Two Kinds and Everyday Use Comparison

“They had been pieced together by Grandma Dee and then Big Dee and Mama Johnson, had hung them on the quilt frames on the front porch and quilted them”(Walker,1973). The three spent time bonding together, which was seen as precious memories on the quilt. The quilts contained “scraps of dresses Grandma Dee had worn fifty and more years, pieces of Grandpa Jarrell’s Paisley shirts. It also contained pieces of Great Grandpa Ezra’s uniform that he wore in the Civil War ”(Walker,1973). Mama Johnson saw these quilts as needing to be appreciated and taken care of when needed as she can depend on Maggie, her younger daughter, to replace the quilts as she know how to sew and have memories of her past family members. Dee also understand that the quilts were made by important family members as she stated she would,”hang them”, as if that was the only thing you could do with quilts, because they are

Here the tone shifted from prideful to authoritative. Dee demanded to own the two quilts. Mama said the quilts had been made by her ancestors and she “hung up on them on the quilt frames on the front porch and made them (762).” The quilt frames symbolize the object which helps organize and keep the family's generations alive, and the front porch symbolizes the connection of the family with the world. Mama knew the quilts were what kept the generations together, regardless of what the people around thought or did.The quilts needed to be used in order to keep the family traditions alive. Soon after, the protagonist came up with an excuse and said the “lavender [pieces], [came] from old clothes” which had been “handed down (762).” The lavender symbolizes love and devotion. The old clothes symbolize the legacy of the family's heritage. Although Dee only wanted to the quilts, Mama felt her past family's love and devotion through the quilts. Dee wanted the quilts because to preserve them, not because of an emotional connection to them. In addition, the young woman continued to offend her mother to the point where Mama told her the quilts were for Maggie, the youngest sister, and Dee exclaimed how her sister could never “appreciate the quilts.” She continued and said “She'd probably be backward enough to put them to everyday use (762).” Everyday use represents the “everyday use” of customs and true purpose of the quilts. Although Dee thinks her sister will destroy the blankets through sex and daily use, Mama wanted her to understand how everything she wanted had a special purpose in their

Dee is a controlling person who always wanted everything to herself only and don't want anybody to take something more than her. And that appeared when mama said that the quilts which were handmade by their grandma Dee, that she would give it to Maggie, Dee was very angry for that and she wanted to take the quilts herself not because she wanted, just because she don't like anybody to take something more than her and wants everything for herself only. Dee was well educated and didn't liked her mother's and sister's way of living so she traveled and when

Because Dee may seem like a responsible person; people may say she deserves to have the quilts. Some might even say that Maggie is not as responsible as Dee. Dee knows the real value as she says, "These are all pieces of dresses grandma used to wear. She did I all this stitching by hand. Imagine!", this statement made by Dee tells us what the quilts were made of. However, while it is true that Dee seems more caring and responsible; it doesn't take away the fact that Maggie deserves the quilts. Maggie never gets anything that she really desires. Dee has changed, and her change had affected both Mama and

Because, the quilts had been made by the grandmother’s hands, the work that went into the quilts is the reason for importance of saving or preserving them as a family heirloom. “Maggie”, knows the true value of the quilts, “Dee” seems to view them as any other common blanket. Alice Walker stated in the story that Maggie felt like the world never learned to tell Dee no. That is a direct reference to the mother never standing up to Dee and asserting her rightful place.

When we are first introduced to Dee, we learn that she no longer wants to be called by her given name but instead she would want to be called ‘Wangero’. Dee comments, “I couldn't bear it any longer, being named after the people who oppressed me” (Walker 62). Although Dee may have only known that she was named after Grandma Dee, Mama could have “carried back beyond the Civil War” (Walker 62) the name of her daughter. This offended Mama because it was the beginning of how Dee began to reject her heritage. In addition, Mama also realizes how Maggie acts around Dee because of the way she treats her. When Maggie gives into Dee’s wanting of the blankets, Mama sees that Maggie is hurting and Dee couldnt care less. Mama comments that Maggie answered Dee “like somebody used to never winning anything or having anything reserved for her” (Walker 65). These conflicts lead mama to take a stand against her daughter as well as drawing her closer to Maggie. This showed Dee that she could not just barge into the house and take things she did not even truly know the meaning of. Therefore the reader understands that Dee’s actions led Mama to act differently with both of her children, all for the sake of honoring her heritage and

Mama decided to keep her word and give the quilts to Maggie because she understood what these quilts meant, “ You will not understand. The point is these quilts, these quilts!” The representation of the quilts is the symbol of the family and Dee couldn’t understand it, even with her education. Mama had more life experience and understanding of her culture then Dee would ever learn in a

Mama said” I never had an education myself” (745) but Dee went off to college. This demonstrates how times were different and now Wangero does not want to be held back by old times. Also, because she is independent and intellectual and doesn’t want to be embarrassed by her family. To emphasize, Maggie character shows her being described as “lame animal perhaps a dog run over by some careless person rich enough to own a car.” (744) This shows how Maggie isn’t educated with having any potential. Also, Maggie is an introvert and does not like to talk except to Mama. Wangero insults her sister by “Maggie brain is like an elephant” (747) which is saying she stupid. Then Wangero brings up the quilts and talks with Mama and Mama said “I promised to give them to Maggie, for when she marries John Thomas.” (748) Dee states ““Maggie cannot appreciate these quilts” (748) “She probably be backward enough to put them to everyday use”” (748). This represents again how Maggie is viewed as not bright person to not be able to have the

Both girls are ashamed of their families and their situation. Dee wants to be sophisticated, educated, and cultured – but she comes from a basic family who lives on a farm. Her mother and sister have very little to no education, cannot read well, and do not have the means for the style and sophistication which Dee craves. When Dee is with her family she gives off a condescending attitude, as if she has to dumb herself down to be around them. The narrator, Dee’s mother, mentions that Dee

Dee is already claiming the quilts to herself, even though Mama has never said "yes" that she could have them. Dee challenges Mama's authority by grasping the quilts and moving back as her mother tries to touch them. By doing this, she also disregards Mama's free will to give the quilts to whomever she would like. Mama observes that if Dee cannot preserve the unity of the family by honoring her mother, then how will she be able to appreciate the quilts in a respectable way. Dee has nothing but put-downs for Maggie, implying that she is more deserving to receive the quilts. She is using

However, the one thing both sisters have in common are the family quilts. These quilts are described by Mama as being made from family members who have passed, which enhance their value. Maggie values the quilts because she learned to quilt from her grandmother and aunt. She hints that she sees the quilt as a reminder of them when she mentions, “I can’t ‘member Grandma Dee without the quilts” (360). Dee,

Dee is the afro-centric, ego- centric and eccentric pseudo-intellect. She values her culture in a more materialistic aspect. She respects the artifacts of her history rather than the usefulness. Dee’s earthly-mindedness sets the stage for conflict throughout the entire story, from her arrival until the central conflict when there is a battle amongst the other two main characters Mama and Maggie, about who is truly entitled to the hand-stitched quilts. The quilts were works of art that have been passed down throughout

Now all of a sudden she has Black Muslim family and wants to impress them so she returns to grab things that are part of her family’s heritage. That are only interested in what they stand for and not for whom they stand for.  Then as soon as she pays a visit to her home, she picks up and walks out again.  It is obvious, to her heritage is for show not for living. The situational irony is present as well. Selfish Dee expects to be able to just walk into Mama’s house and take what she wants. Instead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage. Mama actually understands what Dee is becoming and decides to give the quilts to Maggie.

Mama realizes that Dee doesn’t deserve the quilts when Dee explodes on her family and looks at her mother with hatred. Dee doesn’t see the people behind the quilts just like how she doesn’t see the people behind her name. Maggie was a part of the quilt. She could continue the art of quilting. That is a part of her family’s inheritance and heritage. The things Maggie learned from her family created who she was as a woman. Mama takes the quilts from her and

The narrator described herself as large, big-boned woman with rough, man-working hands. She said she can kill and clean a hog as mercilessly as a man, and her fat keeps her hot in zero weather (444). She seemed to be a hard working woman, who differently from Dee is proud of her heritage and where she came from. It is understood she knew she may not have had the best life possible, but made the best of it. She knew Dee was the successful, popular child, but once Dee returned home with a changed name she saw her in a different light. She realized Dee’s doings were from throwing out the cultural heritage she belonged to into the new, hip black movement. She seemed to appreciate Maggie more after Dee tried to remove things from their house to show off. When Dee argued with her about giving the quilts to her instead of Maggie who was used to never winning, or having anything reserved for her the mother grabbed the quilts from Dee and handed them to Maggie. The mother is very grateful for her children, but is not going to let Dee, the daughter who has “made it”, take over the quilts meant for Maggie once she married.