Underground Man Analysis

In Crime and Punishment, Dostoevsky creates a psychological thriller, in which he reimagines his own life through the eyes of Raskolnikov. Whereas the Russian government sentences Dostoevsky to Siberia as punishment for sedition, Siberia serves a means of atonement for Raskolnikov. This type of religious undertone reinforces the novel’s existentialistic messages that emphasizes individual existence, freedom and choice. It holds the view that humans define their own meaning in life, and try to make rational decisions despite existing in an irrational universe. Thus, humans create their own purpose in life and their choices define who they are. Dostoevsky utilizes figurative language, specifically biblical allusions, as a way of conveying and clarifying these themes to the reader. By connecting to Bible, the author universalizes the intention, allowing the reader to apply the text to their own lives, and granting the audience further insight into the novel. Thus, biblical allusions help enrich the themes of Crime and Punishment while also cementing the central message of salvation- anyone, even murderers, have the potential to redeem themselves.

Despite his unpleasant attitude, the Underground Man does crave attention from others and wants to be respected for his intelligence and knowledge. However, he is completely unable to interact with people normally, a characteristic that is perhaps best illustrated through his experiences with the officer who casually pushes him aside one night when the Underground Man is looking for a fight (48). He tries to bring himself to challenge the officer, but lacks the “moral courage” to do so because he is convinced that if anyone were to witness him protesting and speaking “literary Russian,” they would “misunderstand and jeer at [him]” (49). He becomes obsessed with the idea of confronting the officer, dedicating “several years” (49) to “gather[ing] information” about him, even taking a pay advance to buy clothing that he believes will make him and the officer seem “on an equal footing in the eyes of high society” (52). Instigating a conflict is the only way that the Underground Man knows how to somehow participate in life, and regardless of whether or not the interaction he has is a negative one, it’s something. Though it

When describing how the Underground Man became alienated, Dostoyevsky surfaces some of the Underground Man’s past life. When the Underground Man meets Liza, the prostitute he eventually sleeps with, he thought to himself: “I was already longing to expound the cherished ideas I had brooded over in my corner” (118).

In the novel “Crime and Punishment”, the author, Fyodor Dostoevsky gives the reader a glimpse into the mind of a tormented criminal, by his guilt of a murder. Dostoevsky’s main focal point of the novel doesn’t lie within the crime nor the punishment but within the self-conflicting battle of a man and his guilty conscience. The author portrays tone by mood manipulation and with the use of descriptive diction to better express his perspective in the story, bringing the reader into the mind of the murderer.

We formed a special bond with Nabokov despite the difficulty of his prose. This went deeper than out identification with his themes. His novels are shaped around invisible trapdoors, sudden gaps that constantly pull the carpet from under the reader’s feet. They are filled with mistrust of what we call everyday reality, an acute sense of that reality’s fickleness and frailty (293).

Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.

Dostoevsky, the author of Crime and Punishment, was extremely concerned with many of the social issues of his day. It his work, he addresses the rise of nihilism and disregard for moral responsibility that overtook Russia’s youth during the 1860s through Raskolnikov, who murders a pawnbroker.

The Man Who Lived Underground by Richard Wright is full of symbols. The story is that of a man who after being accused of a murder starts living in underground sewers, in an attempt to escape the law. There are several themes in the story, however, underground life is a powerful major theme in it that has several meanings and implications in the context of the story. Underground can be seen as a potent symbol meaning an escape from the social institution and its bondage, as a relief from inequality and racial divisions, as solitude and self-discovery and many more similar things. Underground is also the stage for the most of the drama that takes place as a part of the story. However, underground also appears as a symbol of repulsion and revolt. Overall, the writer has used the symbol of underground to expose the corruption and chaos in the society in a brilliant manner.

the little understanding of psychology at the time. In another example, the Underground Man states: “If, for instance, some day they calculate and prove to me that I made a long nose at

Fyodor Dostoyevsky’s novel, Notes from the Underground Man, uses the idea of a modern dystopia by depicting a story that revolves around a distressed older man. Throughout the novel, the main character has a narcissistic belief that he is better than everyone else because of his acute sense of consciousness. His awareness however, also causes him to believe not only are people ignorant to the world around him but that they are also against him. In contrast, critics believe that the main character, the underground man, actually suffers from psychological disorders that causes him to reason this way. Psychological disorders are defined as a wide range of conditions that can affect mood, behavior and thinking, and based on his conduct in the novel, the underground man presents himself as an individual who is subjected to obsessive compulsive behavior, social repression and paranoia.

From declaring he wanted to become a Napoleon to wishing for financial independence to murdering for his own sake, he rattles off various motives, showing his obsessive rationalization (394-397). By presenting his conflicting intentions, Dostoevsky exhibits the chaos within Raskolnikov’s mind.

Fyodor Dostoyevsky’s Notes from the Underground (1864/2008) comes across as a diary penned by a self-described “spiteful” and “unattractive” anonymous narrator (p. 7). The narrator’s own self-loathing characterized by self-alienation is so obvious, that he is often referred to by critics as the Underground Man (Frank 1961, p. 1). Yet this Underground Man is the central character of Dostoyevsky’s novel and represents a subversion of the typical courageous hero. In this regard, the Underground man is an anti-hero, since as a protagonist he not only challenges the typical literary version of a hero, but also challenges conventional thinking (Brombert 1999, p. 1).

In this paper, I plan to explain Dostoevsky’s criticism of Western Individualism. Dostoevsky’s first criticism resides in the idea to “love life more than the meaning of it, “which is presented by the character Alyosha (Dostoevsky 3). Allowing this character to discuss this topic, along with the commentary of Ivan, demonstrates their mindset to solely focus on their own lives, opposed to caring for others. This leads to them living for the now, and not focusing on how their decisions will affect their future or others. Dostoevsky disapproves of this notion because living by this mentality encourages the guidance of logic, which is dangerous because it could tell you to kill yourself. From Dostoevsky’s Eastern Orthodox background, he believes that the only way from living from this situation is to deny it. By denying this way of living, the focus toward life will not be directed toward yourself, but toward the way you can impact the environment around you. Ivan clearly does not believe in these values, due to his intentions to commit suicide at the age of thirty. As said before, living by the idea to “love life more than the meaning of it” leads to death, and Ivan indulges in this to the fullest (Dostoevsky 3).

Fyodor Dostoevsky’s Crime and Punishment offers much social commentary. The novel is brimming with architectural imagery, including mentions of stairs and doors. Dostoevsky’s use of architectural imagery seems to comment on the morality of characters in the novel and in extension, the morality that exists within society, as well as the idea of an extraordinary man.

The author showed his opinion on the structure of the society, social norms and beliefs. He expressed his disagreement with “The Extraordinary Man Theory”. He told the audience that all people have feelings and emotions and cannot rely only on logic and calculations. People cannot hurt others and go unpunished. The ending of the novel helped to strengthen his ideas and convictions. In the end, everyone in the novel received the deserved punishment assigned either by the law or by fate. Raskolnikov and Svidrigailov realized that their actions were wrong and contradicted to the all social norms. They recognized that they were not extraordinary men. Dostoevsky made this novel very educative and filled with morality. It is great for people of all times and generations. It reveals what is good and wrong; it teaches how to be a