preview

Turnout Degrees

Decent Essays

Prior to reading the articles, I was confident that I had gained all knowledge I needed to know and mastered for Ballet. This included use of the head, placement of the arms, use of the feet, and how to turn properly. However, after reading the Glasstone articles, I quickly became astonished by the details I discovered. These details included the degrees of the turnout, focusing of eyes in certain positions, and different ways to use the head during pirouettes. First and foremost, the first idea to stand out to me was the establishment of turnout degrees. Before coming to Coker College, I was under the impression that the ability to turnout originated from the knees. This was due to the lack of education in this area. Unfortunately, I discovered that turning out from the knees has been the main cause of knee pain I have been experiencing. In order to maintain a proper turnout, …show more content…

The mechanism of eye focus mainly comes into effect while the dancer is performing a pirouette. However, according to the article, “Uses of Eye Focus”, the focus of the eyes depends whether the dancer is turning in place or traveling. For example, while traveling, the dancer automatically finds a place to spot in the room in the direction of the pirouette. This is called a moving spot, or a fixed spot. This idea ties into distinguishing the use of the head during allegro pirouettes, adage turns, and turns in the air. Before reading this article, I did not know the use of the head is different for each of these turning sequences. According to the Glasstone articles, the head should be the last part of the body to leave the starting position and the first to return. The difference between turning in the air, allegro pirouettes, adage turns, is turning in the air requires to lead the body with the eyes and not the head. This is beneficial to a dancer that prefers to turn at a fast speed, rather than

Get Access