Two Perspectives On London

There are specific details used throughout both sonnets that, again, help to reveal the speaker’s ultimate purpose. First, the way the speakers begin both poems is completely different. Wordsworth commences in a tone of urgency and forcefulness by saying “Milton! thou shouldst be living at this hour:” (Wordsworth line 1). This makes the reader excited about reading the rest of the poem and also, adds interest to the work. Dunbar, however, takes a more meditative approach by saying “Ah, Douglass, we have fall‘n on evil days.” (Dunbar line 1). This, although not as exciting as the previous example, is also effective in grabbing attention because it leaves the reader wondering what it is that could be inspiring such deep thought

In ‘London’ Blake presents the theme of power through a reportage. The narrator wanders through a ‘chartered street’ and by ‘the chartered Thames’. This shows that in the narrator’s eyes the streets are owned and even an aspect of nature such as the River Thames is in ownership of someone. These owners that Blake refers to is the state who are believed to have acquired so much power that they can own natural landmarks. Due to this power, the people in ‘London’ wear metaphorical ‘manacles’ that are ‘mind-forged’ which shows they have trapped themselves due to the pain and suffering the higher class has caused them. Also, the repetition

12. A Petrarchan Sonnet has two parts, one stanza that contains 8 lines and another containing 6. It “uses a rhyme scheme that ties the first eight lines (the octave) together, followed by a rhyme scheme that unifies the last six (the sestet)” (Foster

William Blake was a renowned poet whose works continue to be recognized long after his death. Blake was more than a poet he was also a painter and printmaker. Often his engraving art would act as the accompanying image to his poetry. Throughout his lifetime the British poet wrote several poems. The vast majority of Blake’s work was centered on strong religious themes or human existence itself. However in the works Sick Rose and London neither of these common themes is present. Though the two poems are different in content they both share an

Shakespeare follows the English style of sonnets, while Collins partially follows the Petrarchan style. Both sonnets include fourteen lines, a defining feature of the sonnet form. “My mistress’ eyes are…” consists of three quatrains that describes his argument on love cliches, and ends with a couplet, the turning point of English sonnets. The sonnet consists of ten syllables each line, following the rhythm of the iambic pentameter rule. Shakespeare’s sonnet follows the usual rhyme scheme of an English sonnet: abab cdcd efef gg. Collins attempts to stray from the general sonnet principles in contrast with Shakespeare. “Sonnet” loosely follows the Petrarchan style, as the lines are grouped into one octave and one sestet in structure. Collins’s “Sonnet” does not have a rhyme scheme, nor does the poem follow iambic pentameter. His sonnet does, however, present his turn in line 9, the beginning of the sestet. Collins begins poking fun at English sonnets in the octave, but then turns to joke at Petrarchan forms. Both sonnets have a lighthearted, humorous tone and parody classic styles of sonnets in different ways.

Then, in the second half of the octave, he alters it with ACCA rather than a repetition of ABBA. In the closing sestet, he abandons any traditional rhyme scheme for the ending of DEFDFE. Over the course of the poem, the tone changes from quietly appreciative to reverent of nature and the focus switches from admiration of the view and its divinity to an appreciation of that same divinity in a young girl by Wordsworth’s side. Wordsworth shifts from “It is a beauteous evening, calm and free,” to “Thy nature is not therefore less divine:” (ll. 1, 11). This shift in tone and focus after the first octave is emphasized by the unpredictable rhyme scheme. The odd rhyme scheme also creates in the reader an understanding that, to Wordsworth, nature is not something that can be contained by any structure or format.

In order to understand fully the regeneration of the Stratford area, it is imperative that there is some prior knowledge of how the area has developed over time. As London is the capital of England it has always been at the forefront of development, but other different areas of London have progressed at different speeds, meaning that some areas have been left waiting for regeneration whilst others have already developed. Regeneration is defined as the revitalisation of a place or community. Regeneration is both a process and an outcome . In the 1920s there were many large slums including Old Nichol, situated in Shoreditch. The conditions in the slums were well documented by Irene Barclay, who was a chartered surveyor and wanted to address social need and her actions were well appreciated by

During 2000, the New London city passed a growth program that, in the expressions of the Supreme Court of Connecticut, was considered to bring forth an approximate of about 1,000 employments, to augment tax as

Blake’s poem, “London” represent how the city life has taken away the freedom of the people. Blake uses skills of alliteration, imagery, and word choice to create his poem. In the first two stanzas, Blake uses repetition to

Using a modified Petrarchan sonnet, Frost is able to use the formal rhyme scheme in the first eight lines, called the octave, of abb/aab/ba. While the rhyme scheme of the second six lines of the poem, called the sestet, follows less stringent guidelines, Frost uses that of ac/aa/cc, which is extraordinary in that it carries over the “a” of the octave’s rhyme scheme and introduces it into the rhyme scheme of the sestet. Usually the sestet introduces new rhymes of “c” and “d” but Frost chooses to only introduce one new rhyme to its scheme, that of

A Comparison of Poems About London 'London', by William Blake, and William Wordsworth's untitled poem, composed on Westminster Bridge, are two different poems written with different styles and techniques to portray their feelings towards London. They are both written in the romantic era and are very passionate in the way they convey their (as both are written in first person) differing opinions on London. Wordsworth's sonnet shows all the positive points and that in his opinion London is an admirable place. However, Blake speaks of a much bleaker London, which contrasts greatly in opinion. Rather than writing his poem on opinion, he uses fact to inform and protest against what he feels is wrong

He talks about the fruit in the plots on the ground that will not become ripe, and as I can see in the painting the fruit is dead and not riping. He talks about the shrubs growing all over and I can see that in the painting. To me the words are showing sadness for the way it looks and I can feel the sadness just by looking at the painting. He talks about no animal life being around and in the painting there is no animals. He talks about the mountains and cliffs. Life, hills, rivers, and his love of nature is also mentioned and in Constables paintings there are hills, rivers, trees and animals , as Wordsworth has mentioned about nature. Wordsworth loves nature and all three paintings show nature at its finest and lowest of nature. In my opinion Wordswoth wanted to show how he felt about nature by showing how upset he feels about the abbey and his poem just happens to have some similarities to constables paintings also. I believe he did a wonderful job showing his view on

In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.

William Blake’s poem “London” takes a complex look at life in London, England during the late seventeen hundreds into the early eighteen hundreds as he lived and experienced it. Blake’s use of ambiguous and double meaning words makes this poem both complex and interesting. Through the following explication I will unravel these complexities to show how this is an interesting poem.

London is a city of many faces. Through the writing of these two famed authors, William Blake and William Wordsworth, they both manage to effectively illustrate the two very different views on London. Blake shows us the dark and twisted side of London facing poverty and oppression, while Wordsworth highlights the bright, peaceful, and beautiful aspects of London. The two poets write their contrasting views by using tones, imagery, and senses; can open the reader's eyes to change and how quickly it can happen.