the loss of 7 of her 8 children she’s given birth to. On account of this, she is convinced they were murdered by supernatural means, particularly witchcraft. For example she is immediately use Tituba as a scapegoat and blame her for the death of her babies. Other characters within Salem, not only Parris and Ann, will use any opportunity they can to assure their own safety and to save face in front of others. Their lack of consideration for the wellbeing of others will get others into danger and cause a load of anarchy and

The play begins in the home of Reverend Samuel Parris, whose daughter, Betty, lays ill. Parris lives with his daughter and his seventeen-year old niece, Abigail Williams, an orphan who witnessed her parents' murder by the Indians. Parris has sent for Reverend Hale of Beverly, believing his daughter's illness stems from supernatural explanations. Betty became ill when her father discovered her dancing in the woods with Abigail, Tituba (the Parris' slave from Barbados) and several other local girls. Already there are rumors that Betty's illness is due to witchcraft, but Parris tells Abigail that he cannot admit that he found his daughter and niece dancing like heathens in the forest. Abigail says that she will admit to dancing and accept the punishment, but will not admit to witchcraft. Abigail and Parris discuss rumors about the girls: when they were dancing one of the girls was naked, and Tituba was screeching gibberish. Parris also brings up rumors that Abigail's former employer, Elizabeth Proctor, believes that Abby is immoral.

Act one begins with Reverend Parris praying over her daughter, Betty Parris, who lies unconscious on her bed. Through conversations between Reverend Parris and his niece Abigail Williams, and between several girls, the audience learns that these girls, including Abigail and Betty, were engaged in occultic activities in the forest lead by Tituba, Parris’ slave from Barbados. Parris caught them and jumped from a bush startling the girls. Betty fainted and had not recovered. During this session, Abigail drank chicken blood to kill Elizabeth Proctor. She tells the girls that she will kill anyone who mutters a word about what happened. The townspeople do not know exactly what the girls were doing but there are rumors of witchcraft.

That Little Betty Parris was sick, and that the Dr. Griggs (who was too proud to say that he could not diagnose Little Betty illness) claimed she was bewitched (Richardson 7), were enough reasons for court authorities to suspect witchcraft was the cause of the illness. In addition, several young girls in the village had participated in 弎lack magic?experiments ?harmless adolescent games ?in the company of Tituba, Reverend Parris slave. The restless young girls allegedly met in Parris shed, and created and listened to Tituba incredible tales of sorcery and black arts, which were doubtless an outlet for their repressed feelings. Soon, faulty cause-and-effect relationships sparked delirium.

Abigail Williams is the cause to all of the hysteria in Arthur Miller’s book The Crucible. In The Crucible Abigail’s parents are killed by Native Indian’s which leaves her character as a deceitful, untrustworthy, selfish, delusional, and excessively manipulative woman. Due to these character traits Abigail William’s is given cause as to why she was the reason for Salem being left in a state of hysteria. Abigail manipulated her salve Tituba, and a cluster of girls to practice witchcraft in the forest in an attempt to kill her lover’s wife, Elizabeth. When she is gets caught both her slave, Tituba, and Abigail falsely list names of women who committed witchcraft.

She has exposed them in the past for devilish acts in the forest the first night. At the beginning of the play Tituba, Abigail, and the other girls play in the woods at night and dance around a fire. Betty, one of the other girls, starts acting weird the day after this happened. That sparked real suspicion of witchcraft in the town. Abigail wanted the court to think everyone was guilty so that she would be the last person to be accused and have all the power in the town. Abigail threatens Mary Warren and Betty with physical punishment if they snitch on her for performing witchcraft rituals in the woods; this includes drinking blood, fire rituals, and dancing. “I want to open myself! I want the light of God, I want the sweet love of Jesus! I danced for the Devil; I saw him; I wrote in his book; I go back to Jesus; I kiss His hand. I saw Sarah Good with the Devil! I saw Goody Osburn with the Devil! I saw Bridget Bishop with the Devil!” (Miller 1262). This quote shows Abigail playing the victim card by blaming the other girls. Abigail says that she’s experienced the devil’s games and wants to come back to God. The townspeople believe Abigail can sense the devil and identify who he’s taken over. Abigail also has control of Proctor’s wife, Elizabeth. Elizabeth and her husband Proctor know Abigail is manipulating the town and court. “I am only wondering how I may prove what she [Abigail] told me, Elizabeth. If

If witchcraft is discovered in the Reverend's own home, it can very quickly ruin his reputation. Parris is worried “they will howl [him] out of Salem for such corruption in [his] house”(14). The Reverend is the one preaching God and against witchcraft. If the Devil is found in the Reverend's home, his reputation will be destroyed and he will probably have to leave town. The reverend will be seen as corrupt. Betty is aware of this, but does not change the way she is acting. Betty’s act causes her father to act with . He is supposed to be a calm and a role model. Quaking with fear, mumbling to himself through sobs, he goes to the bed and gently takes Betty’s hand. Betty. Child. Dear Child. Will you wake…” (8). Daughters typically do as their fathers say, but Betty is ignoring her father’s begging. She is able to make her father, the village’s Reverend, cry for his young daughter to do as he says. In a way, Betty causes Parris to lose his ‘masculinity’. During this time, women are the ones thought of to be hysterical and men are supposed to show little emotion, especially strong sadness. Now, the reverend is hysterically crying and repeatedly asking his daughter to wake up. Betty is controlling her father’s emotions and his job. If Betty seems to be working with the Devil, it can force a witch hunt to occur in the town. Reverend Parris wants to stop this from happening. She is in control of whether or not she wakes up and stops the witch hunt. If Betty was to wake, the whole situation would be over. Since she is not, Hale asks Tituba, Abigail, and Betty to “give [them] all their names,” (47). The religious leaders are seeking information from people who are typically of low power. Tituba and the girls start to name ‘witches’ in Salem, which is going to force Parris and the other authoritative figures to make accusations. Betty, regardless of her power status before, now

In the governess's insane pseudo-reality and through her chilling behavior, she managed to bring downfall to Flora and Miles, the children of Bly. With compulsively obsessive actions, irrational assumptions, and demented hallucinations, the governess perceived ghosts bearing evil intentions were attempting to corrupt and destroy the children she had taken the role of care for. In reality, the governess herself brought tragedy to the children through her own selfishness and insanity.

Throughout the novel The Turn of the Screw by Henry James, the governess is certain that she sees ghosts and tries to convince Mrs. Grose, the housekeeper, and the children to acknowledge their presence as well. But they continuously say that they cannot see them. From the beginning of the novel the governess presents herself in a way that barely qualifies herself for the job as the children’s governess. The initial narrator, Douglas describes the governess as ‘young, untried, nervous’ (James 121). From the first chapter the governess suggests that she is a somewhat moody person.