Essay on Two Sides

Cummings and Pablo Neruda present the theme of their poems by having their two speakers addressing the women they love. The two speakers cope with the idea of prospective change in two completely different ways: Cummings’s speaker faces the end of his relationship as a situation that hurts him but in the end he accepts it, while Neruda’s speaker doesn’t care about his lover’s past as the only thing he wants is to make a couple with her. Thus, there are both similarities and differences in the poetic devices used in the two poems, while the tone of the speakers’ voice differs too, as in the first poem is sad and melancholic whereas in the second poem is confident and

Shakespeare and Neruda’s poem are obviously known to be sonnets, however they don’t both share the same structure; Shakespeare’s is of course a Shakespearean sonnet containing fourteen lines and has a particular rhyme scheme (ababcdcdefefgg), but Neruda’s sonnet doesn’t follow Shakespeare’s or the traditional Italian sonnet. Rather, Neruda’s sonnet does indeed contain fourteen lines, but most follows the free verse sonnet structure, since there is no rhyme scheme. Yet, likewise, both sonnets do present a problem in the first verses and then develop towards a solution. In the following, on Neruda’s lines, “My ugly…My beauty…Ugly:…Beauty:..” the speaker starts acknowledging his beloved that he is proud she is his for him to say “my”, but as the

Construct a close reading of this poem that demonstrates your awareness of the poet’s body of work.

Neruda express his thanks for thanks in many ways, and one way was figurative language. The speaker used a lot of powerful figurative language to get his point across. In my opinion, the strongest use of figurative language is one that hits you right in the first stanza. It states, “Thanks to thanks, / word / that melts / iron and snow.” This personification means that saying “thanks” can break through the toughest and harshest of situations (the iron) and the smallest, softest of situations (the snow). Another use of figurative language can be found in lines 9-14, where it states, “Thanks / makes the rounds / from one pair of lips to another, / soft as a bright / feather / and sweet as a petal of sugar.” First off, personification is used when the speaker says “makes the rounds from one pair

Although the title of this poem doesn't have an obvious meaning, it can be easily understood when the poem is analyzed.

Romantic relationships,contains emotions that both partner share for each other,when conflict begins to arise animosity causes  the separation within  the relationship from those two people.This may or may not leave mutual feeling for each other.However,within the poem “IF You Forget Me”by Pablo Neruda emanates the message,regardless of what may had happened between you and someone else in a intimate relationship the bond between them will either last forever or disappear between each other.But, no matter what the feeling of “If You Forget Me” is mutual by the author uses of  metaphor,express to attempt to tell his lover that he will forget her if she forgets him,in the same instant that it might happen.As Equally important

In the beginning of the story Nea saw the world differently from how her mother and her sister see it. Nea didn't know much of the world but the one she knows of where she had grown up in. During the story Nea tries to understand why Sourdi made the choices Nea thought it was wrong. For example in May-Lee Chai story Nea tries to save Sourdi from being harassed, she thought she was doing the right thing by trying to stab the man that was bothering Sourdi, but instead Sourdi and her mother got mad at Nea for trying to save her. The

Whether stabbing a man with a paring knife or getting a friend to punch her sister's husband in the face, Nea always manages to start trouble for her and her sister, Sourdi. She doesn't do it on purpose, it's just that Nea will do anything to protect her older sister. The issue stems from when the family lived in their native Cambodia; Nea was only four and Sourdi carried her across a minefield on her back. Ever since that moment, Nea has felt indebted to her older sister and has been determined to protect her at all costs. However, the costs seem to be high as her identity has become tied to this notion of debt. In May-Lee Chai's "Saving Sourdi," Nea's identity is shaped

When you read a long poem, sometimes as a young ready, you lose interest. The longer the poem, the faster a reader gets over it. I believe Neruda does not want his readers to lose interest. He wants his readers to understand the meaning behind his art. The reason I say this, is because of his word choice in his poems. The

By once again noting “the hour,” Neruda portrays individuality as perpetuating humanity’s existential woes. Many see the time’s passage as horrid, but nature sees every hour, winter or spring, the same way. However, since the Egoist unfortunately falls victim to the ego’s trap, he cannot experience nature’s wonders.

Neruda then states, "I do not dare, / I do not dare to write it, / if you die" (YEAR, 4-6). Neruda repeats the "do not dare" to

Neruda begins his sonnet in a most unusual manner. He states in the first few lines ways in which he does not love his companion. He does not love her as if she were “the salt-rose, topaz, or arrow of

From a perspective of sound, it is obvious that there is a pattern in the poem that could provide readers the same feel of the sea just by listening to it. The poet uses two techniques basically to create that effect in terms of internal rhythm and soft sounds. For example, in the line “I love the sea because it teaches me” and “what it taught me before, I keep”, a consonance syllable “ee” has been used by Neruda. Also, there are several words containing the syllables like “s”, “sh”, and “w” playing an essential role in creating the whole mood of the poem. For example, Neruda writes” If it’s a single wave or its vast existence, / or only its

The first way I noticed that Pablo Neruda uses form to establish a grief-filled tone in his poem is by repetition, specifically, of the word “night”. The word is present through his entire work. Nights are linked to darkness, and darkness is neurologically linked to depression. In 2007, some neuroscientists at the University of Pennsylvania conducted a study with rats which concluded that light deprivation produces depression in rats. So it is scientifically correct to say that this repeated darkness adds to the grief-filled tone. His first word in both the title and line 1 of the poem is “Tonight” (1) which derives from the word night. After this,

At the mere age of seventeen, Pablo Neruda wrote ’Twenty Love Poems and a Song of Despair’ and it has since become one of his most famous collection of poems. Once, in an interview, Neruda stated that he could not understand “why this book, a book of love-sadness, of love-pain, continues to be read by so many people, by so many young people” (Guibert, 2015). He also mentioned that “Perhaps this book represents the youthful posing of many enigmas; perhaps it represents the answers to those enigmas.” (Guibert, 2015). Neruda was one of the first poets to explore sexual imagery and eroticism in his work and become accepted for it. Many Latin-American poets had attempted the same, but failed to become popular with their critics. He merges his own experiences and memories with that of the picturesque Chilean scenery to present a beautifully poetic sense of love and sexual desire. The collection hosts quite a controversial opinion, however, amongst critics and readers alike, with the risqué themes running throughout the poems. Eroticism being one of the most evident and reoccurring themes.