Two Ways a Woman Can Get Hurt

Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.

Advertising is one of the most popular ways to promote a product. Through advertisement the creators of these products can make millions of dollars, depending on how successful their advertisements are. But are the advertisement selling a product that will help them or are they selling violence and sex? Many ads can influence people in different ways. One of these ways is to show women as objects of rape and sexual abuse. In, “Two Ways a Woman Can Get Hurt” Kilbourne talks about how many ads use women and portray them only as sexual beings. Some of these ads can influence violence against women. Kilbourne described violence in ads, “as in pornography, usually power over another, either by physical dominance.” (269). The Dolce & Gabbana

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement. Women are seen as sex objects when it comes to advertising name brand products. Corporate representatives justify selling and marketing for a product by how a woman looks. Kilbourne explains how the media is a big influence on how men perceive women. Kilbourne tries to prove her point by bashing on advertising agencies and their motives to successfully sell a product. Kilbourne’s affirmation towards advertisements leaves you no doubt that she is against them.

Kilbourne’s support for her argument relies on the Appeal to Authority she makes, citing specific ads of big time companies and businesses to demonstrate how these ads are encouraging sexual aggression and violence. She alleges that ads affect us on an unconscious level stating we’ve become immune to the fact that these ads affect us (417). At the same time, she declares ads are pornographic, since they encourage rape and sexual assault. Kilbourne maintains that all women are vulnerable because “in our culture there is widespread objectification of women’s bodies, glorification of disconnection, violence of women, and blaming of the victim” (433). It all refers back to Kilbourne’s main claim that ads depict individuals as things which encourages sexual hostility.

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

In the article “Two Ways a Women Can Get Hurt,” by Jean Kilbourne she writes about how women in our society are depicted as a sex other than a human. According to Jean, it’s the fact of showing women as objects in the media, which generates most of the violence or mistreatment women experience in our current society. Kilbourne later mentions recognizes that the role given to men and women in advertisement is such a representation of what is a norm “the popular culture idealizes a template for relationships between men and women that is a recipe for disaster: a template that view sex as more important than anything else, that ridicules men who are in control of their women”. Proving that Jean believes that if women are abused today, its only

The documentaries Dream World 3 and Killing Us Softly 4 examine the exploitation of women within the media. The media, such as advertisement and the music video industry, relies heavily on the seductive image of female sexuality. Evident in not only every genre of music, but also every form of advertisement, the videos and advertisements expose and, subsequently sexualize the female body. Such sexualization inevitable leads to

Dominance over woman is also a huge role in violence in advertisements. The dominance over women is brutally shown in this advertising of the women in the diagramed picture. In a society in which violence against women is normalized, this ad is accepted and considered. This means that it has become a normalcy to see a women naked in an advertisement. In places where this ad is shown, millions of women and girls are raped, beaten, and trafficked

Have you ever picked up a magazine and browse through it for five minutes? How many pages do you think you saw in the time you had? Not many. Now, how many women you saw posing in different ways to sell a product? A lot right. From selling a hamburger to a 2016 new car a woman is portray as one more object to sell a product. We see it in newspapers, magazines, on television, the internet and it has reached to the point that wherever you look there’s a sexual advertisement. We live under a lot of advanced technology that nowadays advertising plays a huge role in our society. According to National Domestic Violence statistics state that twenty-four people per minute are victims of some type of violence by an intimate partner in the United States. Jean Kilbourne in her article “Two ways a woman can get hurt: advertising and violence” argues how these advertisements affects us, how we don’t care about it because it is seen as “normal” nowadays and how it impacts us in our daily lives. Emphasizing that its target is to dehumanize and objectify women because nothing material fulfills our needs. All this advertising going around encourages certain ways of acting and leads to misunderstandings, they are harming us more than they are helping us. Meaning that they are teaching and giving false messages to young relationships. Consequently, man and women are being misrepresented as sex symbols and tools by the media. Therefore, how all these advertisements contribute to affect

When we think of men in society, we think of someone strong and dominant. We think of the gender that is in charge. But what do we think of when we think of women? Do we see them the same way? Usually that’s not the case. When we think of women in society, we think of someone who does what they’re told without question. Maybe we think of the celebrities that advertise our favorite products. But, nobody every really looks deeper into the way women are viewed in society. However, Jean Kilbourne does. In her article entitled “Two Ways A Woman Can Get Hurt: Advertising and Violence” she dives into how women are really viewed and what seems to be the “cultural norm”. In society, women are viewed as objects or as property. So in turn, men think

Throughout the article Kilbourne was effective in using logos, pathos, and ethos to establish exigence driving the creation of Kairos and the need to respond to the crisis of increased sexual assault and rape and the need to act now to change the way advertising is used to target both the young and the old. Even though she is effective in creating these appeals she detracts from her own purpose by alienating one of her primary audience. In her article on multiple occasions she makes comments such as “there is no danger for most men” and “Men are not likely to be raped, harassed, or beaten ( that is to say, men to be presumed to be heterosexual are not, can very few men are abused in these ways by women)” (Kilbourne, 165) these biased opinions as there is no research to support these claims as there is with other claims in her article distracts from her purpose and gets lost in all the rhetoric. The one-sided view of this article makes it hard to read and even harder to agree with the purpose of the message. If it is in fact her intent is to gain agreement from her primary audience; advertising agencies and government official; she would be ineffective as she loses all common ground and goodwill by including so many biased statements in her article. If a government official attempted to use this article to act now to the exigencies of rapes on college campus they would not gain support from a portion of the population particular heterosexual males how have been victims of

“Sex in advertising is more about disconnection and distance than connection and closeness. It is also more often about power than passion, about violence than violins” (491). Media has developed an abusive view on women, particularly on their bodies and their sexuality. Not only does it judge women on their bodies and sexuality, media also undermines women’s intelligence and glorifies rape and violence. Media has made girls and boys think that it is okay to rape and be violent in a relationships. Media has also formed the idea that sex is the most important thing in a relationship, which is ruining relationships. The article, “Two Ways a Woman Can Get Hurt: Advertising and Violence,” by Jean Kilbourne examines how women are portrayed in

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Everyday we expose ourselves to thousands of advertisements in a wide variety of environments where ever we go; yet, we fail to realize the influence of the implications being sold to us on these advertisements, particularly about women. Advertisements don’t just sell products; they sell this notion that women are less of humans and more of objects, particularly in the sexual sense. It is important to understand that the advertising worlds’ constant sexual objectification of women has led to a change in sexual pathology in our society, by creating a culture that strives to be the unobtainable image of beauty we see on the cover of magazines. Even more specifically it is important to study the multiple influences that advertisements have