Twelfth Night: Phlegmatic, Choleric, And Sanguine

Trevor Nunn’s (1996) adaptation of Twelfth Night illustrates the complexity of Feste’s character and how important he is to the overall play. Ben Kingsley, the actor, presents Feste as sympathetic and gentle choric figure. It is Feste who allows the audience to see the films respect for the original play, and the existing issues within it. This includes the defencelessness of women, and the attractive, but dangerous, qualities of altering one’s true sexual identity. Interestingly, unlike the original script, Nunn opens his first scene with Feste observing Viola struggle to shore after the shipwreck she has experienced. In this context, Kingsley’s Feste is revealed for the first time. He is shown as a mysterious and isolated individual, who

The Eighteenth Amendment, created during President Wilson Era, prohibited the manufacture, sale, and transportation of alcohol. The Eighteenth Amendment was created because of the Women’s Christian Temperance Union (WCTU) that said that drinking alcohol causes a lot of problems in the society, but the WCTU couldn't establish any law for the prohibition of alcohol. So the Anti-Saloon League (ASL) was created to advance the ideas of the WCTU. The ASL convinced politicians to support the Women’s Christian Temperance Union using pressure politics. Finally, on January 17th, 1920, Eighteenth Amendment was created to prohibit the commerce of alcohol. With this Amendment, the quantity of deaths, suicides, traffic accidents, family arguments, aggression

The only reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2, 1602. A law student named John Manningham wrote in his diary about a feast he attended at the Middle Temple in London where he was a law student and where “we had a play called Twelfth Night; Or, What You Will." This was likely to have been an early performance since it is generally agreed that the play was probably written in 1601. In 1954 Sir Leslie Hotson’s book, The First Night of Twelfth Night, sought to identify the exact date of the first performance of Twelfth Night. He used the evidence of old records to suggest that Queen Elizabeth asked for a new play for the last night of the Christmas 1600-01 season, the Feast of the

In the kingdom of Illyria (fantasy world), Twelfth Night was supposedly originally written for the entertainment of Queen Elizabeth I. William Shakespeare’s comedy associates with the Feast of Epiphany (January 6th) and was means for entertainment in the seventeenth century. It contains some aspects that can be thought of as a successful comedy when compared to the standards of today’s society. The play incorporates some of the very same devices that are used in modern comedies today, such as topsy-turvy romance, foolery, and mistaken identities. Twelfth Night also involves many cultural aspects that would be tough for an audience today to relate with. Some of these ideas are social class, dialect, and lack of modern technology that affect

She’s the Man is a modern adaptation and interpretation of The Twelfth Night but the

In Shakespeare’s Hamlet, Prince Hamlet serves as one of the most multi-faceted characters in the entire play with critics often deeming his personality “paradoxical”. Ultimately, Hamlet provides the audience with the epitomy of internal contrast and instability by rapidly transitioning through periods of caution and rash action, introversion and extroversion and calculation and spontaneity.

Disguise in Shakespeare’s Twelfth Night has many purposes. Even though disguising one's gender is a common theme in Shakespeare, some say it is instates bonding and allows a way for it to happen. It is known that it is used as a necessity for survival. In Twelfth Night, Disguise and Identity is shown in feelings, appearances and decisions. Disguise is an occasionally seen force which drives one’s mind into believing in something unrealistic. Disguise and Identity get mixed up which causes confusion. Both factors are compared in the meaning of Truth.

    It is not unusual that the fool should be a prominent figure and make an important contribution in forming the confusion and the humor in an Elizabethan drama. In William Shakespeare's comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery. He and many other characters combine their silly acts and wits to invade other characters that either escape reality or live a dream. In Twelfth Night, Feste, Maria and Sir Toby are the fools that make the comedy work in many senses.

Shakespeare’s character, Hamlet, is known for his indecisive personality. It is a trait that humanizes Hamlet in the sense that every man is flawed. However, this feature is Hamlet’s main

“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to show some kind of deceptive characteristics in order to execute his plan.

through his vanity is easily fooled into thinking it is he who she loves although

Critics of William Shakespeare’s Twelfth Night, such as L. G. Salingar in his essay “The Design of Twelfth Night,” constantly dwell upon its inconsistency of happiness. Indeed, Twelfth Night is a romantic comedy of joy that brings audience laughter and applause. Yet, under the atmosphere of mirth and liberty suggested by Twelfth Night, a Saturnalian Carnival where pleasure rules, we are constantly reminded of misery, hatred, and depression. Over the course of different character’s pursuit in “what [they] will”, we witness their conflict, laugh at their madness, sense the darkness in their society, and ultimately cast doubt on whether this immoderate pleasure will sustain. Through his use of multiple foils, Shakespeare guides his audience to unfold the limits of festivity.

Our group proposed, presented, and directing the stage performance for the Twelfth Night. In the beginning of the semester I had no clue of what to expect from this course, and reading the syllabus made Shakespeare’s Plays seem complex. I am somewhat familiar with William Shakespeare’s plays stemming from a Shakespeare course that I had taken at Harold Washington (City College of Chicago). My professor (Hader) informed the class that if we were looking to go on to a four-year university as an English major that we will have to take another course, and it will be taught from a different perspective or angle—quite frightening. As a person who had not connected or have read anything that the playwright had ever written, I was afraid that I

Comedy, in the Elizabethan era, often included themes of wit, mistaken identity, love, and tragedy, all tied up with a happy ending. These themes are prevalent in William Shakespeare’s Twelfth Night, a comical play that explores the pangs of unrequited love and the confusion of gender. Love is a powerful emotion that causes suffering, happiness, and disorder throughout the play. The play also demonstrates the blurred lines of gender identity, which ties into the modern day debate on sexuality and gender identity. The main characters in the play, Viola, Olivia, and Orsino are connected by a love triangle, each person pursuing an unrequited love. Suffering from love and the fluidity of gender are the prevalent themes explored throughout the play and intertwined with Viola, Olivia, and Orsino.

In 'Twelfth Night’, gender and sexuality in many ways add to the play’s themes of madness. 'Twelfth Night ' is a reflection of renaissance thought and culture, the renaissance was a transitional period from the medieval to the radical Elizabethan era. The culture of the time was a contradictory one, as from one aspect it was influenced by the patriarchal medieval time, where women were under the rule of men and seen as needing the protection of men, however, from another perspective, the culture was a changing one as women were starting to receive education and many humanists believed that women should be given more rights. The play reflects these attitudes and often challenges the social hierarchy and establishes ideas on gender roles, sexuality and cross-dressing. These factors indeed undermine the expectations of male and female behaviour, and in turn further the play 's theme of madness which has a comedic effect on the audience due to the shock humour it provides.