Twelfth Night By William Shakespeare

People tend to judge others based on many aspects. Sometimes they may try to force people to act upon certain rules that define their place in society. They often try to meet expectations that society has made for them based on gender and social status. William Shakespeare reinforces these ideas in his play Twelfth Night, which introduces many meaningful messages about situations that still occur in society today. He clearly develops important themes worthy of analysis. A few of these strong themes are about stereotypes and society’s expectations and rules, which he proves to be irrelevant most of the time. Many situations in the play falsify commonly held stereotypes about gender and social status by showing how they are sometimes invalid. He also shows how these stereotypes can affect the way people behave towards and judge others.

The play, A Midsummer Night's Dream, by William Shakespeare, demonstrates the difficulties of human love. Throughout the course of this play, all the lovers were confused, whether it be from the love potion provided by Oberon, the fairy king, or whether it be through natural terms, (those not affected by the potion). In this essay, we will be looking at how Lysander had agreed with this implication of human love being difficult, the scene where all the lovers are confused, and lastly, the time when Helena was furiously jealous of Hermia.

In A Midsummer Night’s Dream, the audience is never truly privy to any of the characters’ dreams; however, Shakespeare portrays reality as a sort of dream. The forest symbolizes a realm where anything can happen, with no regard for time or logic, much like in a dream. Therefore, when the lovers come out of the forest, without explanation for their actions, they believe it to be a dream, even though it had real-life consequences. By having the characters talk about their dreams and believe their realities to be dreams, the play explores the idea that dreams demonstrate reality, in that they show fears and desires, but it also explores the idea that reality can be affected by dreams. While Hoffman’s movie adaptation recognizes this in some aspects, it does not explore it in entirely the same manner.

Relationships are a lot like hills, they tend to be traveled up and down. This is shown in William Shakespeare’s play, “A Midsummer Night’s Dream”. Theseus and Hippolyta, who were once enemies are now getting married. Oberon and Titania mutually rule the fairy kingdom and cannot see eye to eye. The intricacy of the love hate relationships helps to form the plot of the entire play and the fine line between the two drives the story to the end.

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

Shakespeare presents the male characters within the play as either being fickle or faithful, he does this using many techniques. By putting each male character under a situation can express both their faithfulness and their fickleness, also by giving evidence to represent how they are either fickle and faithful allows us as a reader to figure it out at our own accord.

Throughout time arranged marriages were the norm in several societies. In the comedy, A Midsummer Night’s Dream by William Shakespeare, Hermia is in love with Lysander, but her father wants her to marry Demetrius. She escapes into the woods with Lysander. Just like Hermia, many people around the world are forced to marry someone that their parents choose for them. Love marriage vs. Arranged marriage is always a debated topic. While there are instances of love marriages working out, there are arranged marriages which are successful too. Both have their pros and cons. And it is just the world around us which makes us support or be against a love marriage. Arranged marriages are based on the understanding of two families. The parents of the bride or groom get to pick their future partner. On the other hand, love marriages are more of an independent choice between the bride and groom. Giving them the freedom to marry someone they know and admire. There are different customs and traditions that are followed in different societal set-ups. Arrange marriages lack love and respect between husband and wife. Arranged marriages are a social injustice. They deprive individuals of their choice. Marriage is a commitment of two people who have made a vow to love each other till death. In the essay I will be debating the pro’s and con’s of arranged and love marriages.

Meeting your truelove sounds like a fantasy, right? It doesn’t seem possible or even attainable in the least this day in time, but Shakespeare’s work has still given us that hope that someday we will be loved the way that we love others themselves. In “A Midsummer Night’s Dream,” it seems as if there is an endearing ending, but so much lies between Act 1 and Act 5 to have it end the way it does. In this play, there is a complicated romance and friendship between four couples that also illustrates sexual desires and a woman’s submission to a man. To further illustrate, we must first start with Act 1, Scene 1 for the first two “lovers” that are introduced.

Written during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment.

In the tragedy, Hamlet by William Shakespeare, the audience is presented with a character who suffers inner and external conflicts. Hamlet, the young prince, continues to mourn his father’s death from the beginning of the play until the end. Hamlet’s inner conflict is that he discovers Claudius, his uncle, has committed the murder of his father. Hamlet does not analyze how he will seek revenge and murder his Uncle Claudius without his conscience interfering. The external conflict that Hamlet endures is that his father orders him to avenge his death, but in a heightened state of emotion, he accidentally kills Polonius thinking that it is Claudius, the man who is the source of anger. In the beginning of the play, Hamlet pretends to be insane, but as his inner and external conflict continue to pressure him into killing his need for revenge drives him to actually become insane.

A Midsummer Night’s Dream by William Shakespeare uses different types of characters to portray different kinds of love. Lysander and Helena, the young lovers, and Oberon and Titania, the Fairy King and Queen, have different definitions of love in their relationship. Lysander and Helena have a pure, matter-of-fact connection. They are in love by default, simply because that is ingrained into their characters. Oberon and Titania, however, have a relationship built more on the basis of control. They play games with each other, trying to get the upper hand in the relationship. In the end, one being in control is more attractive to Oberon than the actual connection between the people in the relationship. This is what draws him to Helena, who possesses a naive and superficial love for Demetrius. Helena is more obsessed with Demetrius than truly in love with him, as there does not seem to be much basis for her infatuation. In the process of loving Demetrius, she deprecates her own character. Oberon appreciates the devotion Helena has for Demetrius and wishes Titania had her qualities, so he pities her, and assists with her conquest of Demetrius. However, his process takes Demetrius’s will away, much like how Oberon sought to humiliate Titania. Although the happy ending is with Helena and Demetrius together, their relationship is more similar to that of Bottom and Titania than Hermia and Lysander, which is what the audience is supposed to infer by their placement in the story.

Sociology teaches that society has naturally produces standards, that people are preferred to follow. Gender, arguably is basis from which all following norms branch from. Pierre Bourdieu writes in his boot “Masculine Domination”, “The social world constructs the body as a sexually defined reality and is the depository of sexual defining principles of vision and division” (Pierre 11). These divisions produce gender roles that are based on the patriarchy. Traditionally, gender roles states that men are the leaders in society and the family, while women play submissive role in raising children and caring for the immediate needs for the family. However, William Shakespeare’s Olivia, in the Twelfth Night, and Oscar Wilde’s Gwendolen, in the comedy, The Importance of Being Earnest narrative seemingly contradict orthodox gender norms. Olivia and Gwendolen both live in a social construct based on male dominance. Yet both of them upends this norm and play dominant role in both of their relationships.

There are several characters who are present in this play and who have played an important role in shaping the lives of women’s. Though the society which we live today forces women to do things and acts which may be oppressive to them. This is the things which go against the gender rules and which lead to assimilation which in our case, we are discussing the

A Midsummer Night’s Dream is a Shakespeare-written play containing a five-act, play-within-a-play structure about the misunderstanding and confusion in love among other themes. Shakespeare paints Midsummer’s scenes into an imbalance of what’s real and fiction, dark or light. The play’s structure allows the audience to ask questions about the nature of Shakespeare’s society and of love itself. The tradesmen’s play-within-a-play functions as a developing comic relief between the main story line, as well as a look inside the society in the world of Shakespeare, theatricality and a reflective parody of the confusion and imbalance in each setting.

Within Shakespeare’s plays, there are many ways in which characters play with gender stereotypes. Through changes to appearance and personality, characters disguise themselves to fit in with the opposite gender. Cross-dressing suggests that because the characters are female, they do not have the appropriate power they need for the situations they find themselves in, and when they achieve that power, they are still female and still manage to fulfill their goals. So, for a woman to have power does not mean she needs to stop being female but to stop being perceived as a female so she can be treated differently. In ‘The Twelfth Night,’ Viola disguises herself as a man in order to find her brother and in ‘The Two Gentlemen of Verona’ Julia also dresses as a man to travel to Milan and visit Proteus. Both of these women find themselves in challenging situations, who use unique strategies in order to cope and subtly opposing gender roles.