Twelfth Night Lust

In Sharon Olds The Summer-Camp Bus Pulls Away from the Curb she states “With a pencil and two Hardy Boys and a peanut butter sandwich and grapes he is on his way, there is nothing more we can do for him” the narrator is sending her son off with what she thinks he will need not only for summer camp but for life.

Jem shows he’s growing up by his sudden change in ideologies, attitude, and overall disinterest with being around Scout.

Another aspect of the play that can easily relate to modern audiences is, William Shakespeare’s use of mistaken identities and true-life experiences especially mourning for the loss of family and love obsessions, are among the main focuses of the play. Many people in the audience of today would most likely be able to relate to Olivia’s intense mourning of her brother, since people’s feelings and actions at the time of loss don’t change just the periods of times that they occur do. Love is commonly used in many forms of works of entertainment because it is an unsolved mystery that everyone usual enjoys watching or reading. The infatuation that the Duke has for Olivia is comical throughout the play and forces the Duke to say

Lust, which is probably one of the most confusing types of love was an apparent subject in twelfth night.There are many reasons why one would lust, one could be because you are attracted to a specific quality of a person or could maybe only like there looks or even just thing like there charisma. Shakespeare showed lust between Orsino and Olivia. Even though Orsino had not met or even seen Olivia, he was still madly in love

People tend to invest so much of themselves into a particular person they love, yet their investment in their relationship oftentimes end in utter rejection. Orsino appears to have a strong love for the Countess Olivia, but in the end, he falls in love and marries Viola. In the early 1600s comedy Twelfth Night, William Shakespeare reveals through the development of Orsino the love and desire towards an apparent loved one, thereby, showing the fluidity of love and its presence in interactions between two people.

     Shakespeare's Twelfth Night examines patterns of love and courtship through a twisting of gender roles. In Act 3, scene 1, Olivia displays the confusion created for both characters and audience as she takes on the traditionally male role of wooer in an attempt to win the disguised Viola, or Cesario. Olivia praises Cesario's beauty and then addresses him with the belief that his "scorn" (3.1.134) only reveals his hidden love. However, Olivia's mistaken interpretation of Cesario's manner is only the surface problem presented by her speech. The reality of Cesario's gender, the active role Olivia takes in pursuing him/her, and the duality of word meanings in this passage threaten to turn the

Duke Orsino, being one of the most dynamic characters in Twelfth Night, has varying positions on the topic of love throughout the play. In the first act of the play, he views love as an emotion that acts upon the attractiveness of an individual, an emotion that is easy to fall in and out of, and he views the amount of love one person holds for another as equal to the amount of love they would hold for everyone else. “‘O, when mine eyes did see Olivia first, Methought she purged the air of pestilence.’” Orsino (1.2.20) This statements essentially means ‘When I first saw Olivia, she was so beautiful, I thought she made everything better.’ Orsino also views love as something that is easy to fall in and easy to fall out of. “‘O spirit of love”

According to Merriam-Webster’s Collegiate Dictionary, love is defined as “strong affection for another arising out of kinship or personal ties; attraction based on sexual desire; affection and tenderness felt by lovers; affection based on admiration, benevolence, or common interest; or an assurance of love.” In William Shakespeare’s Twelfth Night, three different types of love are experienced: friendship love, true love, and self love. Each character experiences a different type of love, and in some cases it is not what they originally expected. The twisted, yet intriguing love story allows the reader to get lost in each characters emotions and development throughout the play. Many instances of love in the play are overwhelmed with a

Twelfth Night is a romantic comedy, and romantic love is the play’s main focus. Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. Many of the characters seem to view love as a kind of curse, a feeling that attacks its victims suddenly and disruptively. Various characters claim to suffer painfully from being in love, or, rather, from the pangs of unrequited love. At one point, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot, at another point; he calls his desires “fell and cruel hounds”. Olivia more bluntly describes love as a

In Shakespeare’s play, an illustration of love and obsession is revealed even though the ending is contradictory. The facet of infatuation is usually exhibited as precipitous and inevitable; love utilizes an outward attack method that is equivalent to an ailment. Individuals who are in love are acutely arduous to liberate or even alleviate. Many people struggle immensely with love; however, it is not easy to distinguish if someone is suffering or not. Twelfth Night’s Orsino depicts love as an “appetite” that needs to be appeased. Also, love is described as an epidemic by Olivia. The character of Viola groans “my state is desperate for my master’s love” (line 35). If one is hurt by love, then he/she becomes overcome with a feeling of desperation.

In Twelfth Night, Shakespeare was able to embody the perfect love triangle between Olivia, Orsino, and

In William Shakespeare’s play Twelfth Night, love as the cause of suffering is one of the most prominent theme of the story. Even though this play ends in love and wedded bliss, Shakespeare also shows us that love can also cause pain. The characters often view love as a curse, something that is thrust upon you and you cannot easily or willing escape. Examples include Malvolio’s love for Olivia, the love triangle between Olivia, Duke Orsino, and Viola as Cesario, and Antonio’s crush on Sebastian. There are countless occasions where unrequited love for another results in heartbreak and sorrow.

A quote from Orsino proves that this is the case, “O when mine eyes did see Olivia first, me thought she purged the air of pestilence.” This quote in simple terms means that when Orsino first saw Olivia he felt that she made the world perfect and this was someone he wanted to marry, but Orsino did not know Olivia’s personality and only liked her because of her looks and wealth which means that what Orsino was feeling is lust. Lust is when a person is attracted to somebody purely off attraction rather than true feelings and does not even consider the person’s morals and mannerisms. Shakespeare was attempting to show that this type of love is not real love and purely for one to use someone else for wealth and or pleasure.

At first he pleads for the “excess of it, that, surfeiting” (I.i.2). For, music nourishes the soul; therefore he wants more of it. However, later in the soliloquy Orsino says that because of love, music “tis not so sweet now as it is before” (8). Shakespeare is already showing how Orsino tries to force passionate love for Olivia that it is not as sweet and fulfilling as it should be if it was genuine true love. This theme goes throughout the play and even comically plays out in Olivia’s forged love for Malvolio. Any type of false love in Twelfth Night comes to a crash landing at the end.

In the famous comedy Twelfth Night, Shakespeare dabbles with the phenomenon of love. This is seen through his various characters who are forced to deal with the aspects brought on by love. Characters like Cesario, who is Viola dressed as a boy. In the play the characters deal with their problems around love. The three major characters that love seems to impact more than the rest are Duke Orsino, Lady Olivia, and her servant Malvolio. Each of these characters is affected by love and each reacts differently when in love to out of love. Their reactions to love are based on their behavior, their speech, and their relations with other characters.