Two Kinds Jing-Mei

In “Two Kinds,” written by Amy Tan, Jing Mei defies her mother’s authority to become her own person. Jing Mei is the only daughter of two Chinese immigrants in America. Her mother places an exponential amount of pressure on Jing Mei, to meet her standards of success. As Jing Mei grows older she goes against her mother’s wishes and refuses to be placed in her mother’s mold of a perfect child. Jing Mei, a young girl being played like a marionette, becomes a young woman defying authority on a never ending road of self discovering.

" I made high-pitched noises like a crazed animal , trying to scratch out the face in the mirror ." . (Chunk 2 , Paragraph 14 ) In the excerpt " Two Kinds " by Amy Tan , it talked about a little girl , named Jing-mei , who would rebel against her mother because she knew she wasn't going to be a prodigy . Her mother believed in the " American Dream " , but Jing-mei didn't believe in such thing . Her mother left China with nothing , she had lost everything she loved back in China , and she heard about the " American Dream " . In the end , the mother died . She died because her daughter , Jing-mei , had completely ruined her pride and her chance of becoming part of an " American Dream " . Her mother became silent and pale and passed away 28 years later . She performed playing her piano and when her mother passed away she went back to the piece she played at the performance and realized that it was half of a song and when she looked at the other half she realized her mistakes . Not obeying her mother's orders because of a single rebellious , ignorant act . " Two Kinds " uses central conflicts between mother and daughter to develop the theme that anger changes a person in many unknown and unfamiliar ways that one didn't know existed . Firstly , the main conflict are caused in many ways . The problem of / with the mother and Jing-mei is external as shown in paragraph 27 , 'When my mother told me this , I felt as though I had been sent to hell . I whined , and then kicked my feet a

She was my mother,” (31).  Jing-Mei says this to her aunts after her mother had died, and she had to take your position in joy luck.  She felt like she never really knew her mother because of their miscommunication.  Suyuan Woo, Jing-Mei’s mother, had many hopes and good intentions for her daughter. While Jing-Mei wanted to be herself and still please her mother, Suyuan wanted her daughter to be a child prodigy. Always wanting the best for her daughter, Suyuan hoped Jing-Mei would one day become an extraordinary pianist.  Although Jing-Mei played the piano, she never put forth much effort into the music because her best was not good enough for her mother.  Nonetheless, she stopped playing the piano.  “I could only be me,” (154).  She could not be something that she was not; she could not live up to her mother’s expectations.  This symbolized one of Jing-Mei’s songs, “Pleading Child.”  Suyuan continues to put all the pressure on Jing-Mei so that she will not become like her mother for all the reasons she had come to America; hopes for a better life.

To demonstrate, when Jing-Mei plays a piano piece that she has to perform because of her strict mom, she really does not want to play it. However, as time goes on, she rebels against her mom’s idea to becoming a child star, causing her mom to go bizarre. Years go on, she doesn’t play the piece, until she's an adult, she picks up the piano piece she struggled in her early childhood and is going to play it again, as she said, “I opened up the Schumann book to the dark little piece I played at the recital. “Pleading Child was shorter but slower, “Perfectly Contented” was longer and faster… And I played them botha a few times

Furthermore, Jing-mei discovers, “Old Chong’s eyes were too slow to keep up with wrong notes [she] was playing,”(472). As a result, Jing-mei performs “Pleading Child” miserably at the talent show her parents and all of the members of the Joy Luck Club attended. Jing-mei saw the disapproval and shame on her mother’s face, and decided to stop practicing piano. If Jing-mei’s mother wouldn’t have looked so disappointed and been proud of her daughter Jing-mei wouldn’t have been so discouraged. Jing-mei would’ve still had faith in herself like she did before her performance. “When my turn came, I was very confident. I remember my childish excitement. It was as if I knew, without a doubt, that the prodigy side of me really did exist. I had no fear whatsoever, no nervousness. This is it!” (474). After seeing the dismay in her parents eyes Jing-mei changed her whole outlook on the situation, which weakened Jing-mei’s pride, causing her to fully rebel from being a prodigy. Furthermore, encouraging her to be who she wanted to be.

The central struggle in Amy Tan 's story "Two Kinds" is a battle of wills between the narrator, a young Chinese American girl, and her mother, a Chinese immigrant. "Two Kinds" is a coming-of-age story, in which the narrator, Jing-mei, struggles to forge her own sense of identity in the face of her strong-willed mother 's dream that she become a "prodigy." Jing-mei is caught between her Chinese mother 's traditional ideas about how to raise a daughter, and her own development as a Chinese American girl straddling two cultures.

The short story, “Two Kinds”, written by Amy Tan, is written from the point of view of the character named Jing-Mei. There are three experiences which demonstrate her viewpoint. In the first experience, Jing-Mei is being told by her mom about the “American dream”. At first, she strives to pursue this prodigy. Her mom would test her every night after dinner. Through Jing-Mei’s eyes, she starts to realize that it was not the life she wanted to live. Lines in the story illustrate this when he says “I won’t let her change me, I promised myself. I won’t be what I’m not.” (p.406). In the second experience, Jing-Mei performs in a talent show. Her mother forced her to learn how to play the piano. After seeing a little girl playing the piano

People out for a fun night together and everyone looking down at their phones. Everyone shooting texts, updating social media and answering calls. Cell phones have truly changed the way how people connect to other people. Thirty years ago you would have to walk up to the cute guy at the bar, but with modern technology you can just shoot him a text instead. When many people think of the dangers of cell phones they think of all the accidents that they cause by distracted drivers. Many people don’t realize that not only distracted driving makes cell phones dangerous but with just modern day use can cause health problems and put people at risk with pedophiles. When people think of cell phones they think that they’re nothing but beneficial and

Jing-Mei feels differently though, “Unlike my mother, I did not believe I could be anything I wanted to. I could only be me,” (359/80) and she was correct for she had no natural musical talent. Jing-Mei has a desire to please her mother, but an even stronger one to choose her own life. She pacifies her mother by going to piano lessons but puts in no effort. Jing-Mei is “…determined to put a stop to her blind foolishness,” (356/48) but her mother’s desire to create a prodigy to compete with Aunt Lindo’s daughter, keeps her focused on the impossible. That is, until Jing-Mei escalates this conflict to its breaking point in rebellion. Stunning her mother, she shouts “Then I wish I’d never been born! I wish I were dead! Like them,” (359/77) referring to the twin daughters her mother lost in China. Sadly, the mother’s desire to have Jing-Mei conform to her expectations creates a constant battle between mother and daughter, and, in rejecting those expectations, seeing disappointment in her mother’s face all too often causes Jing-Mei to feel, “something inside me began to die” (353/18).

Also, their relationship is shaped by the pressure Suyuan puts on her daughter. When Jing-Mei was growing up, her mother had the need for her daughter to be smart, talented, and a respectful Chinese daughter. This pressure put on Jing-Mei resulted in misunderstanding between mother and daughter. Jing-Mei constantly believed, “that she was disappointing her mother,” because she felt as if she failed at everything her mother wanted her to do. She believed she could never be as perfect as her mother was. Therefore she doesn’t think she is worthy enough to take her mother’s place at the Joy Luck Club “They must wonder now how someone like me can take my mother’s place” (Tan, 27). Jing-Mei does not understand that her mother wanted the best for her; Suyuan wanted Jing-Mei to challenge herself because that is how one builds up character. Suyuan thinks her daughter could do anything she proposed to do but never put enough effort into anything “Lazy to rise to expectations” (Tan 31). Furthermore, Suyuan forced Jing-Mei to learn how to play the piano and then perform at a recital. Jing-Mei rebelled against her mother and refused to learn how to play the piano well. So, at the recital she ends up forgetting the music notes. Jing-Mei blames her embarrassment on her mother and states,

At the end of the story, Jing Mei switches her narration from that of a child to that of the adult allowing the reader to see the "adult" perspective on her life. No longer is the relationship between Jing Mei and her mother antagonistic. With the offering of the piano, the mother tells her, "You have natural talent. You could have been genius if you want to" (Tan 1). Jing Mei states that she couldn’t. Then her mother states, "You just not trying" (Tan 1). Her mother bore her no anger or sadness when she made these statements and Jing Mei gave no argument in return.

“Two kinds” is a story, a Chinese girl whose life is influenced by her mother. Her mother came to America after losing everything in China. Jing-Mei’s mother was immigrated early to America from China who has “American dream”. Her mother had high expectations on her daughter and did not care how it could affect her. It made Jing-Mei become a stubborn and rebellious person. “In the years that followed, I failed her so many times, each time asserting my own will, … for unlike my mother, I did not believe I could be anything I wanted to be, I could only be me. (104) She expressed her anger by going against her mother's expectations in ‘who I am’, it inferred that such tendency come from her childhood experiences. Jing-Mei was frustrated because she could not satisfy her mother.

In the story Two Kinds by Amy Tan it tells the tale of conflict between a mother Suyuan and her daughter Jing-mei over piano lessons. Two Kinds deals with a clash between a mother’s belief of hard work and persistance and a daughter's belief that being a prodigy is unachievable. Amy Tan shows generational differences among immigrant families negotiating the mythology of the American Dream.

“Two Kinds” by Amy Tan is a short story about a mother pushing her ambitions and dreams unto her daughter, Jing- mei. Born during the American Dream era, Jing-mei’s mother believed that anyone “could be anything [he/she] want to be in America. [He/She] could open a restaurant… work for the government… buy a house with almost no money down… and become rich” (Tan 43). With this mindset, Jing-mei’s mother pushes her daughter to become a prodigy, thus the adventures of Jing-mei trying new things began: such as learning the names of capitals, becoming a ballerina, imitating Shirley Temple, and playing the piano. At first Jing-mei is excited and even believes that she could become a prodigy, but after various failed attempts Jing-mei realizes

In addition to setting, the author uses symbols to strengthen the theme of the story. In the story, the mother buys Jing-mei a piano on which to practice. The mother and Jing-mei have different perspectives on what this symbol means. To Jing-mei, the piano symbolizes her mother trying to change her into something other than herself; however, the piano symbolizes the American dream to her mother. Eventually as Jing-mei ages, she could see her mother’s idea on what the piano means and learns to appreciate the piano. When Jing-mei is a woman, “[she] realized that [“Pleading Child” and “Perfectly Contended”] were two halves of the same song” (Tan 9). As Critic Cynthia Becerra states, “the self-realization completes this rich vignette, it is not without pain and loss.(Becerra)” This realization shows how she learns that her mother only has high aspirations for her. The symbolical piano helps the theme by showing the contrasting views between the mother and the daughter in their relationship.