Twelfth Night Viola Analysis

Orsino's love, however, is a courtly love. He claims to be in love with Olivia but seems rather to be in love with the idea of love and the behavior of a lover. Orsino is a Petrachan lover who chooses an object that will not return his love. Because he is not ready for commitment, he courts Olivia in a formal way. By sending his messengers to her house instead of going himself, he does not have to speak to her directly. Early in the play, Viola realises that Orsino's love for Olivia is denied and that she would also reject all men for a period of seven years. Viola believes that Orsino might not be rejected if he visited Olivia himself and says to him: "I think not so, my lord," but Orsino, not wanting to see Olivia himself and wanting to keep up the role of the disappointed lover, insists that Cesario woo her.

She feels pity for Olivia and herself with the statement "Poor lady, she were better love a dream" (2.2. 25)! Viola's use of deception causes a cross gender love triangle with which she can not deal.

Although Viola faced a lot of confusion and conflicts she was equipped to handle this because she was mostly causing it by cross dressing and lying about who she truly was. But, Maria, Sir Toby and Sir Andres, servants to Olivia, all decided to play practical jokes on Molvolio. By giving Molvolio a note and disguising it to look like Olivia’s hand writing, they caused Molvolio to make a fool of himself. The note left him directions to behave and dress a certain, this caused ignominious Molvolio to become confused. By being deceitful and conspiring, Sir Toby, Maria, and Sir Andrews colors shined through. Not to mention, Molvolio’s true self became evident after misidentifying the letter. Molvolio became arrogant and was filled with self-importance, but when things became clear and Molvolio discovered the note was not written from Olivia he became embarrassed. He could not move forward, forgive and forget, so he left. This is how misidentification can cause conflicts and cause character’s true selves to shine

From the difference in character and personality between Viola and Orsino, we can see that Viola is displayed as a rational, witty, yet manipulative woman, who loves deeply and sincerely. This is shown from, “If I did love you in my master’s flame/With such a suff’ring/such a deadly life”, as it implies that Viola’s love towards Orsino, is true, and has depth, and other-centred. This is in comparison to Orsino’s love towards Olivia, displayed in his portrayal of love towards her. This can be seen from, “With adorations, fertile tears/With

was Olivia, a rich countess, ends up falling in love with her. Viola/Cesario did not

All these run concurrently with Olivia’s personality, and how she is wasting her youth, firstly mourning, and secondly, wooing Cesario (in actual fact, a female). Through the backdoor, Sir Toby and Sir Andrew enter into one the rooms

Aside from the fact that Cesario is falling for a man who is already infatuated, Olivia begins to reveal her true feelings as well. Establishing dramatic irony towards Cesario's disguise and feelings towards Olivia and Orsino add to the comedic effect while developing the plot and engaging the audience. Seeing how

The audience knows of Viola’s true identity which helps them form the idea that Olivia

This is Viola confessing her true feelings for Orsino. She is telling him that she is the one who loves him the way he loves Olivia. Viola’s love for Orsino is so deep and she has so much desire that it literally hurts her heart. She then continues to say that her father had a daughter who loved a man, yet she is her father’s

Viola, one of the main protagonists, experiences suffering when she falls in love with Orsino, whom she cannot pursue or express her true feelings for. After a shipwreck, Viola finds herself stranded in the country of Illyria. In order to work for the Duke Orsino, she disguises herself as a man named Cesario, which makes romance with the duke impossible. After spending three days with him, she falls in love. Not only does she have to repress her feelings toward Orsino, but to add to her pain, Orsino assigns her to spend her time trying to persuade Lady Olivia to marry him. Viola says to the audience, “whoe’er I woo, myself would be his wife” (1.4.42), because she wishes to marry Orsino.

Viola also associates music with the major theme of love and connection in the scene of her first appearance in the play in Act I Scene ii. Viola’s plan is to be presented to Orsino as a eunuch. She tells the captain “For I can sing/ And speak to him in many sorts of music” (60-61). Viola recognizes that music is the food of love too, as Orsino states in his opening soliloquy. These lines also imply that Viola will try to woo Orsino with music, which the audience discovers is true in Act II Scene iv when she tells Orsino the story of about “Cesario’s sister,” although Orsino resists her at the time and continues to try to woo Olivia.

Shakespear portrays the women as fragile, with the way they act, and the way others act towards them, Viola is seen as a very emotional woman, who is in mourning for the death of her brother in (1.2.4) "My brother he is in Elysium", but at the same time falls in love with duke Orsino as shown in (5.1.130-131) when she says: "After him I love/More than I love these eyes, more than my life,". While Viola is in love with Orsino, Olivia falls in love with Viola who, while masquerading as a man is charged with delivering massages of love to Olivia. Olivia's love becomes obvious when in (2.2.21) Olivia, desperate to spend more time with Cesario/Viola sends Malvolio to return a ring to Cesario/Viola which had never been his/hers to begin with. Viola quickly

Viola is not the only one affected by her plan; Olivia falls in love with Viola,

A key interaction occurs between Orsino and Viola regarding the capacity of a woman's love. Orsino speaks to Viola (who is currently disguised as Cesario):

Also, perhaps Viola is in disguise herself.  She can see through other people's disguises or flaws, that not even they are able to spot.  Some characters are deceived about their true nature.  An example of this is that Orsino sees himself becoming "one self same king" of Olivia's "sweet perfections", fulfilling her sexual desire, thought and feeling "liver, brain and heart".  He naively believes that he is in love with Olivia when he has never really conversed with her.