Two Kinds Jing-Mei

Throughout her entire life, Jing-mei’s mother always pushes Jing-mei to excel at everything she does. Her mother wants Jing-mei to become a prodigy, and originally Jing-mei shares her excitement. However, she quickly becomes overwhelmed by her mother’s constant pressure to succeed, finally deciding, “I won’t let her change me. . . I won’t be what I’m not” (Tan 34). Previously, Jing-mei has always tried to please her mother. She hates to disappoint her, but she can not get over the thought that she will never be good enough for her mother, exclaiming, “I’ll never be the kind of daughter you want me to be” (Tan 142). To which her mother replies, “Only two kinds of daughters...Those who are

In addition to setting, the author uses symbols to strengthen the theme of the story. In the story, the mother buys Jing-mei a piano on which to practice. The mother and Jing-mei have different perspectives on what this symbol means. To Jing-mei, the piano symbolizes her mother trying to change her into something other than herself; however, the piano symbolizes the American dream to her mother. Eventually as Jing-mei ages, she could see her mother’s idea on what the piano means and learns to appreciate the piano. When Jing-mei is a woman, “[she] realized that [“Pleading Child” and “Perfectly Contended”] were two halves of the same song” (Tan 9). As Critic Cynthia Becerra states, “the self-realization completes this rich vignette, it is not without pain and loss.(Becerra)” This realization shows how she learns that her mother only has high aspirations for her. The symbolical piano helps the theme by showing the contrasting views between the mother and the daughter in their relationship.

As Jing-Mei grows older, her mother decides to give her daughter a gift, the piano.  Suyuan says, “You pick up fast.  You have natural talent.  You could be a genius if you want to,” (154).  This represents forgiveness, both forgetting what happened in the past.  Suyuan goes on to tell her daughter that she was not trying when she was younger.  Part of the Chinese culture was to always keep trying,

In the short story “Two Kinds”, Amy Tan uses the narrator’s point of view to share a mother's attempt to control her daughter's dreams and ambitions. Tan`s short story is an example of how differing personalities cause struggles between a parent and child. Children often fall victim to a parent trying too hard or expectations being too high, and in the case of "Two Kinds," we see Jing Mei’s mother trying to live her life through that of Jing Mei. The outcome of her mother’s actions soon leads the narrator into feeling tension within herself, and between herself and her mother.

“Two kinds” is a story, a Chinese girl whose life is influenced by her mother. Her mother came to America after losing everything in China. Jing-Mei’s mother was immigrated early to America from China who has “American dream”. Her mother had high expectations on her daughter and did not care how it could affect her. It made Jing-Mei become a stubborn and rebellious person. “In the years that followed, I failed her so many times, each time asserting my own will, … for unlike my mother, I did not believe I could be anything I wanted to be, I could only be me. (104) She expressed her anger by going against her mother's expectations in ‘who I am’, it inferred that such tendency come from her childhood experiences. Jing-Mei was frustrated because she could not satisfy her mother.

Also, their relationship is shaped by the pressure Suyuan puts on her daughter. When Jing-Mei was growing up, her mother had the need for her daughter to be smart, talented, and a respectful Chinese daughter. This pressure put on Jing-Mei resulted in misunderstanding between mother and daughter. Jing-Mei constantly believed, “that she was disappointing her mother,” because she felt as if she failed at everything her mother wanted her to do. She believed she could never be as perfect as her mother was. Therefore she doesn’t think she is worthy enough to take her mother’s place at the Joy Luck Club “They must wonder now how someone like me can take my mother’s place” (Tan, 27). Jing-Mei does not understand that her mother wanted the best for her; Suyuan wanted Jing-Mei to challenge herself because that is how one builds up character. Suyuan thinks her daughter could do anything she proposed to do but never put enough effort into anything “Lazy to rise to expectations” (Tan 31). Furthermore, Suyuan forced Jing-Mei to learn how to play the piano and then perform at a recital. Jing-Mei rebelled against her mother and refused to learn how to play the piano well. So, at the recital she ends up forgetting the music notes. Jing-Mei blames her embarrassment on her mother and states,

At the beginning of the short story, Jing-mei shares about “becoming Chinese” (Tan 152). Living in San Francisco area, she had always felt disconnected from her Chinese culture. The most significant moment of Jing-mei’s acceptance of her Chinese culture was when her father told her about her mother’s journey from China to America during the time of the invasion. She truly learns to appreciate her mother because of all she had gone through. Jing-mei also understand the existence of her half-sisters and feels the need to visit and meet them, as they are part of her mother. Jing-mei’s original lookout on Chinese culture was developed their prejudices and stereotypes. After living with her Chinese family and learning more about her mother’s past,

The short story, “Two Kinds” by Amy Tan, portrays a conflict between a Chinese mother and daughter. Jing-Mei mother, Suyuan, comes to America after losing everything in China. When she came to America, this is where all her hoped lays. She believes that anything is possible and that America is the land of opportunity. Because of this, she has high hopes for Jing-Mei becoming a successful child prodigy. So, Suyuan tries everything she can to find Mei’s talent. First, she tries to make her daughter into a Chinese Shirley Temple, but doesn’t work. Then she tries intellectual tests that were from known magazines, but that doesn’t work either. Finally, Suyuan decides that Mei would be a pianist. Suyuan gathered up her money to buy Mei a piano and

The feud between Jing-mei and her mother destroyed their relationship for years, causing them to become distant from each other. Jing-mei’s mother pushed her so far that she no longer wanted to become a prodigy. Overwhelmed by anger, Jing-mei sees her reflection and no longer cares about impressing her mother. She emphasizes, “I won’t let her change me, I promised myself. I won’t be what I’m not” (Tan 223). Having the mindset like most teenagers, Jing-mei no longer wants to impress her mother; she wants to be her own self person. During Jing-mei’s adult years her mother gives back the piano for her 30th birthday. As she starts playing, she perceives that she has natural talent when she “Played a few bars, surprised at how easily the notes came back to me” (Tan 233). It was not until Jing-mei began playing the piano after all those years, that she realizes her mother was right about the talent she had all

At the end of the story, Jing Mei switches her narration from that of a child to that of the adult allowing the reader to see the "adult" perspective on her life. No longer is the relationship between Jing Mei and her mother antagonistic. With the offering of the piano, the mother tells her, "You have natural talent. You could have been genius if you want to" (Tan 1). Jing Mei states that she couldn’t. Then her mother states, "You just not trying" (Tan 1). Her mother bore her no anger or sadness when she made these statements and Jing Mei gave no argument in return.

In the story Two Kinds by Amy Tan it tells the tale of conflict between a mother Suyuan and her daughter Jing-mei over piano lessons. Two Kinds deals with a clash between a mother’s belief of hard work and persistance and a daughter's belief that being a prodigy is unachievable. Amy Tan shows generational differences among immigrant families negotiating the mythology of the American Dream.

Jing-Mei feels differently though, “Unlike my mother, I did not believe I could be anything I wanted to. I could only be me,” (359/80) and she was correct for she had no natural musical talent. Jing-Mei has a desire to please her mother, but an even stronger one to choose her own life. She pacifies her mother by going to piano lessons but puts in no effort. Jing-Mei is “…determined to put a stop to her blind foolishness,” (356/48) but her mother’s desire to create a prodigy to compete with Aunt Lindo’s daughter, keeps her focused on the impossible. That is, until Jing-Mei escalates this conflict to its breaking point in rebellion. Stunning her mother, she shouts “Then I wish I’d never been born! I wish I were dead! Like them,” (359/77) referring to the twin daughters her mother lost in China. Sadly, the mother’s desire to have Jing-Mei conform to her expectations creates a constant battle between mother and daughter, and, in rejecting those expectations, seeing disappointment in her mother’s face all too often causes Jing-Mei to feel, “something inside me began to die” (353/18).

Furthermore, Jing-mei discovers, “Old Chong’s eyes were too slow to keep up with wrong notes [she] was playing,”(472). As a result, Jing-mei performs “Pleading Child” miserably at the talent show her parents and all of the members of the Joy Luck Club attended. Jing-mei saw the disapproval and shame on her mother’s face, and decided to stop practicing piano. If Jing-mei’s mother wouldn’t have looked so disappointed and been proud of her daughter Jing-mei wouldn’t have been so discouraged. Jing-mei would’ve still had faith in herself like she did before her performance. “When my turn came, I was very confident. I remember my childish excitement. It was as if I knew, without a doubt, that the prodigy side of me really did exist. I had no fear whatsoever, no nervousness. This is it!” (474). After seeing the dismay in her parents eyes Jing-mei changed her whole outlook on the situation, which weakened Jing-mei’s pride, causing her to fully rebel from being a prodigy. Furthermore, encouraging her to be who she wanted to be.

The short story, “Two Kinds”, written by Amy Tan, is written from the point of view of the character named Jing-Mei. There are three experiences which demonstrate her viewpoint. In the first experience, Jing-Mei is being told by her mom about the “American dream”. At first, she strives to pursue this prodigy. Her mom would test her every night after dinner. Through Jing-Mei’s eyes, she starts to realize that it was not the life she wanted to live. Lines in the story illustrate this when he says “I won’t let her change me, I promised myself. I won’t be what I’m not.” (p.406). In the second experience, Jing-Mei performs in a talent show. Her mother forced her to learn how to play the piano. After seeing a little girl playing the piano

Pulling a child off the path of their dream can cause them to rebel. Rebellious children can be almost impossible to deal with. Jing Mei’s mother decides Jing Mei will take piano lessons and makes arrangements with a retired piano teacher named Mr. Chong exchanging housecleaning services for weekly lessons. Jing Mei shows a lot of anger when her mother tells her of the lessons. “Why don’t you like me the way I am? I’m Not a genius! I can’t play the piano. And even if I could, I wouldn’t go on TV is you paid me a million dollars!” (32) Jing Mei takes the lessons and after a year of daydreaming during practice