Twelfth Night: A Narrative Fiction

Smith waiting frantically, “Gosh Isiah you scared me, you’re lucky I covered for you guys”

Isaac’s body heated from the embarrassment. “I kind of forgot to. What were you trying to tell me?”

Angela gathered her clothing. “I’ll go. As much as I hate her, I can't understand why she’d harm Jake.”

“When can I see him?” You ask, the excitement building in your heart. You couldn’t wait to see him again.

I tiptoe out the room and into a huge hallway where I struggle to find the bad-boy of the night room. After minutes of searching tons of room and dead ends I encounter a sleeping Carson.He softly snores and for once, in the dark he is almost innocent.

“Are you okay? You seem quiet.” Bender mumbled as he watched me carefully after I didn’t say anything for another minute.

"Look, you don't have to if you don't want to. It's just that I talked to Blaine and all of them. They told me how good you were and all..." To me, Tobias seemed shy about asking me. There was no denying it was cute that he was shy, but I was still confused.

Harry grabs me by my shoulders, he looks deep into my eyes. ."You're not an idiot, just call your brother and ask him how long he'll be."

through his vanity is easily fooled into thinking it is he who she loves although

"Who cares if that shrimp dies!" Zapp yelled out, while Zed waited patiently in a corner for any news. "What the hell shit monkey!" Chain snapped at Zapp's comment but both of them just looked down with worry. "Okay that's enough. Everyone lets go. Klaus you stay here and call us about Leo's condition. Okay."

   Shakespeare enjoyed writing passionate plays about young lovers, but, after a while, the formula became exhausted and the Bard was forced to dig deeper, creatively speaking. Twelfth Night is an example of a Shakespearean love tale with a slight twist to keep things interesting. This play was the “Tootsie” of its time. Twelfth Night takes the audience on a gender-bending journey, while maintaining all the elements of true love throughout. At one point, Olivia wears a disguise in order to take on the traditionally male role of wooing her romantic interest, Cesario, who is also disguised. Although Olivia flirts with Cesario and tells him that his “scorn” only reveals his hidden love, she is

I believe that excessively relying on others is another lesson to be learned in Twelfth Night. Relying on others excessively is a lesson to be learned in Twelfth Night because Orsino never went to confront people that he loved. He said to Cesario “Thou know’st no less but all. I have unclasped / To thee the book even of my secret soul. / Therefore, good youth, address thy gait unto her; / Be not denied access, stand at her doors, / And tell them there thy fixed foot shall grow / Till thou have audience. (I.iv.13-18)”. Eventually when he asked Viola to woo Olivia for him she fell in love with Cesario instead. Leaving him without the love of his life for the time being. Moreover, relying on others excessively is a lesson to be learned because

It warmed him to know that he was still special to her, there was no doubt that she still held a similar standing for him. And he was glad that his explanation of his vigilante activities had seemed to settle at least her immediate fears she had on his safety. But her apparent guilt over the decimation of the North Country Academy that came a surprise to him. That horrible attack had likely created nightmares for many of the mutant survivors that had participated in the doomed defense of the school. Julian had not been exempt from those either. Though he couldn’t remember exactly when he’d last dreamt of the giant robotic threats, the mention of the school brought that raw feeling closer to the surface. And for some reason Amara appeared to feel solely responsible. There was a lot that he wanted to say… but he thought better of it in the moment. Getting Amara past this moment of guilt and worry was his main priority, but he promised himself that he wouldn’t let her feelings of fault last if he could do something about it. The unexpected feel of Amara’s touch as she rubbed his arms definitely caused him to stop short and look back over his shoulder at the precocious blonde. His train of thought was easily derailed from the concern over her comments as she beat him at his own game adding physical contact with the

William Shakespeare’s Twelfth Night; or, What You Will, performed in 1602, includes many characters who assume different identities and personalities through the use of disguise. Shakespeare uses disguises, masks, and mistaken identities to create confusion, internal conflicts, and add a comical nature to the play. Disguise also illustrates that one’s appearance is only an illusion. Disguise can probe to symbolic in a way that lets readers explore the lack of reality that is evident when keeping up with public appearances or showing the public what you want them to believe you embody. Although it can be viewed through a comedic perspective, the issues that it presses allow for a serious analysis.

Every major character in ‘Twelfth Night’ experiences some form of love or desire. Shakespeare exhibits intricate love triangles within the play that are only resolved when order is restored. ‘Twelfth Night’ derives much of its comic force by satirising the lovers in the play. Love in the play is generally represented as something that is irresistible, spontaneous and overpowering. Shakespeare portrays it as being dangerous and is compared to disease and suffering. In the first scene of the entire play, Orsino describes music a cure for the absence of love, “If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken, and so die.” This metaphoric phrase establishes love as a theme within ‘Twelfth Night’